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Framed Print : A Lutheran tract depicting the Pope as an ass
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A Lutheran tract depicting the Pope as an ass
3330348 A Lutheran tract depicting the Pope as an ass; (add.info.: Illustration from a Lutheran tract depicting the Pope as an ass. Dated 16th Century.); Universal History Archive/UIG
Media ID 38427688
© Universal History Archive/UIG / Bridgeman Images
Anti Catholic Christianity Religion Donkeys Lutheran Popedom Popes Reformation Religious Leader Tract C16h Catholic Religion Catholics
12"x10" Modern Frame
Add a touch of historical satire to your walls with this framed print featuring a 16th-century Lutheran tract depicting the Pope as an ass. A unique and thought-provoking piece from Fine Art Finder's collection, perfect for sparking conversation in any room.
10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")
Estimated Product Size is 25.4cm x 30.5cm (10" x 12")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This provocative 16th-century Lutheran tract illustration depicting the Pope as an ass is a powerful symbol of the religious tensions and conflicts of the time. In this bold and controversial image, the leader of the Catholic Church is portrayed as a donkey, emphasizing criticism and mockery towards his authority.
During the Reformation period, when Martin Luther challenged many aspects of Catholic doctrine, such depictions were used to undermine papal power and promote Protestant beliefs. The use of satire and caricature in religious tracts like this one was a common tactic to sway public opinion against the established church.
The choice to depict the Pope as an ass speaks volumes about how he was perceived by some during this tumultuous period in history. It reflects not only theological disagreements but also deep-seated animosity towards Catholicism within certain segments of society.
Today, this print serves as a reminder of the complex relationship between religion, politics, and art. It invites viewers to consider how images can be used to convey powerful messages and challenge established norms. Despite its age, this piece continues to spark debate and discussion about freedom of expression and religious tolerance.
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