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7 Deadly Sins Collection

"The 7 Deadly Sins: A Journey Through Art and Humanity" Step into the world of art as we explore the timeless concept of the "7 Deadly Sins

Background image7 Deadly Sins Collection: The Plum Pudding in Danger or State Epicures taking un Petit Souper, 1805 (engraving)

The Plum Pudding in Danger or State Epicures taking un Petit Souper, 1805 (engraving)
7088732 The Plum Pudding in Danger or State Epicures taking un Petit Souper, 1805 (engraving) by Gillray, James (1757-1815); Private Collection; (add.info)

Background image7 Deadly Sins Collection: Adoration of the Golden Calf, 1633-34 (oil on panel)

Adoration of the Golden Calf, 1633-34 (oil on panel)
LRI4650373 Adoration of the Golden Calf, 1633-34 (oil on panel) by Poussin, Nicolas (1594-1665); 154x214 cm; National Gallery, London, UK; Luisa Ricciarini; French, out of copyright

Background image7 Deadly Sins Collection: An Angry Man With Finger Pointing (engraving)

An Angry Man With Finger Pointing (engraving)
5234072 An Angry Man With Finger Pointing (engraving) by Collier, John (Tim Bobbin) (1708-86); Private Collection; (add.info.: An Angry Man With Finger Pointing)

Background image7 Deadly Sins Collection: Illustration for The Taming Of The Shrew (chromolitho)

Illustration for The Taming Of The Shrew (chromolitho)
3642344 Illustration for The Taming Of The Shrew (chromolitho) by Andre, Richard (1834-1907); Private Collection; (add.info.: Illustration for The Taming Of The Shrew)

Background image7 Deadly Sins Collection: The Parable of the Talents, c. 1884 (Oil on canvas)

The Parable of the Talents, c. 1884 (Oil on canvas)
7212780 The Parable of the Talents, c.1884 (Oil on canvas) by Rich, William George (1857-after 1901); The Ms Gallery, London, UK; (add.info.: Rich)

Background image7 Deadly Sins Collection: Jesus Christ driving the money-changers out of the Temple (engraving)

Jesus Christ driving the money-changers out of the Temple (engraving)
7149704 Jesus Christ driving the money-changers out of the Temple (engraving) by English School, (17th century) (after); Private Collection; (add.info)

Background image7 Deadly Sins Collection: Bucking Bronco, 1903 (oil on canvas laid down on masonite)

Bucking Bronco, 1903 (oil on canvas laid down on masonite)
823227 Bucking Bronco, 1903 (oil on canvas laid down on masonite) by Wyeth, Newell Convers (1882-1945); 70.4x49.5 cm; Private Collection; (add.info.: Bucking Bronco. Newell Convers Wyeth (1882-1945)

Background image7 Deadly Sins Collection: The fury of a swan (Colour Litho)

The fury of a swan (Colour Litho)
2809228 The fury of a swan (Colour Litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: The fury of a swan)

Background image7 Deadly Sins Collection: The suicide. 1834 (engraving)

The suicide. 1834 (engraving)
7147161 The suicide. 1834 (engraving) by Bayard, Emile Antoine (1837-91); Private Collection; (add.info.: The suicide. Song by french poet Beranger. ( 1780-1857 ) Design by Emile Bayard

Background image7 Deadly Sins Collection: Ivan the Terrible and His Son Ivan on November 16, 1581 (colour litho)

Ivan the Terrible and His Son Ivan on November 16, 1581 (colour litho)
5197263 Ivan the Terrible and His Son Ivan on November 16, 1581 (colour litho) by Repin, Ilya Efimovich (1844-1930) (after); Private Collection; (add.info)

Background image7 Deadly Sins Collection: Inferno, Canto 7 : Virgil shows Dante the souls of the wrathful in the Styx

Inferno, Canto 7 : Virgil shows Dante the souls of the wrathful in the Styx
GIA745738 Inferno, Canto 7 : Virgil shows Dante the souls of the wrathful in the Styx, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Background image7 Deadly Sins Collection: Buffalo and Lion Before the Fight, (oil on canvas)

Buffalo and Lion Before the Fight, (oil on canvas)
1197063 Buffalo and Lion Before the Fight, (oil on canvas) by Kuhnert, Wilhelm (1865-1926); 78.8x129.5 cm; Private Collection; Photo eChristies Images; German, out of copyright

Background image7 Deadly Sins Collection: Toutafais equipp'd for Conquest fore God, 1796 (w/c)

