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Photo Mug : A Lutheran tract depicting the Pope as an ass

A Lutheran tract depicting the Pope as an ass




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A Lutheran tract depicting the Pope as an ass

3330348 A Lutheran tract depicting the Pope as an ass; (add.info.: Illustration from a Lutheran tract depicting the Pope as an ass. Dated 16th Century.); Universal History Archive/UIG

Media ID 38427688

© Universal History Archive/UIG / Bridgeman Images

Anti Catholic Christianity Religion Donkeys Lutheran Popedom Popes Reformation Religious Leader Tract C16h Catholic Religion Catholics


Large Photo Mug (15 oz)

Add a touch of historical satire to your morning routine with our Photo Mug featuring "A Lutheran tract depicting the Pope as an ass" by Bridgeman Images. Perfect for art enthusiasts and history buffs alike!

Elevate your coffee or tea experience with our premium white ceramic mug. Its wide, comfortable handle makes drinking easy, and you can rely on it to be both microwave and dishwasher safe. Sold in single units, preview may show both sides of the same mug so you can see how the picture wraps around.

Elevate your coffee or tea experience with our premium white ceramic mug. Its wide, comfortable handle makes drinking easy, and you can rely on it to be both microwave and dishwasher safe. Sold in single units, preview may show both sides of the same mug so you can see how the picture wraps around.

These are individually made so all sizes are approximate


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EDITORS COMMENTS
This provocative 16th-century Lutheran tract illustration depicting the Pope as an ass is a powerful symbol of the religious tensions and conflicts of the time. In this bold and controversial image, the leader of the Catholic Church is portrayed as a donkey, emphasizing criticism and mockery towards his authority. During the Reformation period, when Martin Luther challenged many aspects of Catholic doctrine, such depictions were used to undermine papal power and promote Protestant beliefs. The use of satire and caricature in religious tracts like this one was a common tactic to sway public opinion against the established church. The choice to depict the Pope as an ass speaks volumes about how he was perceived by some during this tumultuous period in history. It reflects not only theological disagreements but also deep-seated animosity towards Catholicism within certain segments of society. Today, this print serves as a reminder of the complex relationship between religion, politics, and art. It invites viewers to consider how images can be used to convey powerful messages and challenge established norms. Despite its age, this piece continues to spark debate and discussion about freedom of expression and religious tolerance.

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