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Fine Art Print : Trionfi sugar sculptures Myrrha Daphne Raggvaglio della
Fine Art Prints from Liszt Collection
Trionfi sugar sculptures Myrrha Daphne Raggvaglio della
Trionfi or sugar sculptures of Myrrha and Daphne, Raggvaglio della solenne comparsa, fatta in Roma gli otto di gennaio MDCLXXXVII. dall illvstrissimo, et eccellentissimo signor conte di Castelmaine ambasciadore straordinario della Sagra Real Maesta di Giacomo Secondo re d Inghilterra, Scozia, Francia, et Ibernia, difensore della fede alla Santa Sede Apostolica, in andare pvblicamente all vdienza della Santita di Nostro Signore Papa Innocenzo Vndecimo, Lenardi, Giovanni Battista, 1656-1704, Westerhout, Arnold van, 1651-1725, Wright, John Michae, ca. 1617-ca. 1694, Etching, 1687?, The table sculptures were designed for the banquet given by British Ambassador Roger Palmer, Earl of Castlemaine, in Rome on January 14, 1687. On the left, Myrrha is changed into a myrtle tree that splits open to release the infant Adonis. On the right, Daphne is changed into a laurel tree by her father Peneus, while Apollo approaches and Cupid flies nearby. Captions/inscriptions: 15--in upper right. Gio: Batta. Lenardi delin.--in lower left. Arnoldo V. Westerhout fiam.o Sculp.--in lower right
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 18510781
© Liszt Collection
1651 1725 1687 1694 Alla Banquet Given Captions Inscriptions Changed Conte Daphne Della Designed Earl Fede Francia Giacomo Giovanni Battista Innocenzo Lower Maesta Otto Palmer Papa Real Release Roger Santa Sculp Sede Signor Signore Sugar Sculptures Upper Wright Apostolica Arnold Van Batta British Ambassador Castlemaine Comparsa Laurel Tree Lenardi Myrrha Nostro Scozia Secondo Trionfi Westerhout
21"x14" (+3" Border) Fine Art Print
Experience the enchanting world of Baroque art with our exquisite Fine Art Prints from Media Storehouse. This captivating image showcases the stunning Trionfi sugar sculptures of Myrrha and Daphne, Raggvaglio della solenne comparsa, created in Rome on January 8, 1687. These intricately detailed sugar sculptures, inspired by the mythological tale of Myrrha and Daphne, are a masterpiece of the Liszt Collection. Bring the beauty and rich history of this artwork into your home and elevate your decor with our museum-quality prints, expertly reproduced for your viewing pleasure.
21x14 image printed on 27x20 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 51.2cm x 35.5cm (20.2" x 14")
Estimated Product Size is 68.6cm x 50.8cm (27" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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This print showcases the magnificent Trionfi sugar sculptures of Myrrha and Daphne, created for a grand banquet hosted by British Ambassador Roger Palmer, Earl of Castlemaine, in Rome on January 14,1687. The intricate etching captures the essence of this extraordinary event that celebrated artistry and opulence. On the left side of the image, we witness the transformation of Myrrha into a myrtle tree. With delicate details, her figure splits open to reveal the infant Adonis emerging from within. This symbolic representation highlights themes of rebirth and nature's eternal cycle. On the right side, we are enchanted by Daphne's metamorphosis into a laurel tree at the hands of her father Peneus. As Apollo approaches with admiration in his eyes, Cupid gracefully flies nearby. This scene beautifully portrays love's transformative power and immortalizes an ancient mythological tale. The collaboration between talented artists Giovanni Battista Lenardi as designer and Arnold van Westerhout as engraver has resulted in an exquisite piece that exudes elegance and sophistication. Their meticulous attention to detail is evident throughout every element depicted in this artwork. This remarkable print offers us a glimpse into history while showcasing masterful craftsmanship and artistic ingenuity. It serves as a testament to human creativity transcending time and reminds us of our innate ability to transform ordinary materials into extraordinary works of art.
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