Toutafais equipp'd for Conquest fore God, 1796 (w/c)
5927934 Toutafais equipp'd for Conquest fore God, 1796 (w/c) by Unknown artist, (18th century); National Army Museum, London; (add.info.: Watercolour from The Cornwall Militia)

Background image7 Deadly Sins Collection: 'Old Pat, ' The Independent Beggar, c. 1819 (oil on wood)

"Old Pat, " The Independent Beggar, c. 1819 (oil on wood)
XOS5887569 "Old Pat, " The Independent Beggar, c. 1819 (oil on wood) by Waldo, Samuel Lovett (1783-1861); 68x57 cm; Cleveland Museum of Art, OH

Background image7 Deadly Sins Collection: Annunciation, 1480-85 circa, (oil on panel)

Annunciation, 1480-85 circa, (oil on panel)
7146513 Annunciation, 1480-85 circa, (oil on panel) by Credi, Lorenzo di (1456-1536); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Annunciation, stories of Adam and Eve (creation)

Background image7 Deadly Sins Collection: Sic itur ad astra scilicet 1681

Sic itur ad astra scilicet 1681
1575338 Sic itur ad astra scilicet 1681 by Hooghe, Romeyn de (1636-97) (after); (add.info.: Sic itur ad astra scilicet 1681. By Romeyn de Hooghe, 1645-1708, artist)

Background image7 Deadly Sins Collection: Pothos, 1st century AD (marble)

Pothos, 1st century AD (marble)
7146683 Pothos, 1st century AD (marble) by Roman, (1st century AD); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Pothos, 1st century AD, roman art, marble, Uffizi gallery, Florence)

Background image7 Deadly Sins Collection: Christ and the adulteress, c. 1510 (tempra on wood)

Christ and the adulteress, c. 1510 (tempra on wood)
7130038 Christ and the adulteress, c.1510 (tempra on wood) by Barbari, Niccolo de (fl.c.1510); Museo Nazionale del Palazzo di Venezia, Rome, Italy; (add.info.: Christ and the adulteress, c.1510)

Background image7 Deadly Sins Collection: Portraits of Jean Terford David, 1813 (oil on canvas)

Portraits of Jean Terford David, 1813 (oil on canvas)
XOS5887164 Portraits of Jean Terford David, 1813 (oil on canvas) by Sully, Thomas (1783-1872); 122x103 cm; Cleveland Museum of Art, OH, USA; (add.info.: by Thomas Sully (American, 1783-1872))

Background image7 Deadly Sins Collection: The expulsion of Adam and Eve from the garden of Eden, 1550 circa (oil on canvas)

The expulsion of Adam and Eve from the garden of Eden, 1550 circa (oil on canvas)
7146860 The expulsion of Adam and Eve from the garden of Eden, 1550 circa (oil on canvas) by Tintoretto, Jacopo Robusti (1518-94); Galleria degli Uffizi, Florence, Tuscany

Background image7 Deadly Sins Collection: Expulsion of Adam and Eve from the earthly paradise, 1518-20, (oil on wood)

Expulsion of Adam and Eve from the earthly paradise, 1518-20, (oil on wood)
7146782 Expulsion of Adam and Eve from the earthly paradise, 1518-20, (oil on wood) by Pontormo, Jacopo (1494-1557); Galleria degli Uffizi, Florence, Tuscany

Background image7 Deadly Sins Collection: Earthly paradise with the original sin, 1612, (oil on canvas)

Earthly paradise with the original sin, 1612, (oil on canvas)
7129360 Earthly paradise with the original sin, 1612, (oil on canvas) by Brueghel, Jan the Elder (1568-1625); Galleria Doria Pamphilj, Rome, Italy; (add.info.: Earthly paradise with the original sin)

Background image7 Deadly Sins Collection: The Looking Glass, (oil on canvas)

The Looking Glass, (oil on canvas)
823109 The Looking Glass, (oil on canvas) by Blenner, Carle J. (1884-1952); 61x50.5 cm; Private Collection; (add.info.: The Looking Glass. Carle John Blenner (1864-1952). Oil on canvas

Background image7 Deadly Sins Collection: The Boudoir, 1896 (oil on canvas)

The Boudoir, 1896 (oil on canvas)
650811 The Boudoir, 1896 (oil on canvas) by Miller, Kenneth Hayes (1876-1952); 72.4x48.8 cm; Private Collection; (add.info.: The Boudoir. Kenneth Hayes Miller (1876-1952). Oil on canvas, 1896

Background image7 Deadly Sins Collection: The Strike, 1899 (oil on canvas)

