Stabbing Collection (page 4)

Ms. New Coll 380, f41r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile
833750 Ms. New Coll 380, f41r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper) by Carlile

Jesus falls for the second time. The seventh Station of the Cross (chromolitho)
668799 Jesus falls for the second time. The seventh Station of the Cross (chromolitho) by French School, (19th century); Private Collection; (add.info.: Jesus falls for the second time)

St. George and the Dragon, from Anecdotes of Painting in England written by Horace Walpole (1717-97)
XYC146350 St. George and the Dragon, from Anecdotes of Painting in England written by Horace Walpole (1717-97) published in 1765 (pen and ink and watercolour over graphite on paper by Marshal)

The Peasants Revenge, plate 17 from The Miseries and Misfortunes of War, engraved by Israel Henriet (c)
XIR172411 The Peasants Revenge, plate 17 from The Miseries and Misfortunes of War, engraved by Israel Henriet (c.1590-1661) 1633 (engraving) (b/w photo) by Callot

The Assassination of General Kleber by a Fanatic, 14th June 1800 (litho)
XIR222495 The Assassination of General Kleber by a Fanatic, 14th June 1800 (litho) by Adam, Victor (1801-66); Bibliotheque Nationale, Paris

Forest Troll, 1890 (w / c & pencil on paper)
OVR358716 Forest Troll, 1890 (w/c & pencil on paper) by Kittelsen, Theodor Severin (1857-1914); 59x47 cm; Private Collection; Photo © O. Vaering

Dido stabbing herself, opening of Book IV of Virgils Aeneid (w / c on vellum)
621801 Dido stabbing herself, opening of Book IV of Virgils Aeneid (w/c on vellum) by Morris, William (1834-96); 14x13.5 cm; Private Collection; Photo © Christies Images

Boar Hunt, 1611 (oil on panel)
XKH150806 Boar Hunt, 1611 (oil on panel) by Savery, Roelandt Jacobsz. (1576-1639); 38x49.7 cm; Hamburger Kunsthalle, Hamburg, Germany

Detail of The Lion Hunt, 1621 (oil on canvas) (see 203326 and 196202)
XIR336937 Detail of The Lion Hunt, 1621 (oil on canvas) (see 203326 and 196202) by Rubens, Peter Paul (1577-1640); Alte Pinakothek, Munich, Germany

The Death of Romeo and Juliet, final scene of the play by William Shakespeare (1564-1616) (litho)
CHT167941 The Death of Romeo and Juliet, final scene of the play by William Shakespeare (1564-1616) (litho) by Berty, Maurice (1884-1946); Private Collection; © Archives Charmet

Portrait of King Henry III of England
6337227 Portrait of King Henry III of England by Rundall, Mary Ann (d.1839) (after); (add.info.: Portrait of King Henry III of England. With crown, sceptres and mantle)

The Attack, from The Travels and Sufferings of Father Jean de Brebeuf, 1938 (wood engraving)
1631673 The Attack, from The Travels and Sufferings of Father Jean de Brebeuf, 1938 (wood engraving) by Gill, Eric (1882-1940); Private Collection; (add.info.: Saint Jean de Brebeuf (1593-1649)

St. George Killing the Dragon, 1502-07 (oil on canvas) (detail of 428017)
XIR430587 St. George Killing the Dragon, 1502-07 (oil on canvas) (detail of 428017) by Carpaccio, Vittore (c.1460/5-1523/6); Scuola di San Giorgio degli Schiavoni, Venice

Study for Lucains "La Pharsale", Canto IV, c. 1766
Study for Lucains " La Pharsale", Canto IV, c. 1766

Study for Lucains "La Pharsale", Canto VI, c. 1766
Study for Lucains " La Pharsale", Canto VI, c. 1766

St. George Killing the Dragon, 1502-07 (oil on canvas)
XIR428017 St. George Killing the Dragon, 1502-07 (oil on canvas) by Carpaccio, Vittore (c.1460/5-1523/6); 141x360 cm; Scuola di San Giorgio degli Schiavoni, Venice

The Lion Hunt, 1621 (oil on canvas)
XIR203326 The Lion Hunt, 1621 (oil on canvas) by Rubens, Peter Paul (1577-1640); 249x377 cm; Alte Pinakothek, Munich, Germany; Flemish, out of copyright

