Stabbing Collection (page 7)

John Wilkes Booth, with knife rather than a gun, leaps from President Abraham Lincolns box at Fords Theater
LINCOLN ASSASSINATION. John Wilkes Booth, with knife rather than a gun, leaps from President Abraham Lincolns box at Fords Theater, to escape after assassinating Lincoln

Renwick Williams Rhynwick Williams London Monster
Renwick Williams aka Rhynwick Williams. Late 18th century. Williams was accused of being the London Monster, a character who had terrorized London between 1788

Proculeius Preventing Cleopatra Stabbing Interior
Proculeius Preventing Cleopatra from Stabbing herself, Interior of an Egyptian palace. Cleopatra wants to commit suicide after finding the dead body of Antonius but is prevented by Proculeius

Bust portrait courtesan Shinowara Tsuruya house
Bust portrait of the courtesan Shinowara from the Tsuruya house. Tsuruya uchi Shinowara (title on object) The seven Komachi from the pleasure houses (series title)

The Dream Of St Basil The Great. St. Mercurius, The Martyr Of Cesarea, Sent From Heaven By Christ, Stabs To Death The Emperor Julian The Apostate

King Mark Stabbing Tristan In The Presence Of Ysolt. After A Miniature From A 15Th Century Manuscript. From Science And Literature In The Middle Ages By Paul Lacroix Published London 1878

Villain, thou diest: plate 10 from Othello (Act 5, Scene 1), etched 1844, reprinted 1900

Fantastic Adventures - The Return of Jongor
Cover of Fantastic Adventures, April 1944, featuring the story The Return of Jongor by Robert Moore Williams. A warrior attacks a club-wielding centaur with a spear. Date: 1944

Edgar Wallace entertains a few of his acquaintance 1929
Cartoon by H.M.Bateman, showing businessmen acting in a non Professional manner, probably depicting one of Edgar Wallaces (British author), crime books that he wrote at the time? Date: 1929

African natives killing a tiger by stabbing it with arrows.. Handcolored lithograph from Friedrich Wilhelm Goedsches Complete Gallery of Peoples in True Pictures, Meissen, circa 1835-1840

Spain - Bull Fighting - Picador - from Life
A black and white slide showing a bull fighting arena with a man on horseback stabbing a bull with a lance.. Slide number 369 in Box 148 entitled Spain Bull Fighting & Spanish Life. Date: circa 1890s

Highlanders practising bayonet work at base, WW1
Soldiers in a highland regiment learning how to use bayonets on dummies which swing from a cross-beam. Date: 1918

John Davis Stabbing Sentry Pirates Spanish Main series
Artokoloro

Judge Herkinbald Archambauld Stabbing Nephew
Artokoloro

Drawings Prints, Print, Lucretia seated, half naked, stabbing, herself, stomach, dagger
Drawings and Prints, Print, Lucretia seated, half naked, stabbing herself in the stomach with a dagger in her right hand and holding a cloth in her raised left hand, looking upwards, after Pellegrini

Stabbing Images Spain Album 53 1812-20 Brush
Artokoloro

Alfonso of Castile, with the Kings of Aragon and Navarre, defeats the Moors
Illustration of Alfonso of Castile, with the Kings of Aragon and Navarre, defeats the Moors at Tolosa Date: 16 July 1212

John the Fearless Stabbed
Illustration of a John the Fearless Stabbed

ANTI-CAPITALIST CARTOON. Left: The little golden flower. The stem of the flower says Capitalism and the buds are roubles. Right: The Red Berry, a Bolshevik stabbing the large capitalist

Diver spears an invasive Indo-Pacific Lionfish in the Caribbean Sea

A Shonisaurus Ichthyosaur stabs a Coelacanth fish in Triassic seas
A Shonisaurus Ichthyosaur stabs a Coelacanth fish trying to get away from these predators in a Triassic ocean

The Exploit of the Mounted Regiment in the Battle of Austerlitz, 1884 (oil on canvas)
BAL266177 The Exploit of the Mounted Regiment in the Battle of Austerlitz, 1884 (oil on canvas) by Willewalde, Bogdan (1818-1903); 56x82 cm; State Central Military Museum, Moscow

Mucius Scaevola before Porsenna (oil on canvas)
XIR232602 Mucius Scaevola before Porsenna (oil on canvas) by Boucher, Francois (1703-70); 59x48 cm; Musee de l Hotel Sandelin, Saint-Omer

Cato of Utica (95-46 BC) (oil on canvas)
XIR222740 Cato of Utica (95-46 BC) (oil on canvas) by Giordano, Luca (1634-1705); 127x100 cm; Musee des Beaux-Arts Andre Malraux, Le Havre

The Martyrdom of St. Lucy, c. 1620 (oil on canvas)
XIR198700 The Martyrdom of St. Lucy, c.1620 (oil on canvas) by Rubens, Peter Paul (1577-1640); Musee des Beaux-Arts, Quimper, France; (add.info.: le Martyre de Sainte Lucie; ); Flemish

