Stabbing Collection (page 3)

The Martyrdom of the Blessed Signoretto Alliata, c. 1794-6 (oil on canvas)
WLT218475 The Martyrdom of the Blessed Signoretto Alliata, c.1794-6 (oil on canvas) by Cades, Giuseppe (1750-99); 50.6x50.6 cm; Walters Art Museum, Baltimore

Tokoyo and the Sea Serpent, illustration from The Myths and Legends of Japan by F. Hadland Davis, 1918 (colour litho)
STC323900 Tokoyo and the Sea Serpent, illustration from The Myths and Legends of Japan by F. Hadland Davis, 1918 (colour litho) by Paul

The Slaying of Orpheus, 1914 (oil on canvas)
715084 The Slaying of Orpheus, 1914 (oil on canvas) by Vallotton, Felix Edouard (1865-1925); 54.5x45.7 cm; Private Collection; (add.info.: Orphee Depece); Photo © Christies Images

How Hereward got the rest of his souls price, illustration from Hereward the Great by Charles Kingsley, pub
STC400819 How Hereward got the rest of his souls price, illustration from Hereward the Great by Charles Kingsley, pub. 1870, engraved by C.G

Knife attack on a priest, France, 1897 (colour litho)
971955 Knife attack on a priest, France, 1897 (colour litho) by French School, (19th century); Private Collection; (add.info.: Knife attack on a priest, France, 1897)

The Death of the Two Witnesses, 1373-87 (tapestry)
XIR430515 The Death of the Two Witnesses, 1373-87 (tapestry) by Bataille, Nicolas (fl. 1363-1400); Musee des Tapisseries, Angers, France; (add.info.: The Death of the Two Witters)

Combat of Gladiators with Wild Animals, illustration from The Illustrated History of the World, published c
LLM438677 Combat of Gladiators with Wild Animals, illustration from The Illustrated History of the World, published c.1880 (digitally enhanced image) by English School

Travellers Attacked by Bandits (oil on panel)
XAV212568 Travellers Attacked by Bandits (oil on panel) by Snayers, Peeter (1592-1667); 34.1x51.4 cm; Musee des Beaux-Arts, Valenciennes, France; (add.info.: Travellers attacked by robbers; )

The Assassination of General Kleber by a Fanatic, 14th June 1800 (gouache)
XIR347334 The Assassination of General Kleber by a Fanatic, 14th June 1800 (gouache) by Lesueur, P. A. (1770-1850) & Lesueur, J.B

Charge of the Twenty-First Lancers, illustration from Glorious Battles of English History by Major C. H
IL193447 Charge of the Twenty-First Lancers, illustration from Glorious Battles of English History by Major C.H. Wylly, 1920s (colour litho) by Payne, Henry A. (Harry) (1868-1940); Private Collection

Siege of Missolonghi, 22nd April 1826 (coloured engraving)
XIR214122 Siege of Missolonghi, 22nd April 1826 (coloured engraving) by French School, (19th century); Bibliotheque Nationale, Paris, France

Ms. New Coll 380, f41r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile
833750 Ms. New Coll 380, f41r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper) by Carlile

Jesus falls for the second time. The seventh Station of the Cross (chromolitho)
668799 Jesus falls for the second time. The seventh Station of the Cross (chromolitho) by French School, (19th century); Private Collection; (add.info.: Jesus falls for the second time)

St. George and the Dragon, from Anecdotes of Painting in England written by Horace Walpole (1717-97)
XYC146350 St. George and the Dragon, from Anecdotes of Painting in England written by Horace Walpole (1717-97) published in 1765 (pen and ink and watercolour over graphite on paper by Marshal)

The Peasants Revenge, plate 17 from The Miseries and Misfortunes of War, engraved by Israel Henriet (c)
XIR172411 The Peasants Revenge, plate 17 from The Miseries and Misfortunes of War, engraved by Israel Henriet (c.1590-1661) 1633 (engraving) (b/w photo) by Callot

The Assassination of General Kleber by a Fanatic, 14th June 1800 (litho)
XIR222495 The Assassination of General Kleber by a Fanatic, 14th June 1800 (litho) by Adam, Victor (1801-66); Bibliotheque Nationale, Paris

Forest Troll, 1890 (w / c & pencil on paper)
OVR358716 Forest Troll, 1890 (w/c & pencil on paper) by Kittelsen, Theodor Severin (1857-1914); 59x47 cm; Private Collection; Photo © O. Vaering

Dido stabbing herself, opening of Book IV of Virgils Aeneid (w / c on vellum)
621801 Dido stabbing herself, opening of Book IV of Virgils Aeneid (w/c on vellum) by Morris, William (1834-96); 14x13.5 cm; Private Collection; Photo © Christies Images

Boar Hunt, 1611 (oil on panel)
XKH150806 Boar Hunt, 1611 (oil on panel) by Savery, Roelandt Jacobsz. (1576-1639); 38x49.7 cm; Hamburger Kunsthalle, Hamburg, Germany