Theseus fighting with the Minotaur, 1850 (bronze with brown patina)
DAY235408 Theseus fighting with the Minotaur, 1850 (bronze with brown patina) by Barye, Antoine Louis (1796-1875); height: 60.9 cm; The Dayton Art Institute, Dayton, Ohio

Credit Lyonnais. Subscribe to the 4th National Loan, 1918 (colour litho)
699160 Credit Lyonnais. Subscribe to the 4th National Loan, 1918 (colour litho) by Faivre, Jules Abel (1867-1945); 79x118 cm; Private Collection; eGalerie Bilderwelt; French, out of copyright

Martyrdom of St. John, Bishop of Bergamo (oil on canvas)
938037 Martyrdom of St. John, Bishop of Bergamo (oil on canvas) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Galleria dell Accademia Carrara, Bergamo

A deranged man who was shooting in the galleries of the Louvre in Paris suddenly... (colour litho)
2783621 A deranged man who was shooting in the galleries of the Louvre in Paris suddenly... (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info)

Which Way Shall I Turn Me, How Shall I Decide? published by S. W. Fores in 1793 (etching)
NCO190481 Which Way Shall I Turn Me, How Shall I Decide? published by S.W. Fores in 1793 (etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Pyramus and Thisbe or Piramo e Tisbe, Book IV, illustration from Ovids Metamorphoses
STC415846 Pyramus and Thisbe or Piramo e Tisbe, Book IV, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

Men in Heavy Armour Attack Bears by Stabbing them in the Vitals
STC161110 Men in Heavy Armour Attack Bears by Stabbing them in the Vitals, plate 26 from Venationes Ferarum, Avium, Piscium (Of Hunting: Wild Beasts, Birds)

The Attack of the Black Watch, illustration from Glorious Battles of English
IL193443 The Attack of the Black Watch, illustration from Glorious Battles of English History by Major C.H. Wylly, 1920s (colour litho) by Payne, Henry A

Gentleman fencer running through his opponent, 18th century
Gentleman fencer running through his opponent after a semicircular parry (parade du demi-cercle), 18th century. Copperplate engraving by D. Jenkins after an illustration drawn from the life by J

Men in heavy armour attack bears by stabbing them in the vitals
746975 Men in heavy armour attack bears by stabbing them in the vitals, illustration from Venationes, Ferarum, Avium, Piscium (Of Hunting: Wild Beasts, Birds, Fish)

Les Fanatiques Au Maroc (engraving)
2783288 Les Fanatiques Au Maroc (engraving) by French School, (19th century); Private Collection; (add.info.: Les Fanatiques Au Maroc)

William Thomas Stead - Newspaper editor and Peace campaigner
A Pushing Stead. William Thomas Stead (18491912) - English newspaper editor who, pioneer of investigative journalism and peace campaigner. Died in the sinking of the Titanic

Ms 62 f. 132r Personification of Necromancy stabbing a book
997112 Ms 62 f.132r Personification of Necromancy stabbing a book, from the Hours of the Holy Spirit by Guillaume de Deguillevilles 1350

Isfandiyar attacks the dragon, c. 1760 (opaque w / c & gold on paper)
3505433 Isfandiyar attacks the dragon, c.1760 (opaque w/c & gold on paper) by Indian School, (18th century); 33.1x20.1 cm; San Diego Museum of Art

The Battle of Roncevaux, from The History of Charlemagne (tapestry)
MAE176176 The Battle of Roncevaux, from The History of Charlemagne (tapestry) by Flemish School; Musee de la Tapisserie, Tournai

Mr. B - "Seeking the Bubble reputation", from The Progress of a Midshipman
2562179 Mr. B - " Seeking the Bubble reputation", from The Progress of a Midshipman, 1835 (hand-coloured engraving) by Cruikshank

Sous Les Eaux (engraving)
2789100 Sous Les Eaux (engraving) by French School, (19th century); Private Collection; (add.info.: Sous Les Eaux. Illustration for Journal Des Voyages, 18 October 1891)

Eteocles and Polynices, reconstruction of the Etruscan wall painting in the Francois Tomb at Vulci of c
ALI212368 Eteocles and Polynices, reconstruction of the Etruscan wall painting in the Francois Tomb at Vulci of c.320-280 BC (wall painting) (b/w photo) (see also 212367, 214590, 214591) by Ruspi

