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Fine Art Print : The skeleton of Death takes away the drunken Sot in a wheelbarrow, while other drunks make merry in front of The Goat pub. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816
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The skeleton of Death takes away the drunken Sot in a wheelbarrow, while other drunks make merry in front of The Goat pub. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816
FLO4690512 The skeleton of Death takes away the drunken Sot in a wheelbarrow, while other drunks make merry in front of The Goat pub. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816. by Rowlandson, Thomas (1756-1827); (add.info.: The skeleton of Death takes away the drunken Sot in a wheelbarrow, while other drunks make merry in front of The Goat pub. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.); © Florilegius
Media ID 23324914
© Florilegius / Bridgeman Images
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21"x14" (+3" Border) Fine Art Print
Step into the captivating world of 19th-century England with this exquisite fine art print from Media Storehouse. Featuring a hand-colored copperplate drawing and engraving by Thomas Rowlandson, this hauntingly beautiful image is taken from The English Dance of Death series published by Ackermann in London, 1816. Witness the Grim Reaper in action as he takes away a drunken man in a wheelbarrow, while others continue to revel in front of The Goat pub. This intricately detailed print is a captivating reminder of the transience of life and the inevitability of death. Bring history and art into your home with this stunning addition to your collection.
21x14 image printed on 27x20 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 53.3cm x 31.2cm (21" x 12.3")
Estimated Product Size is 68.6cm x 50.8cm (27" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This handcoloured copperplate print by Thomas Rowlandson, titled "The skeleton of Death takes away the drunken Sot in a wheelbarrow, while other drunks make merry in front of The Goat pub" captures a macabre scene from 19th century England. In this allegorical depiction, Rowlandson uses dark humor to comment on the destructive nature of alcoholism and its impact on society. The central focus of the image is Death personified as a skeleton, pushing a wheelbarrow containing an intoxicated man. This symbolizes how excessive drinking can lead to one's demise. Meanwhile, other revelers continue their merriment outside The Goat pub, oblivious to the consequences that await them. Rowlandson's caricature style adds an element of satire to the scene. The exaggerated expressions and gestures highlight the absurdity of their behavior and serve as a cautionary tale against indulgence. Beyond its entertainment value, this engraving serves as social commentary on issues such as addiction and public health during that time period. It reflects concerns about alcohol consumption and its negative effects on individuals and society at large. Overall, this print offers viewers a glimpse into English culture in the early 19th century while reminding us of timeless themes surrounding vice and mortality.
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