The Strike, 1899 (oil on canvas)
XIR165154 The Strike, 1899 (oil on canvas) by Adler, Jules (1865-1952); 231x302 cm; Ecomusee de la Communaute le Creusot Montceau, France

Background image7 Deadly Sins Collection: illustration for El principe de los ingenios, Miguel de Cervantes Saavedra (The Prince of Wits)

illustration for El principe de los ingenios, Miguel de Cervantes Saavedra (The Prince of Wits)
CUL4893226 illustration for El principe de los ingenios, Miguel de Cervantes Saavedra (The Prince of Wits, Miguel de Cervantes Saavedra), 1876 (engraving) by Planas

Background image7 Deadly Sins Collection: Portrait of Pieter de la Court and his Wife (oil on canvas)

Portrait of Pieter de la Court and his Wife (oil on canvas)
471520 Portrait of Pieter de la Court and his Wife (oil on canvas) by Bol, Ferdinand (1616-80); 173x209 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

Background image7 Deadly Sins Collection: Vanity portrait of the painter (oil on canvas)

Vanity portrait of the painter (oil on canvas)
471456 Vanity portrait of the painter (oil on canvas) by Lint, Peter van (1609-90); 85x64 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Background image7 Deadly Sins Collection: The Sorcerer traps Aladdin in the magic cave Illustration by Albert Robida (1848-1926)

The Sorcerer traps Aladdin in the magic cave Illustration by Albert Robida (1848-1926)
ELD4868206 The Sorcerer traps Aladdin in the magic cave Illustration by Albert Robida (1848-1926) for the tale "Aladin and the wonderful lamp" in "The Arabian Nights"

Background image7 Deadly Sins Collection: Death and the Miser, c. 1515-21 (oil on panel)

Death and the Miser, c. 1515-21 (oil on panel)
489941 Death and the Miser, c.1515-21 (oil on panel) by Provoost, Jan (c.1465-1529); Groeningemuseum, Bruges, Belgium; (add.info.: Exterior panels of a triptych)

Background image7 Deadly Sins Collection: Charles Apthorp, 1748 (oil on canvas)

Charles Apthorp, 1748 (oil on canvas)
XOS5888404 Charles Apthorp, 1748 (oil on canvas) by Feke, Robert (c.1701-52); 141.5x117.5 cm; Cleveland Museum of Art, OH, USA; (add.info.: by Robert Feke (c)

Background image7 Deadly Sins Collection: O: Idle, 1890 (illustration)

O: Idle, 1890 (illustration)
7309330 O: Idle, 1890 (illustration) by French School, (19th century); 20 x 14 cm; Private Collection; (add.info.: in "Fun alphabet for little girls)

Background image7 Deadly Sins Collection: M N O P: Musician, Nest, Idle, Butterfly, 1890 (illustration)

M N O P: Musician, Nest, Idle, Butterfly, 1890 (illustration)
7309327 M N O P: Musician, Nest, Idle, Butterfly, 1890 (illustration) by French School, (19th century); 20 x 14 cm; Private Collection; (add.info.: in "Fun alphabet for little girls)

Background image7 Deadly Sins Collection: I J K L: Reckless, Gardening, Kakatoes, Laureate, 1, 890 (illustration)

I J K L: Reckless, Gardening, Kakatoes, Laureate, 1, 890 (illustration)
7309322 I J K L: Reckless, Gardening, Kakatoes, Laureate, 1, 890 (illustration) by French School, (19th century); 20 x 14 cm; Private Collection; (add.info.: in "Fun alphabet for little girls)

Background image7 Deadly Sins Collection: Religious allegory with the seven sacraments and the seven deadly sins, 1560 (pen)

Religious allegory with the seven sacraments and the seven deadly sins, 1560 (pen, brown and black ink on paper)
7308179 Religious allegory with the seven sacraments and the seven deadly sins, 1560 (pen, brown and black ink on paper) by German School, (16th century); 63x74.3 cm; Ashmolean Museum

Background image7 Deadly Sins Collection: The Fool Who Gives With Displeasure, 1660-86 (brush and Indian ink on paper)

The Fool Who Gives With Displeasure, 1660-86 (brush and Indian ink on paper)
7308522 The Fool Who Gives With Displeasure, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

Background image7 Deadly Sins Collection: The Usury Fool, 1660-86 (brush and Indian ink on paper)

The Usury Fool, 1660-86 (brush and Indian ink on paper)
7308516 The Usury Fool, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

Background image7 Deadly Sins Collection: The Fool Who Postpones Everything Until Tomorrow, 1660-86 (brush and Indian ink on paper)

