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Cobham Hall in Kent, 1800 (hand-coloured aquatint)
986056 Cobham Hall in Kent, 1800 (hand-coloured aquatint) by Wood, John George (1768-1838) (after); 48.3x61 cm; Private Collection; (add.info.: Cobham Hall in Kent. From Views of the Noblemens and Gentlemens Seats of Kent. Engraved by William Green (1760-1823) after John George Wood (1768-1838). Hand-coloured aquatint. Published in 1800. 48.3 x 61cm.); Photo eChristies Images; British, out of copyright
Media ID 23305572
© Christie's Images / Bridgeman Images
1800 1800s Aquatint Cobham Hall Country House Early 19th Century Early Nineteenth Century Estate Etching Front Grounds Hand Colored Hand Coloring Hand Coloured Hand Colouring Hand Tinted Handcolored Kent Kentish Prints Residence Artist British British Artist
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases Cobham Hall in Kent, a stunning architectural gem from the early 19th century. The hand-coloured aquatint, created by John George Wood and engraved by William Green, transports us back to a time when this grand estate stood as a symbol of elegance and opulence. The image captures the magnificent building exterior surrounded by lush greenery and towering trees. With no people in sight, it allows us to appreciate the beauty of the house itself, its intricate facade standing proudly against the backdrop of nature. The hand colouring adds depth and vibrancy to the scene, enhancing our visual experience. It brings out every detail of this British masterpiece with precision and artistry. Cobham Hall's historical significance is further emphasized by its inclusion in "Views of the Noblemens and Gentlemens Seats of Kent" published in 1800. This print serves as a testament to both Wood's talent as an artist and Green's skillful engraving technique. As we gaze upon this remarkable piece, we are transported not only to Cobham Hall but also to a time long gone. We can almost imagine ourselves strolling through its grounds on a peaceful day in 19th-century England. Overall, this print is an exquisite representation of Cobham Hall's timeless beauty—a true treasure for any admirer of British architecture or history.
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