Stabbing Collection (page 5)

Which Way Shall I Turn Me, How Shall I Decide? published by S. W. Fores in 1793 (etching)
NCO190481 Which Way Shall I Turn Me, How Shall I Decide? published by S.W. Fores in 1793 (etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Pyramus and Thisbe or Piramo e Tisbe, Book IV, illustration from Ovids Metamorphoses
STC415846 Pyramus and Thisbe or Piramo e Tisbe, Book IV, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

Men in Heavy Armour Attack Bears by Stabbing them in the Vitals
STC161110 Men in Heavy Armour Attack Bears by Stabbing them in the Vitals, plate 26 from Venationes Ferarum, Avium, Piscium (Of Hunting: Wild Beasts, Birds)

The Attack of the Black Watch, illustration from Glorious Battles of English
IL193443 The Attack of the Black Watch, illustration from Glorious Battles of English History by Major C.H. Wylly, 1920s (colour litho) by Payne, Henry A

Gentleman fencer running through his opponent, 18th century
Gentleman fencer running through his opponent after a semicircular parry (parade du demi-cercle), 18th century. Copperplate engraving by D. Jenkins after an illustration drawn from the life by J

Men in heavy armour attack bears by stabbing them in the vitals
746975 Men in heavy armour attack bears by stabbing them in the vitals, illustration from Venationes, Ferarum, Avium, Piscium (Of Hunting: Wild Beasts, Birds, Fish)

Les Fanatiques Au Maroc (engraving)
2783288 Les Fanatiques Au Maroc (engraving) by French School, (19th century); Private Collection; (add.info.: Les Fanatiques Au Maroc)

William Thomas Stead - Newspaper editor and Peace campaigner
A Pushing Stead. William Thomas Stead (18491912) - English newspaper editor who, pioneer of investigative journalism and peace campaigner. Died in the sinking of the Titanic

Ms 62 f. 132r Personification of Necromancy stabbing a book
997112 Ms 62 f.132r Personification of Necromancy stabbing a book, from the Hours of the Holy Spirit by Guillaume de Deguillevilles 1350

Isfandiyar attacks the dragon, c. 1760 (opaque w / c & gold on paper)
3505433 Isfandiyar attacks the dragon, c.1760 (opaque w/c & gold on paper) by Indian School, (18th century); 33.1x20.1 cm; San Diego Museum of Art

The Battle of Roncevaux, from The History of Charlemagne (tapestry)
MAE176176 The Battle of Roncevaux, from The History of Charlemagne (tapestry) by Flemish School; Musee de la Tapisserie, Tournai

Mr. B - "Seeking the Bubble reputation", from The Progress of a Midshipman
2562179 Mr. B - " Seeking the Bubble reputation", from The Progress of a Midshipman, 1835 (hand-coloured engraving) by Cruikshank

Sous Les Eaux (engraving)
2789100 Sous Les Eaux (engraving) by French School, (19th century); Private Collection; (add.info.: Sous Les Eaux. Illustration for Journal Des Voyages, 18 October 1891)

Eteocles and Polynices, reconstruction of the Etruscan wall painting in the Francois Tomb at Vulci of c
ALI212368 Eteocles and Polynices, reconstruction of the Etruscan wall painting in the Francois Tomb at Vulci of c.320-280 BC (wall painting) (b/w photo) (see also 212367, 214590, 214591) by Ruspi

Alcander a young man of Sparta attacking Lycurgus, from Hutchinson
3614271 Alcander a young man of Sparta attacking Lycurgus, from Hutchinsons History of the Nations, pub.1915 by English School

Africans hunt lions by covering their heads, then piercing them with a deadly wound
746961 Africans hunt lions by covering their heads, then piercing them with a deadly wound, illustration from Venationes, Ferarum, Avium, Piscium (Of Hunting: Wild Beasts, Birds, Fish)

Saints Michael and Engracia (tempera on gold ground panel)
739583 Saints Michael and Engracia (tempera on gold ground panel) by Abadia, Juan de la (fl.1493-1513); 148x98 cm; Private Collection; Photo eChristies Images; Spanish, out of copyright