The Fool Who Postpones Everything Until Tomorrow, 1660-86 (brush and Indian ink on paper)
7308392 The Fool Who Postpones Everything Until Tomorrow, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

Background image7 Deadly Sins Collection: The Rich Fool, 1660-86 (brush and Indian ink on paper)

The Rich Fool, 1660-86 (brush and Indian ink on paper)
7308364 The Rich Fool, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

Background image7 Deadly Sins Collection: Rioting women breaking into a fashionable restaurant in Berlin, World War I, 1916 (colour litho)

Rioting women breaking into a fashionable restaurant in Berlin, World War I, 1916 (colour litho)
6000374 Rioting women breaking into a fashionable restaurant in Berlin, World War I, 1916 (colour litho) by Damblans, Eugene (1865-1945); Private Collection; (add.info)

Background image7 Deadly Sins Collection: Brawl at the Pavillon d'Armenonville, Paris (colour litho)

Brawl at the Pavillon d'Armenonville, Paris (colour litho)
2819054 Brawl at the Pavillon d'Armenonville, Paris (colour litho) by Damblans, Eugene (1865-1945); Private Collection; (add.info)

Background image7 Deadly Sins Collection: The Fool Who Is Angry At The Punishments Of God, 1660-86 (brush and Indian ink on paper)

The Fool Who Is Angry At The Punishments Of God, 1660-86 (brush and Indian ink on paper)
7308504 The Fool Who Is Angry At The Punishments Of God, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

Background image7 Deadly Sins Collection: The Fool Who Thinks Himself Clever Alone, 1660-86 (brush and Indian ink on paper)

The Fool Who Thinks Himself Clever Alone, 1660-86 (brush and Indian ink on paper)
7308345 The Fool Who Thinks Himself Clever Alone, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

Background image7 Deadly Sins Collection: G: Gourmande, 1890 (illustration)

G: Gourmande, 1890 (illustration)
7309320 G: Gourmande, 1890 (illustration) by French School, (19th century); 20 x 14 cm; Private Collection; (add.info.: in "Fun alphabet for little girls)

Background image7 Deadly Sins Collection: Religious allegory with the seven sacraments and the seven deadly sins, 1560 (pen)

Religious allegory with the seven sacraments and the seven deadly sins, 1560 (pen, brown and black ink on paper)
7308186 Religious allegory with the seven sacraments and the seven deadly sins, 1560 (pen, brown and black ink on paper) by German School, (16th century); 63x74.3 cm; Ashmolean Museum

Background image7 Deadly Sins Collection: A scrolled shield with the image of a nude woman standing in a landscape, with a banderole above

A scrolled shield with the image of a nude woman standing in a landscape, with a banderole above
7308177 A scrolled shield with the image of a nude woman standing in a landscape, with a banderole above, perhaps an allegory of Pride



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"The 7 Deadly Sins: A Journey Through Art and Humanity" Step into the world of art as we explore the timeless concept of the "7 Deadly Sins. " From an engraving depicting "The Plum Pudding in Danger or State Epicures taking un Petit Souper" to an angry man pointing his finger, these artworks capture the essence of human vices. In "The Parable of the Talents, " a thought-provoking oil painting on canvas, we witness greed consuming individuals. The desire for wealth and power is further exemplified in "Bucking Bronco, " where ambition takes center stage. Delve into Shakespeare's masterpiece with an illustration from "The Taming Of The Shrew. " It portrays wrath and pride entwined within relationships, reminding us how easily anger can consume our hearts. Meanwhile, Jesus Christ driving money-changers out of the Temple showcases his righteous fury against greed. Witness nature's wrath through "The Fury of a Swan, " a vivid lithograph that reminds us of envy's destructive force. As we journey further, encounter Toutafais equipp'd for Conquest fore God; this watercolor piece exposes lust's allure and its consequences. Yet amidst these sins lies compassion. In "Old Pat, The Independent Beggar, " painted on wood in 1819, empathy shines through despite societal flaws. This artwork serves as a reminder that even amid darkness, kindness prevails. Marvel at Annunciation - an exquisite oil painting on panel from 1480-85 - which symbolizes purity while exploring themes such as sloth or spiritual apathy. Finally, Sic itur ad astra scilicet reveals vanity's grip on humanity through its intricate design dating back to 1681. As we conclude our journey with Pothos' marble sculpture from the 1st century AD representing gluttony and excesses indulged by mankind throughout history – let these artistic masterpieces serve as a reflection on our own lives.