Detail of The Lion Hunt, 1621 (oil on canvas) (see 203326 and 196202)
XIR336937 Detail of The Lion Hunt, 1621 (oil on canvas) (see 203326 and 196202) by Rubens, Peter Paul (1577-1640); Alte Pinakothek, Munich, Germany

The Death of Romeo and Juliet, final scene of the play by William Shakespeare (1564-1616) (litho)
CHT167941 The Death of Romeo and Juliet, final scene of the play by William Shakespeare (1564-1616) (litho) by Berty, Maurice (1884-1946); Private Collection; © Archives Charmet

Portrait of King Henry III of England
6337227 Portrait of King Henry III of England by Rundall, Mary Ann (d.1839) (after); (add.info.: Portrait of King Henry III of England. With crown, sceptres and mantle)

The Attack, from The Travels and Sufferings of Father Jean de Brebeuf, 1938 (wood engraving)
1631673 The Attack, from The Travels and Sufferings of Father Jean de Brebeuf, 1938 (wood engraving) by Gill, Eric (1882-1940); Private Collection; (add.info.: Saint Jean de Brebeuf (1593-1649)

St. George Killing the Dragon, 1502-07 (oil on canvas) (detail of 428017)
XIR430587 St. George Killing the Dragon, 1502-07 (oil on canvas) (detail of 428017) by Carpaccio, Vittore (c.1460/5-1523/6); Scuola di San Giorgio degli Schiavoni, Venice

Study for Lucains "La Pharsale", Canto IV, c. 1766
Study for Lucains " La Pharsale", Canto IV, c. 1766

Study for Lucains "La Pharsale", Canto VI, c. 1766
Study for Lucains " La Pharsale", Canto VI, c. 1766

St. George Killing the Dragon, 1502-07 (oil on canvas)
XIR428017 St. George Killing the Dragon, 1502-07 (oil on canvas) by Carpaccio, Vittore (c.1460/5-1523/6); 141x360 cm; Scuola di San Giorgio degli Schiavoni, Venice

The Lion Hunt, 1621 (oil on canvas)
XIR203326 The Lion Hunt, 1621 (oil on canvas) by Rubens, Peter Paul (1577-1640); 249x377 cm; Alte Pinakothek, Munich, Germany; Flemish, out of copyright

Theseus fighting with the Minotaur, 1850 (bronze with brown patina)
DAY235408 Theseus fighting with the Minotaur, 1850 (bronze with brown patina) by Barye, Antoine Louis (1796-1875); height: 60.9 cm; The Dayton Art Institute, Dayton, Ohio

Credit Lyonnais. Subscribe to the 4th National Loan, 1918 (colour litho)
699160 Credit Lyonnais. Subscribe to the 4th National Loan, 1918 (colour litho) by Faivre, Jules Abel (1867-1945); 79x118 cm; Private Collection; eGalerie Bilderwelt; French, out of copyright

Martyrdom of St. John, Bishop of Bergamo (oil on canvas)
938037 Martyrdom of St. John, Bishop of Bergamo (oil on canvas) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Galleria dell Accademia Carrara, Bergamo

A deranged man who was shooting in the galleries of the Louvre in Paris suddenly... (colour litho)
2783621 A deranged man who was shooting in the galleries of the Louvre in Paris suddenly... (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info)

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"From Historical Tragedies to Artistic Depictions: The Dark Tale Unveiled" In the annals of history, one cannot escape the chilling accounts incidents that have left an indelible mark on our collective memory. One such event occurred on 13 July 1793 when French revolutionary politician Jean-Paul Marat met his tragic end, fatally stabbed in his bath by Charlotte Corday. Jacques Louis David's haunting oil painting captures this pivotal moment, forever etching it into our consciousness. Centuries earlier, Peter Paul Rubens masterfully portrayed "Le Coup de Lance" in 1620, a scene filled with intensity and raw emotion. This artwork serves as a reminder that violence knows no boundaries and can strike even the mightiest warriors. Literature too has delved into the realm of stabbing, as seen in Victor Hugo's novel "The Toilers of the Sea. " Its front cover depicts a world teetering on chaos and turmoil, where treachery lurks around every corner. Moving forward through time, we encounter Sir John Colborne's decisive victory over insurgents at St Eustache in 1837. The defeat is captured vividly in an evocative illustration from 1877 - a stark reminder that rebellion often meets its demise under the weight of authority. Illegal weapons seized by Cumbria Police UK serve as tangible evidence that modern society still grapples with acts borne out of aggression and malice. These objects remind us to remain vigilant against those who seek to harm others. Even within art itself lies scenes depicting human conflict; an interior barn setting showcases two peasants locked in combat during the year 1658. Their struggle symbolizes not only physical confrontation but also societal tensions simmering beneath their humble existence. Beyond political strife or personal altercations lie battles fought between nations or cultures.