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Framed Print : The skeleton of Death takes away the drunken Sot in a wheelbarrow, while other drunks make merry in front of The Goat pub. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816

The skeleton of Death takes away the drunken Sot in a wheelbarrow, while other drunks make merry in front of The Goat pub. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816



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The skeleton of Death takes away the drunken Sot in a wheelbarrow, while other drunks make merry in front of The Goat pub. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816

FLO4690512 The skeleton of Death takes away the drunken Sot in a wheelbarrow, while other drunks make merry in front of The Goat pub. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816. by Rowlandson, Thomas (1756-1827); (add.info.: The skeleton of Death takes away the drunken Sot in a wheelbarrow, while other drunks make merry in front of The Goat pub. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.); © Florilegius

Media ID 23324914

© Florilegius / Bridgeman Images

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18"x14" Modern Frame

Step into the captivating world of 19th-century England with our exquisite Framed Print from Media Storehouse. This mesmerizing hand-colored copperplate drawing by Thomas Rowlandson, titled "The Skeleton of Death takes away the drunken Sot in a wheelbarrow," is a hauntingly beautiful depiction of The English Dance of Death. The image, published by Ackermann in London in 1816, captures the moment of reckoning as Death claims a drunken man, while others continue to revel in front of The Goat pub. This intricately detailed and historically significant artwork is a must-have for any art enthusiast or collector, adding an air of timeless charm and mystery to your space. Acquire this unique piece from Media Storehouse and bring a touch of history into your home.

16x12 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexiglass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 40.6cm x 35.6cm (16" x 14")

Estimated Product Size is 45.7cm x 35.6cm (18" x 14")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Thomas Rowlandson

> Animals > Farm > Goats > British

> Animals > Farm > Goats > Related Images

> Animals > Farm > Related Images

> Animals > Mammals > Bovidae > Wild Goat

> Arts > Artists > N > Thomas North

> Arts > Artists > R > Thomas Rowlandson

> Arts > Artists > Y > Art Young

> Arts > Dance

> Europe > Germany > Dance

> Europe > United Kingdom > England > Dance


EDITORS COMMENTS
This handcoloured copperplate print by Thomas Rowlandson, titled "The skeleton of Death takes away the drunken Sot in a wheelbarrow, while other drunks make merry in front of The Goat pub" captures a macabre scene from 19th century England. In this allegorical depiction, Rowlandson uses dark humor to comment on the destructive nature of alcoholism and its impact on society. The central focus of the image is Death personified as a skeleton, pushing a wheelbarrow containing an intoxicated man. This symbolizes how excessive drinking can lead to one's demise. Meanwhile, other revelers continue their merriment outside The Goat pub, oblivious to the consequences that await them. Rowlandson's caricature style adds an element of satire to the scene. The exaggerated expressions and gestures highlight the absurdity of their behavior and serve as a cautionary tale against indulgence. Beyond its entertainment value, this engraving serves as social commentary on issues such as addiction and public health during that time period. It reflects concerns about alcohol consumption and its negative effects on individuals and society at large. Overall, this print offers viewers a glimpse into English culture in the early 19th century while reminding us of timeless themes surrounding vice and mortality.

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