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Fine Art Print : Grugeau. Alfred, Alphonse. 26 ans, ne a Tours (Indre & Loire). Cordonnier

Grugeau. Alfred, Alphonse. 26 ans, ne a Tours (Indre & Loire). Cordonnier



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Grugeau. Alfred, Alphonse. 26 ans, ne a Tours (Indre & Loire). Cordonnier

Grugeau. Alfred, Alphonse. 26 ans, ne a Tours (Indre & Loire). Cordonnier. Anarchiste. 9/3/94. 1894

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Media ID 20137134

© Heritage Art/Heritage Images

Alphonse Alphonse Bertillon Anarchism Anarchist Anthropology Anthropometry Arrest Arrested Bertillon Bertillon Alphonse Bertillonage Cobbler Criminal Identification Mug Shot Mugshot Physical Anthropology Shoemaker Albumen Silver Print


20"x16" (+3" Border) Fine Art Print

Discover the captivating work of Alphonse Bertillon with this Fine Art Print featuring Alfred Grugeau, a 26-year-old shoemaker from Tours, Indre & Loire. Taken in 1894, this historic photograph showcases the raw emotion and authenticity of the Anarchist movement during that era. Add a touch of history and artistic flair to your home or office with this stunning, museum-quality print from Media Storehouse's Fine Art Prints collection.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 55.9cm x 66cm (22" x 26")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > D > Alfred > Related Images

> Arts > Contemporary art > Photography > Portraits

> Arts > Contemporary art > Portraits > Portrait photography

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Street art graffiti > Portraits > Portrait photography

> Europe > France > Canton > Indre

> Europe > France > Canton > Loire

> Europe > France > Tours

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


EDITORS COMMENTS
This 19th-century albumen print captures the enigmatic figure of Grugeau. Alfred, Alphonse, a 26-year-old cobbler hailing from Tours in Indre & Loire. The photograph showcases the arresting mug shot of this intriguing individual who not only practiced his trade but also identified himself as an anarchist. Taken on September 3rd, 1894, by renowned photographer Alphonse Bertillon, this black and white portrait exudes a sense of mystery and defiance. In an era marked by political unrest and social upheaval, Grugeau's anarchistic beliefs were undoubtedly seen as radical at the time. Bertillonage, a pioneering concept in physical anthropology and criminal identification developed by Bertillon himself, is evident in this meticulously composed image. Through precise measurements and detailed documentation of facial features and bodily characteristics, Bertillon aimed to create a scientific approach to crime prevention. As we gaze upon this historical artifact housed within the Metropolitan Museum of Art's collection, we are transported back to a tumultuous period in French history where politics intersected with personal identity. Grugeau's mugshot serves as both evidence of his arrest for unknown reasons and as a testament to the power that photography held in documenting lives during that time. This print not only highlights one man's occupation but also offers us insight into larger societal issues such as political dissent and cultural heritage. It stands as a reminder that even within seemingly ordinary professions like shoemaking lies

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