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Canvas Print : Trionfi sugar sculptures Myrrha Daphne Raggvaglio della
Canvas Prints from Liszt Collection
Trionfi sugar sculptures Myrrha Daphne Raggvaglio della
Trionfi or sugar sculptures of Myrrha and Daphne, Raggvaglio della solenne comparsa, fatta in Roma gli otto di gennaio MDCLXXXVII. dall illvstrissimo, et eccellentissimo signor conte di Castelmaine ambasciadore straordinario della Sagra Real Maesta di Giacomo Secondo re d Inghilterra, Scozia, Francia, et Ibernia, difensore della fede alla Santa Sede Apostolica, in andare pvblicamente all vdienza della Santita di Nostro Signore Papa Innocenzo Vndecimo, Lenardi, Giovanni Battista, 1656-1704, Westerhout, Arnold van, 1651-1725, Wright, John Michae, ca. 1617-ca. 1694, Etching, 1687?, The table sculptures were designed for the banquet given by British Ambassador Roger Palmer, Earl of Castlemaine, in Rome on January 14, 1687. On the left, Myrrha is changed into a myrtle tree that splits open to release the infant Adonis. On the right, Daphne is changed into a laurel tree by her father Peneus, while Apollo approaches and Cupid flies nearby. Captions/inscriptions: 15--in upper right. Gio: Batta. Lenardi delin.--in lower left. Arnoldo V. Westerhout fiam.o Sculp.--in lower right
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 18510781
© Liszt Collection
1651 1725 1687 1694 Alla Banquet Given Captions Inscriptions Changed Conte Daphne Della Designed Earl Fede Francia Giacomo Giovanni Battista Innocenzo Lower Maesta Otto Palmer Papa Real Release Roger Santa Sculp Sede Signor Signore Sugar Sculptures Upper Wright Apostolica Arnold Van Batta British Ambassador Castlemaine Comparsa Laurel Tree Lenardi Myrrha Nostro Scozia Secondo Trionfi Westerhout
30"x20" (76x51cm) Canvas Print
Bring the enchanting world of Trionfi sugar sculptures into your home with our Media Storehouse Canvas Prints. This exquisite design features the captivating scene of Myrrha and Daphne Raggvaglio della from the Liszt Collection. Crafted in Rome in 1687, these intricately detailed sugar sculptures tell the mythological tale of Myrrha's transformation into a tree to escape her lover's advances, with Daphne's metamorphosis into a laurel tree preserving her chastity. Our high-quality canvas prints showcase the rich colors and textures of these timeless works of art, creating a stunning addition to any decor. Immerse yourself in the beauty and history of the Trionfi sugar sculptures with Media Storehouse.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 76.2cm x 50.8cm (30" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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This print showcases the magnificent Trionfi sugar sculptures of Myrrha and Daphne, created for a grand banquet hosted by British Ambassador Roger Palmer, Earl of Castlemaine, in Rome on January 14,1687. The intricate etching captures the essence of this extraordinary event that celebrated artistry and opulence. On the left side of the image, we witness the transformation of Myrrha into a myrtle tree. With delicate details, her figure splits open to reveal the infant Adonis emerging from within. This symbolic representation highlights themes of rebirth and nature's eternal cycle. On the right side, we are enchanted by Daphne's metamorphosis into a laurel tree at the hands of her father Peneus. As Apollo approaches with admiration in his eyes, Cupid gracefully flies nearby. This scene beautifully portrays love's transformative power and immortalizes an ancient mythological tale. The collaboration between talented artists Giovanni Battista Lenardi as designer and Arnold van Westerhout as engraver has resulted in an exquisite piece that exudes elegance and sophistication. Their meticulous attention to detail is evident throughout every element depicted in this artwork. This remarkable print offers us a glimpse into history while showcasing masterful craftsmanship and artistic ingenuity. It serves as a testament to human creativity transcending time and reminds us of our innate ability to transform ordinary materials into extraordinary works of art.
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