Portrait of Renwick Williams, commonly called The Monster (engraving)
583375 Portrait of Renwick Williams, commonly called The Monster (engraving) by English School, (18th century); Private Collection; (add.info.: Portrait of Renwick Williams)

The Assault of John Coventry, illustration from Cassell
STC393242 The Assault of John Coventry, illustration from Cassells Illustrated History of England (engraving) (sepia photo) by English School

The Vandals in Rome, illustration from The Illustrated History of the World, published c
LLM438564 The Vandals in Rome, illustration from The Illustrated History of the World, published c.1880 (digitally enhanced image) by English School

Dido on the Pyre, 1775 (oil on canvas)
BFM286673 Dido on the Pyre, 1775 (oil on canvas) by Tischbein, Johann Heinrich (1722-89); 121.6x142.3 cm; Schlossmuseum, Schloss Friedenstein, Gotha

The Wounded Man, from Das Buch der Cirugia published Strasbourg
STC214618 The Wounded Man, from Das Buch der Cirugia published Strasbourg, 1497 (litho) (b/w photo) by Brunschwig, Hieronymus (1450-c.1512); Private Collection; (add.info)

Reconstruction of the Etruscan wall painting in the Francois Tomb at Vulci of c
ALI214590 Reconstruction of the Etruscan wall painting in the Francois Tomb at Vulci of c.320-280 BC (wall painting) (b/w photo) (see also 212367, 212368 & 214591) by Ruspi

Marce Camitlnas and Cneve Tarchunies Rumach, reconstruction of the Etruscan wall painting in the Francois Tomb at Vulci
ALI212367 Marce Camitlnas and Cneve Tarchunies Rumach, reconstruction of the Etruscan wall painting in the Francois Tomb at Vulci of c.320-280 BC (wall painting) (b/w photo) (see also 212368, 214590)

Study of the Martyrdom of St. Peter Martyr, 1526-28 (chalk on paper)
1152804 Study of the Martyrdom of St. Peter Martyr, 1526-28 (chalk on paper) by Pordenone, Giovanni Antonio (1484-1539); 24.4x20.6 cm; eThe Devonshire Collections

Leolf the robber, (after returning from banishment) stabbing Edmund I at a festival at Pucklekirk
1108001 Leolf the robber, (after returning from banishment) stabbing Edmund I at a festival at Pucklekirk, in Gloucestershire (engraving) by English School

MS Widener 4 f. 188r, St. George Fighting the Dragon, from a Book of Hours, use of Rennes
3703385 MS Widener 4 f.188r, St. George Fighting the Dragon, from a Book of Hours, use of Rennes, c.1405 (pen & ink and tempera on vellum) by Lucon Master (fl.1390-1417)

A King Pursued by a Unicorn, c. 1547 (engraving)
880542 A King Pursued by a Unicorn, c.1547 (engraving) by French School, (16th century); 23.3x38.9 cm; Minneapolis Institute of Arts, MN, USA; eMinneapolis Institute of Art; Bequest of Herschel V

Lazarus describes what hes seen in hell (litho)
876390 Lazarus describes what hes seen in hell (litho) by English School; Private Collection; The Stapleton Collection; English, out of copyright

The Severe Father, 1553. Creator: Heinrich Aldegrever
The Severe Father, 1553

Der Ritter. Creator: Hans Holbein the Younger
Der Ritter

The Crucifixion, c. 1550/1575. Creator: Workshop of Hans Mielich
The Crucifixion, c. 1550/1575

Edward the Martyr, 1773. Creator: Andrea Casali
Edward the Martyr, 1773

Cartoon, Brown entertains his friends wi a haggis
Brown entertains his friends wi a haggis by stabbing it and splattering them all as they sit around the table on Burns Night ! Date: 1859

An uprising on the island of Formosa, 1930. Creator: Unknown
An uprising on the island of Formosa, 1930. Un Soulevement dans l Ile de Formose. Revolting natives attack a Japanese school and kill twenty young girls

Edmund I stabbed by Leolf the Robber, 1773. Creator: Charles Grignion
Edmund I stabbed by Leolf the Robber, 1773. Edmund I (921-46), was assassinated after six-and-a-half years as king, while attending Mass in Pucklechurch, Gloucestershire

