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Mouse Mat : A Lutheran tract depicting the Pope as an ass

A Lutheran tract depicting the Pope as an ass




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A Lutheran tract depicting the Pope as an ass

3330348 A Lutheran tract depicting the Pope as an ass; (add.info.: Illustration from a Lutheran tract depicting the Pope as an ass. Dated 16th Century.); Universal History Archive/UIG

Media ID 38427688

© Universal History Archive/UIG / Bridgeman Images

Anti Catholic Christianity Religion Donkeys Lutheran Popedom Popes Reformation Religious Leader Tract C16h Catholic Religion Catholics


Mouse Pad

Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Image Size (if not cropped) is 17.3cm x 23.7cm (6.8" x 9.3")

Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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EDITORS COMMENTS
This provocative 16th-century Lutheran tract illustration depicting the Pope as an ass is a powerful symbol of the religious tensions and conflicts of the time. In this bold and controversial image, the leader of the Catholic Church is portrayed as a donkey, emphasizing criticism and mockery towards his authority. During the Reformation period, when Martin Luther challenged many aspects of Catholic doctrine, such depictions were used to undermine papal power and promote Protestant beliefs. The use of satire and caricature in religious tracts like this one was a common tactic to sway public opinion against the established church. The choice to depict the Pope as an ass speaks volumes about how he was perceived by some during this tumultuous period in history. It reflects not only theological disagreements but also deep-seated animosity towards Catholicism within certain segments of society. Today, this print serves as a reminder of the complex relationship between religion, politics, and art. It invites viewers to consider how images can be used to convey powerful messages and challenge established norms. Despite its age, this piece continues to spark debate and discussion about freedom of expression and religious tolerance.

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