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Photographic Print : Trionfi sugar sculptures Myrrha Daphne Raggvaglio della

Trionfi sugar sculptures Myrrha Daphne Raggvaglio della




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Trionfi sugar sculptures Myrrha Daphne Raggvaglio della

Trionfi or sugar sculptures of Myrrha and Daphne, Raggvaglio della solenne comparsa, fatta in Roma gli otto di gennaio MDCLXXXVII. dall illvstrissimo, et eccellentissimo signor conte di Castelmaine ambasciadore straordinario della Sagra Real Maesta di Giacomo Secondo re d Inghilterra, Scozia, Francia, et Ibernia, difensore della fede alla Santa Sede Apostolica, in andare pvblicamente all vdienza della Santita di Nostro Signore Papa Innocenzo Vndecimo, Lenardi, Giovanni Battista, 1656-1704, Westerhout, Arnold van, 1651-1725, Wright, John Michae, ca. 1617-ca. 1694, Etching, 1687?, The table sculptures were designed for the banquet given by British Ambassador Roger Palmer, Earl of Castlemaine, in Rome on January 14, 1687. On the left, Myrrha is changed into a myrtle tree that splits open to release the infant Adonis. On the right, Daphne is changed into a laurel tree by her father Peneus, while Apollo approaches and Cupid flies nearby. Captions/inscriptions: 15--in upper right. Gio: Batta. Lenardi delin.--in lower left. Arnoldo V. Westerhout fiam.o Sculp.--in lower right

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 18510781

© Liszt Collection

1651 1725 1687 1694 Alla Banquet Given Captions Inscriptions Changed Conte Daphne Della Designed Earl Fede Francia Giacomo Giovanni Battista Innocenzo Lower Maesta Otto Palmer Papa Real Release Roger Santa Sculp Sede Signor Signore Sugar Sculptures Upper Wright Apostolica Arnold Van Batta British Ambassador Castlemaine Comparsa Laurel Tree Lenardi Myrrha Nostro Scozia Secondo Trionfi Westerhout


11"x8.5" Photo Print

Indulge in the exquisite artistry of Trionfi sugar sculptures with our Liszt Collection Photographic Print. Capturing the intricate details of Myrrha and Daphne, this print showcases a solemn procession that took place in Rome in 1687. Immerse yourself in the rich history and beauty of these edible masterpieces, brought to life through our high-quality prints.

Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Image Size (if not cropped) is 27.9cm x 19.3cm (11" x 7.6")

Estimated Product Size is 27.9cm x 21.6cm (11" x 8.5")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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> Arts > Artists > W > Arnold van Westerhout

> Arts > Sculpture

> Europe > Italy > Lazio > Rome

> Europe > Italy > Rome


EDITORS COMMENTS
This print showcases the magnificent Trionfi sugar sculptures of Myrrha and Daphne, created for a grand banquet hosted by British Ambassador Roger Palmer, Earl of Castlemaine, in Rome on January 14,1687. The intricate etching captures the essence of this extraordinary event that celebrated artistry and opulence. On the left side of the image, we witness the transformation of Myrrha into a myrtle tree. With delicate details, her figure splits open to reveal the infant Adonis emerging from within. This symbolic representation highlights themes of rebirth and nature's eternal cycle. On the right side, we are enchanted by Daphne's metamorphosis into a laurel tree at the hands of her father Peneus. As Apollo approaches with admiration in his eyes, Cupid gracefully flies nearby. This scene beautifully portrays love's transformative power and immortalizes an ancient mythological tale. The collaboration between talented artists Giovanni Battista Lenardi as designer and Arnold van Westerhout as engraver has resulted in an exquisite piece that exudes elegance and sophistication. Their meticulous attention to detail is evident throughout every element depicted in this artwork. This remarkable print offers us a glimpse into history while showcasing masterful craftsmanship and artistic ingenuity. It serves as a testament to human creativity transcending time and reminds us of our innate ability to transform ordinary materials into extraordinary works of art.

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