Felton assassinating the Duke of Buckingham, 1773. Creator: Charles Grignion
Felton assassinating the Duke of Buckingham, 1773. John Felton (c1595-1628) lieutenant in the English Army, stabbed George Villiers

A Man stabbing a Boy, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
A Man stabbing a Boy, mid 18th century, (1928). Pen with wash on white paper. At one time known to have been in the collection of the Victoria & Albert Museum, London

Siegfried kills Fafner, 1924. Artist: Arthur Rackham
Siegfried kills Fafner, 1924. Illustration from Siegfried and the Twilight of the Gods. Mime takes Siegfried to Fafners cave and when Siegfried starts playing his horn, Fafner comes out

The death of Crazy Horse, Fort Robinson, Nebraska, USA, 1877 (c1900). Crazy (c1840-1877). Horse was a Lakota Indian war leader

George Villiers, Duke of Buckingham, the great Favourite of Charles I, stabbed, c1787
George Villiers, Duke of Buckingham, the great Favourite of Charles I. stabbed at Portsmouth by Felton the Assassin, c1787

King Edmund the first Assassinated by Leolf the Robbe, c1787
King Edmund the first Assassinated by Leolf the Robber, while celebrating the Feast of St. Augustine in the Church of Puckle in Gloucestershire, c1787

The Young Guard in the Churchyard of Essling, 1896, (1902). Artist: Gordon Frederick Browne
The Young Guard in the Churchyard of Essling, 1896, (1902). Battle of Aspern-Essling, (21-22 May 1809), fought between French Empire and Austrian Empire. From Battles of the Nineteenth Century, Vol

Once More The Guards Returned, And With Irresistible Energy Drove Them Out, 1902. The Battle of Inkerman, (5 November 1854), part of the Crimean War (1853-1856)

Comyn Stabbed By Bruce, 1902. Artist: Patten Wilson
Comyn Stabbed By Bruce, 1902. John III Red Comyn, Lord of Badenoch and Lord of Lochaber, also known simply as the Red Comyn (died 1306)

Three Studies of a Man Poniarding a Fallen Foe, c1480 (1945). Artist: Leonardo da Vinci
Three Studies of a Man Poniarding a Fallen Foe, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

King John basely Stabbing his Nephew Prince Arthur, previous to throwing him into the Sea, c1787
King John basely Stabbing his Nephew Prince Arthur, previous to throwing him into the Sea, near Cherbourgh, c1787. From A New

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"From Historical Tragedies to Artistic Depictions: The Dark Tale Unveiled" In the annals of history, one cannot escape the chilling accounts incidents that have left an indelible mark on our collective memory. One such event occurred on 13 July 1793 when French revolutionary politician Jean-Paul Marat met his tragic end, fatally stabbed in his bath by Charlotte Corday. Jacques Louis David's haunting oil painting captures this pivotal moment, forever etching it into our consciousness. Centuries earlier, Peter Paul Rubens masterfully portrayed "Le Coup de Lance" in 1620, a scene filled with intensity and raw emotion. This artwork serves as a reminder that violence knows no boundaries and can strike even the mightiest warriors. Literature too has delved into the realm of stabbing, as seen in Victor Hugo's novel "The Toilers of the Sea. " Its front cover depicts a world teetering on chaos and turmoil, where treachery lurks around every corner. Moving forward through time, we encounter Sir John Colborne's decisive victory over insurgents at St Eustache in 1837. The defeat is captured vividly in an evocative illustration from 1877 - a stark reminder that rebellion often meets its demise under the weight of authority. Illegal weapons seized by Cumbria Police UK serve as tangible evidence that modern society still grapples with acts borne out of aggression and malice. These objects remind us to remain vigilant against those who seek to harm others. Even within art itself lies scenes depicting human conflict; an interior barn setting showcases two peasants locked in combat during the year 1658. Their struggle symbolizes not only physical confrontation but also societal tensions simmering beneath their humble existence. Beyond political strife or personal altercations lie battles fought between nations or cultures.