A Tragic Duel: The Death of Monsieur Harry Alis, from Le Petit Journal
XIR216613 A Tragic Duel: The Death of Monsieur Harry Alis, from Le Petit Journal, 17th March 1895 (coloured engraving) by Tofani, Oswaldo (1849-1915); Private Collection; Italian, out of copyright

Lion Hunt, detail of two men and a lion, 1621 (oil on canvas)
XIR196202 Lion Hunt, detail of two men and a lion, 1621 (oil on canvas) by Rubens, Peter Paul (1577-1640); 249x377 cm; Alte Pinakothek, Munich, Germany; Flemish, out of copyright

The Crucifixion, detail of the central part (oil on panel)
XIR182975 The Crucifixion, detail of the central part (oil on panel) by Brueghel, Pieter the Younger (c.1564-1638); Church of Saint-Nicolas-du-Chardonnet, Paris, France; Flemish, out of copyright

Farmers stabbing a creek with their flock, H. Pielmans, c. 1700

Scene of the 1830 Revolution at the Louvre (oil on canvas)
XIR180163 Scene of the 1830 Revolution at the Louvre (oil on canvas) by Bezard, Jean Louis (1799-p.1861); Musee de la Ville de Paris, Musee Carnavalet, Paris

Portrait of Dirck Volckertsz Coornhert in allegorical frame, Theodor Matham, William II (Prince of Orange), 1647-1650

Minerva and two chained figures, Reinier van Persijn, Adriaen Wijngaerden, 1650

Crossing the Lek in the spring in Beusichem, The Netherlands, in the yard at the ferry house is a woman with two buckets among the cows

Death of Lucretia, print maker: Jan Harmensz. Muller, Cornelis Danckerts I, 1590 - 1594 and/or 1630 - 1656

Overschie, The Netherlands, Paul van Liender, Pierre Fouquet Jr. 1758

woman seen from the back, Pieter Nolpe, 1623 - 1653

Pyramus and Thisbe (oil on panel)
XIR175917 Pyramus and Thisbe (oil on panel) by Cranach, Lucas, the Elder (1472-1553); Neue Residenz, Bamberg, Germany; (add.info.: parents would not allow them to marry; meeting at the Tomb of Ninus)

Storm on the Sea of Galilee, Cornelis Galle (I), Adriaen Collaert, 1598 - 1618

An emperor in a room, Reinier van Persijn, Francis Moyaerd, 1652

Triumph of the French People over the Monarchy, project for an opera curtain, 1794
XIR167602 Triumph of the French People over the Monarchy, project for an opera curtain, 1794 (pen and ink and wash on paper) (b/w photo) by David

Tobias and the Angel in a river, Hendrick Goudt, Anonymous, 1608 - 1698

Siege of Esztergom in 1686, Justus van den Nijpoort, 1694

View port of Arakan, Thomas Doesburgh, Coenraet Decker, Johannes Covens and Cornelis Mortier, 1685 - 1714

Scrolling with a fruit basket in the middle, Anonymous, Cornelis Bos, 1550

Suicide of Lucretia, Jan van Somer, Rafael, Marcantonio Raimondi, 1655 - 1700

Suicide of Lucretia, Jan van Somer, Marcantonio Raimondi, 1655-1700

Fireworks and gondolas in Cairo, Egypt, Jan Luyken, 1681

Rejoicing of the people in Cairo, Egypt, print maker: Jan Luyken, Jan Luyken, Jan Bouman, 1681

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"From Historical Tragedies to Artistic Depictions: The Dark Tale Unveiled" In the annals of history, one cannot escape the chilling accounts incidents that have left an indelible mark on our collective memory. One such event occurred on 13 July 1793 when French revolutionary politician Jean-Paul Marat met his tragic end, fatally stabbed in his bath by Charlotte Corday. Jacques Louis David's haunting oil painting captures this pivotal moment, forever etching it into our consciousness. Centuries earlier, Peter Paul Rubens masterfully portrayed "Le Coup de Lance" in 1620, a scene filled with intensity and raw emotion. This artwork serves as a reminder that violence knows no boundaries and can strike even the mightiest warriors. Literature too has delved into the realm of stabbing, as seen in Victor Hugo's novel "The Toilers of the Sea. " Its front cover depicts a world teetering on chaos and turmoil, where treachery lurks around every corner. Moving forward through time, we encounter Sir John Colborne's decisive victory over insurgents at St Eustache in 1837. The defeat is captured vividly in an evocative illustration from 1877 - a stark reminder that rebellion often meets its demise under the weight of authority. Illegal weapons seized by Cumbria Police UK serve as tangible evidence that modern society still grapples with acts borne out of aggression and malice. These objects remind us to remain vigilant against those who seek to harm others. Even within art itself lies scenes depicting human conflict; an interior barn setting showcases two peasants locked in combat during the year 1658. Their struggle symbolizes not only physical confrontation but also societal tensions simmering beneath their humble existence. Beyond political strife or personal altercations lie battles fought between nations or cultures.