Stabbing Collection (page 2)

An Australian V. C. who accounted for seven turks, 1914-19 (litho)
STC359707 An Australian V.C. who accounted for seven turks, 1914-19 (litho) by Sheldon, Charles Mills (1866-1928); Private Collection; (add.info.: On May 19th-20th)

Two eleven year-old boys fighting with knives over the love of a young girl (colour litho)
2782413 Two eleven year-old boys fighting with knives over the love of a young girl (colour litho) by French School, (20th century); Private Collection; (add.info)

The ways of the Apaches (colour litho)
2779264 The ways of the Apaches (colour litho) by French School, (20th century); Private Collection; (add.info.: The ways of the Apaches. The revenge of a dying man)

Deeds of the Apaches (colour litho)
2779298 Deeds of the Apaches (colour litho) by French School, (20th century); Private Collection; (add.info.: Deeds of the Apaches)

Warrior and centaur, illustration from Greek Vase Paintings by J. E. Harrison and D. S
LLM438538 Warrior and centaur, illustration from Greek Vase Paintings by J. E. Harrison and D. S. MacColl, published 1894 (digitaly enhanced image) by English School

The Battle of Bunkers Hill, 1798 (engraving)
497587 The Battle of Bunkers Hill, 1798 (engraving) by Trumbull, John (1756-1843) (after); 81x59.5 cm; Gilder Lehrman Collection, New York, USA; (add.info.: After the painting of John Trumbull)

A Roman Holiday, combat of gladiators, illustration from The Illustrated History of the World, published c
LLM438553 A Roman Holiday, combat of gladiators, illustration from The Illustrated History of the World, published c.1880 (digitally enhanced image) by English School

The Martyrdom of the Blessed Signoretto Alliata, c. 1794-6 (oil on canvas)
WLT218475 The Martyrdom of the Blessed Signoretto Alliata, c.1794-6 (oil on canvas) by Cades, Giuseppe (1750-99); 50.6x50.6 cm; Walters Art Museum, Baltimore

Tokoyo and the Sea Serpent, illustration from The Myths and Legends of Japan by F. Hadland Davis, 1918 (colour litho)
STC323900 Tokoyo and the Sea Serpent, illustration from The Myths and Legends of Japan by F. Hadland Davis, 1918 (colour litho) by Paul

The Slaying of Orpheus, 1914 (oil on canvas)
715084 The Slaying of Orpheus, 1914 (oil on canvas) by Vallotton, Felix Edouard (1865-1925); 54.5x45.7 cm; Private Collection; (add.info.: Orphee Depece); Photo © Christies Images

How Hereward got the rest of his souls price, illustration from Hereward the Great by Charles Kingsley, pub
STC400819 How Hereward got the rest of his souls price, illustration from Hereward the Great by Charles Kingsley, pub. 1870, engraved by C.G

Knife attack on a priest, France, 1897 (colour litho)
971955 Knife attack on a priest, France, 1897 (colour litho) by French School, (19th century); Private Collection; (add.info.: Knife attack on a priest, France, 1897)

The Death of the Two Witnesses, 1373-87 (tapestry)
XIR430515 The Death of the Two Witnesses, 1373-87 (tapestry) by Bataille, Nicolas (fl. 1363-1400); Musee des Tapisseries, Angers, France; (add.info.: The Death of the Two Witters)

Combat of Gladiators with Wild Animals, illustration from The Illustrated History of the World, published c
LLM438677 Combat of Gladiators with Wild Animals, illustration from The Illustrated History of the World, published c.1880 (digitally enhanced image) by English School

Travellers Attacked by Bandits (oil on panel)
XAV212568 Travellers Attacked by Bandits (oil on panel) by Snayers, Peeter (1592-1667); 34.1x51.4 cm; Musee des Beaux-Arts, Valenciennes, France; (add.info.: Travellers attacked by robbers; )

The Assassination of General Kleber by a Fanatic, 14th June 1800 (gouache)
XIR347334 The Assassination of General Kleber by a Fanatic, 14th June 1800 (gouache) by Lesueur, P. A. (1770-1850) & Lesueur, J.B

Charge of the Twenty-First Lancers, illustration from Glorious Battles of English History by Major C. H
IL193447 Charge of the Twenty-First Lancers, illustration from Glorious Battles of English History by Major C.H. Wylly, 1920s (colour litho) by Payne, Henry A. (Harry) (1868-1940); Private Collection

Siege of Missolonghi, 22nd April 1826 (coloured engraving)
XIR214122 Siege of Missolonghi, 22nd April 1826 (coloured engraving) by French School, (19th century); Bibliotheque Nationale, Paris, France

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"From Historical Tragedies to Artistic Depictions: The Dark Tale Unveiled" In the annals of history, one cannot escape the chilling accounts incidents that have left an indelible mark on our collective memory. One such event occurred on 13 July 1793 when French revolutionary politician Jean-Paul Marat met his tragic end, fatally stabbed in his bath by Charlotte Corday. Jacques Louis David's haunting oil painting captures this pivotal moment, forever etching it into our consciousness. Centuries earlier, Peter Paul Rubens masterfully portrayed "Le Coup de Lance" in 1620, a scene filled with intensity and raw emotion. This artwork serves as a reminder that violence knows no boundaries and can strike even the mightiest warriors. Literature too has delved into the realm of stabbing, as seen in Victor Hugo's novel "The Toilers of the Sea. " Its front cover depicts a world teetering on chaos and turmoil, where treachery lurks around every corner. Moving forward through time, we encounter Sir John Colborne's decisive victory over insurgents at St Eustache in 1837. The defeat is captured vividly in an evocative illustration from 1877 - a stark reminder that rebellion often meets its demise under the weight of authority. Illegal weapons seized by Cumbria Police UK serve as tangible evidence that modern society still grapples with acts borne out of aggression and malice. These objects remind us to remain vigilant against those who seek to harm others. Even within art itself lies scenes depicting human conflict; an interior barn setting showcases two peasants locked in combat during the year 1658. Their struggle symbolizes not only physical confrontation but also societal tensions simmering beneath their humble existence. Beyond political strife or personal altercations lie battles fought between nations or cultures.