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Photographic Print : Grugeau. Alfred, Alphonse. 26 ans, ne a Tours (Indre & Loire). Cordonnier

Grugeau. Alfred, Alphonse. 26 ans, ne a Tours (Indre & Loire). Cordonnier




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Grugeau. Alfred, Alphonse. 26 ans, ne a Tours (Indre & Loire). Cordonnier

Grugeau. Alfred, Alphonse. 26 ans, ne a Tours (Indre & Loire). Cordonnier. Anarchiste. 9/3/94. 1894

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Media ID 20137134

© Heritage Art/Heritage Images

Alphonse Alphonse Bertillon Anarchism Anarchist Anthropology Anthropometry Arrest Arrested Bertillon Bertillon Alphonse Bertillonage Cobbler Criminal Identification Mug Shot Mugshot Physical Anthropology Shoemaker Albumen Silver Print


10"x8" Photo Print

Discover the captivating history of Alfred Grugeau in this vintage photograph from the Media Storehouse collection. Taken by renowned French photographer Alphonse Bertillon in 1894, this image captures Alfred at the age of 26, hailing from Tours, Indre & Loire. Known as a cordwainer, or shoemaker, Alfred is also depicted as an anarchist in this intriguing portrait. Travel back in time and add a unique piece of history to your home or office décor with this stunning, high-quality print from Heritage Images.

Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Product Size is 20.3cm x 25.4cm (8" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > D > Alfred > Related Images

> Arts > Contemporary art > Photography > Portraits

> Arts > Contemporary art > Portraits > Portrait photography

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Street art graffiti > Portraits > Portrait photography

> Europe > France > Canton > Indre

> Europe > France > Canton > Loire

> Europe > France > Tours

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


EDITORS COMMENTS
This 19th-century albumen print captures the enigmatic figure of Grugeau. Alfred, Alphonse, a 26-year-old cobbler hailing from Tours in Indre & Loire. The photograph showcases the arresting mug shot of this intriguing individual who not only practiced his trade but also identified himself as an anarchist. Taken on September 3rd, 1894, by renowned photographer Alphonse Bertillon, this black and white portrait exudes a sense of mystery and defiance. In an era marked by political unrest and social upheaval, Grugeau's anarchistic beliefs were undoubtedly seen as radical at the time. Bertillonage, a pioneering concept in physical anthropology and criminal identification developed by Bertillon himself, is evident in this meticulously composed image. Through precise measurements and detailed documentation of facial features and bodily characteristics, Bertillon aimed to create a scientific approach to crime prevention. As we gaze upon this historical artifact housed within the Metropolitan Museum of Art's collection, we are transported back to a tumultuous period in French history where politics intersected with personal identity. Grugeau's mugshot serves as both evidence of his arrest for unknown reasons and as a testament to the power that photography held in documenting lives during that time. This print not only highlights one man's occupation but also offers us insight into larger societal issues such as political dissent and cultural heritage. It stands as a reminder that even within seemingly ordinary professions like shoemaking lies

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