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Photographic Print : The skeleton of Death takes away the drunken Sot in a wheelbarrow, while other drunks make merry in front of The Goat pub. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816
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The skeleton of Death takes away the drunken Sot in a wheelbarrow, while other drunks make merry in front of The Goat pub. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816
FLO4690512 The skeleton of Death takes away the drunken Sot in a wheelbarrow, while other drunks make merry in front of The Goat pub. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816. by Rowlandson, Thomas (1756-1827); (add.info.: The skeleton of Death takes away the drunken Sot in a wheelbarrow, while other drunks make merry in front of The Goat pub. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.); © Florilegius
Media ID 23324914
© Florilegius / Bridgeman Images
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12"x8" Photo Print
Step into the past with our captivating selection from the Media Storehouse range of Photographic Prints. This hauntingly beautiful image, titled 'The Skeleton of Death takes away the drunken Sot in a wheelbarrow,' is an exquisite hand-colored copperplate drawing and engraving by Thomas Rowlandson from The English Dance of Death, published by Ackermann in London, 1816. Witness the stark contrast between the merriment of the drunken revelers in front of The Goat pub and the grim reaper's inexorable claim on one unfortunate soul. Add this timeless work of art to your collection and bring a touch of history into your home or office.
Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.
Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.
Estimated Image Size (if not cropped) is 30.4cm x 17.8cm (12" x 7")
Estimated Product Size is 30.5cm x 20.3cm (12" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This handcoloured copperplate print by Thomas Rowlandson, titled "The skeleton of Death takes away the drunken Sot in a wheelbarrow, while other drunks make merry in front of The Goat pub" captures a macabre scene from 19th century England. In this allegorical depiction, Rowlandson uses dark humor to comment on the destructive nature of alcoholism and its impact on society. The central focus of the image is Death personified as a skeleton, pushing a wheelbarrow containing an intoxicated man. This symbolizes how excessive drinking can lead to one's demise. Meanwhile, other revelers continue their merriment outside The Goat pub, oblivious to the consequences that await them. Rowlandson's caricature style adds an element of satire to the scene. The exaggerated expressions and gestures highlight the absurdity of their behavior and serve as a cautionary tale against indulgence. Beyond its entertainment value, this engraving serves as social commentary on issues such as addiction and public health during that time period. It reflects concerns about alcohol consumption and its negative effects on individuals and society at large. Overall, this print offers viewers a glimpse into English culture in the early 19th century while reminding us of timeless themes surrounding vice and mortality.
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