Alcander a young man of Sparta attacking Lycurgus, from Hutchinson
3614271 Alcander a young man of Sparta attacking Lycurgus, from Hutchinsons History of the Nations, pub.1915 by English School

Africans hunt lions by covering their heads, then piercing them with a deadly wound
746961 Africans hunt lions by covering their heads, then piercing them with a deadly wound, illustration from Venationes, Ferarum, Avium, Piscium (Of Hunting: Wild Beasts, Birds, Fish)

Saints Michael and Engracia (tempera on gold ground panel)
739583 Saints Michael and Engracia (tempera on gold ground panel) by Abadia, Juan de la (fl.1493-1513); 148x98 cm; Private Collection; Photo eChristies Images; Spanish, out of copyright

Portrait of Renwick Williams, commonly called The Monster (engraving)
583375 Portrait of Renwick Williams, commonly called The Monster (engraving) by English School, (18th century); Private Collection; (add.info.: Portrait of Renwick Williams)

The Assault of John Coventry, illustration from Cassell
STC393242 The Assault of John Coventry, illustration from Cassells Illustrated History of England (engraving) (sepia photo) by English School

The Vandals in Rome, illustration from The Illustrated History of the World, published c
LLM438564 The Vandals in Rome, illustration from The Illustrated History of the World, published c.1880 (digitally enhanced image) by English School

Dido on the Pyre, 1775 (oil on canvas)
BFM286673 Dido on the Pyre, 1775 (oil on canvas) by Tischbein, Johann Heinrich (1722-89); 121.6x142.3 cm; Schlossmuseum, Schloss Friedenstein, Gotha

The Wounded Man, from Das Buch der Cirugia published Strasbourg
STC214618 The Wounded Man, from Das Buch der Cirugia published Strasbourg, 1497 (litho) (b/w photo) by Brunschwig, Hieronymus (1450-c.1512); Private Collection; (add.info)

Reconstruction of the Etruscan wall painting in the Francois Tomb at Vulci of c
ALI214590 Reconstruction of the Etruscan wall painting in the Francois Tomb at Vulci of c.320-280 BC (wall painting) (b/w photo) (see also 212367, 212368 & 214591) by Ruspi

Marce Camitlnas and Cneve Tarchunies Rumach, reconstruction of the Etruscan wall painting in the Francois Tomb at Vulci
ALI212367 Marce Camitlnas and Cneve Tarchunies Rumach, reconstruction of the Etruscan wall painting in the Francois Tomb at Vulci of c.320-280 BC (wall painting) (b/w photo) (see also 212368, 214590)

Study of the Martyrdom of St. Peter Martyr, 1526-28 (chalk on paper)
1152804 Study of the Martyrdom of St. Peter Martyr, 1526-28 (chalk on paper) by Pordenone, Giovanni Antonio (1484-1539); 24.4x20.6 cm; eThe Devonshire Collections

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"From Historical Tragedies to Artistic Depictions: The Dark Tale Unveiled" In the annals of history, one cannot escape the chilling accounts incidents that have left an indelible mark on our collective memory. One such event occurred on 13 July 1793 when French revolutionary politician Jean-Paul Marat met his tragic end, fatally stabbed in his bath by Charlotte Corday. Jacques Louis David's haunting oil painting captures this pivotal moment, forever etching it into our consciousness. Centuries earlier, Peter Paul Rubens masterfully portrayed "Le Coup de Lance" in 1620, a scene filled with intensity and raw emotion. This artwork serves as a reminder that violence knows no boundaries and can strike even the mightiest warriors. Literature too has delved into the realm of stabbing, as seen in Victor Hugo's novel "The Toilers of the Sea. " Its front cover depicts a world teetering on chaos and turmoil, where treachery lurks around every corner. Moving forward through time, we encounter Sir John Colborne's decisive victory over insurgents at St Eustache in 1837. The defeat is captured vividly in an evocative illustration from 1877 - a stark reminder that rebellion often meets its demise under the weight of authority. Illegal weapons seized by Cumbria Police UK serve as tangible evidence that modern society still grapples with acts borne out of aggression and malice. These objects remind us to remain vigilant against those who seek to harm others. Even within art itself lies scenes depicting human conflict; an interior barn setting showcases two peasants locked in combat during the year 1658. Their struggle symbolizes not only physical confrontation but also societal tensions simmering beneath their humble existence. Beyond political strife or personal altercations lie battles fought between nations or cultures.