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Metal Print : Grugeau. Alfred, Alphonse. 26 ans, ne a Tours (Indre & Loire). Cordonnier
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Grugeau. Alfred, Alphonse. 26 ans, ne a Tours (Indre & Loire). Cordonnier
Grugeau. Alfred, Alphonse. 26 ans, ne a Tours (Indre & Loire). Cordonnier. Anarchiste. 9/3/94. 1894
Heritage Images features heritage image collections
Media ID 20137134
© Heritage Art/Heritage Images
Alphonse Alphonse Bertillon Anarchism Anarchist Anthropology Anthropometry Arrest Arrested Bertillon Bertillon Alphonse Bertillonage Cobbler Criminal Identification Mug Shot Mugshot Physical Anthropology Shoemaker Albumen Silver Print
16"x20" (51x41cm) Metal Print
Bring the timeless essence of history to your home or office with our Media Storehouse Metal Prints. This captivating image features Alfred Grugeau, a 26-year-old shoemaker from Tours, Indre & Loire, France, as depicted in the iconic photograph "Cordonnier" by Alphonse Bertillon. Taken in 1894, this photograph captures Grugeau's anarchist spirit with unparalleled detail and authenticity. Our high-quality Metal Prints are crafted using premium materials and state-of-the-art printing techniques to ensure vibrant colors, sharp details, and a stunning finish. Each print is individually inspected for perfection and comes ready to hang, making it a perfect addition to any decor. Bring a piece of history into your space with our Alfred Grugeau Metal Print.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This 19th-century albumen print captures the enigmatic figure of Grugeau. Alfred, Alphonse, a 26-year-old cobbler hailing from Tours in Indre & Loire. The photograph showcases the arresting mug shot of this intriguing individual who not only practiced his trade but also identified himself as an anarchist. Taken on September 3rd, 1894, by renowned photographer Alphonse Bertillon, this black and white portrait exudes a sense of mystery and defiance. In an era marked by political unrest and social upheaval, Grugeau's anarchistic beliefs were undoubtedly seen as radical at the time. Bertillonage, a pioneering concept in physical anthropology and criminal identification developed by Bertillon himself, is evident in this meticulously composed image. Through precise measurements and detailed documentation of facial features and bodily characteristics, Bertillon aimed to create a scientific approach to crime prevention. As we gaze upon this historical artifact housed within the Metropolitan Museum of Art's collection, we are transported back to a tumultuous period in French history where politics intersected with personal identity. Grugeau's mugshot serves as both evidence of his arrest for unknown reasons and as a testament to the power that photography held in documenting lives during that time. This print not only highlights one man's occupation but also offers us insight into larger societal issues such as political dissent and cultural heritage. It stands as a reminder that even within seemingly ordinary professions like shoemaking lies
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