Mockery Collection (page 3)

The Threshing Ground or Summer, 1786, by Goya
Francisco de Goya y Lucientes (1746-1828). Spanish painter. The Threshing Ground or Summer, 1786. Detail. Lazaro Galdiano Museum. Madrid. Spain

The mockery of the people and soldiers to Jesus. Colored eng
Luke 23. The mockery of the people and soldiers to Jesus. Colored engraving

Allegory of the French Revolution. French citizen blindfolded trying to take the liberty, equality and fraternity, which mocked by exposing him to trip over rocks, fall, or meet with death

The Mocking of Christ, 1612-13, (painting)
7130058 The Mocking of Christ, 1612-13, (painting) by Honthorst, Gerrit van (1590-1656); Santa Maria della Vittoria, Rome, Italy; (add.info.: The Mocking of Christ, 1612-13, Gerard van Honthorst)

Arlequin and Leandre drink and sing while mocking Pierrot (verse 8), 1880 (engraving)
7312473 Arlequin and Leandre drink and sing while mocking Pierrot (verse 8), 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18

The Almost-Night Fool, 1660-86 (brush and Indian ink on paper)
7308554 The Almost-Night Fool, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

The Falsifier Fool, 1660-86 (brush and Indian ink on paper)
7308534 The Falsifier Fool, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

The Fool Who Gives With Displeasure, 1660-86 (brush and Indian ink on paper)
7308522 The Fool Who Gives With Displeasure, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

The Goodness-Preventing Fool, 1660-86 (brush and Indian ink on paper)
7308520 The Goodness-Preventing Fool, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

The Usury Fool, 1660-86 (brush and Indian ink on paper)
7308516 The Usury Fool, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

The Aufbutz Fool, 1660-86 (brush and Indian ink on paper)
7308513 The Aufbutz Fool, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

The Fool Who Prefers Lust To Nurture, 1660-86 (brush and Indian ink on paper)
7308507 The Fool Who Prefers Lust To Nurture, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

The Sow-Quoting Jester, 1660-86 (brush and Indian ink on paper)
7308474 The Sow-Quoting Jester, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

The Processionary Fool, 1660-86 (brush and Indian ink on paper)
7308471 The Processionary Fool, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

The Fool Fallen Into His Own Net, 1660-86 (brush and Indian ink on paper)
7308467 The Fool Fallen Into His Own Net, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

The Beggar Fool, 1660-86 (brush and Indian ink on paper)
7308456 The Beggar Fool, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

The Fool In Love With Himself, 1660-86 (brush and Indian ink on paper)
7308451 The Fool In Love With Himself, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

The Foolish World, 1660-86 (brush and Indian ink on paper)
7308422 The Foolish World, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

The Fool Who Deliberately Puts Himself In Danger, 1660-86 (brush and Indian ink on paper)
7308420 The Fool Who Deliberately Puts Himself In Danger, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

The Mocker Fool, 1660-86 (brush and Indian ink on paper)
7308413 The Mocker Fool, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

The Audacious Fool, 1660-86 (brush and Indian ink on paper)
7308401 The Audacious Fool, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

The Travelled Fool, 1660-86 (brush and Indian ink on paper)
7308398 The Travelled Fool, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

The Fool Who Looks Through His Wife's Fingers, 1660-86 (brush and Indian ink on paper)
7308395 The Fool Who Looks Through His Wife's Fingers, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

The Fool Who Postpones Everything Until Tomorrow, 1660-86 (brush and Indian ink on paper)
7308392 The Fool Who Postpones Everything Until Tomorrow, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

The Rich Fool, 1660-86 (brush and Indian ink on paper)
7308364 The Rich Fool, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

The Mischievous Fool, 1660-86 (brush and Indian ink on paper)
7308558 The Mischievous Fool, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

The Fool Studying Useless Arts, 1660-86 (brush and Indian ink on paper)
7308544 The Fool Studying Useless Arts, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

The Goat Fool, 1660-86 (brush and Indian ink on paper)
7308525 The Goat Fool, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

The Fool Mocking The Old Parents, 1660-86 (brush and Indian ink on paper)
7308510 The Fool Mocking The Old Parents, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

The Fool Who Is Angry At The Punishments Of God, 1660-86 (brush and Indian ink on paper)
7308504 The Fool Who Is Angry At The Punishments Of God, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

The Fool Safe From Death, 1660-86 (brush and Indian ink on paper)
7308500 The Fool Safe From Death, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

The Cooking And Cellar Fool, 1660-86 (brush and Indian ink on paper)
7308492 The Cooking And Cellar Fool, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

The Strained Jester, 1660-86 (brush and Indian ink on paper)
7308457 The Strained Jester, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

The Danz Fool, 1660-86 (brush and Indian ink on paper)
7308452 The Danz Fool, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

The Money-Grubbing Fool, 1660-86 (brush and Indian ink on paper)
7308433 The Money-Grubbing Fool, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

The Fool Who Is Not Amused With His Profession, 1660-86 (brush and Indian ink on paper)
7308425 The Fool Who Is Not Amused With His Profession, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

The Fool Going To Church A La Fashion Fool, 1660-86 (brush and Indian ink on paper)
7308418 The Fool Going To Church A La Fashion Fool, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

The God-Blaspheming Fool, 1660-86 (brush and Indian ink on paper)
7308385 The God-Blaspheming Fool, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

The Fool Who Takes On Other People's Worries, 1660-86 (brush and Indian ink on paper)
7308378 The Fool Who Takes On Other People's Worries, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

The Imprudent Fool, 1660-86 (brush and Indian ink on paper)
7308353 The Imprudent Fool, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

The Fool Who Thinks Himself Clever Alone, 1660-86 (brush and Indian ink on paper)
7308345 The Fool Who Thinks Himself Clever Alone, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

The Booze Fool, 1660-86 (brush and Indian ink on paper)
7308552 The Booze Fool, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

The Fool Who Does Not Send Himself Into Misfortune, 1660-86 (brush and Indian ink on paper)
7308548 The Fool Who Does Not Send Himself Into Misfortune, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

The Faithless Fool, 1660-86 (brush and Indian ink on paper)
7308529 The Faithless Fool, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

The God-Burdening Fool, 1660-86 (brush and Indian ink on paper)
7308505 The God-Burdening Fool, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

The Fool Of Reuter And Schreiber, 1660-86 (brush and Indian ink on paper)
7308488 The Fool Of Reuter And Schreiber, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

The Fool Immersed In His Science, 1660-86 (brush and Indian ink on paper)
7308461 The Fool Immersed In His Science, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

The Evil-Throwing Fool, 1660-86 (brush and Indian ink on paper)
7308439 The Evil-Throwing Fool, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

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"Unveiling the Mockery: A Reflection on Women's Rights and Society" In a world where women fought tirelessly for their rights, mockery became an unfortunate companion. From the pages of history to the canvases of renowned artists, this caption delves into the intricate relationship between mockery and women's struggle for equality. Hannah Humphrey's publication "A Cognocenti Contemplating Ye Beauties of Ye Antique" captures a moment when women dared to challenge societal norms, only to be met with ridicule. Suffragettes locked behind prison bars symbolize their unwavering determination despite facing disdainful taunts. The painting "Christ Crowned with Thorns, " both in oil on canvas and as a colored engraving, portrays Jesus enduring humiliation akin to that faced by suffragettes. It serves as a reminder that even divinity was not spared from mockery. Amidst World War II chaos, Old Bill and Co. 's August 1940 cartoon depicts ladies seeking liberation through smoking—a seemingly trivial demand compared to war efforts but indicative of larger battles against gender stereotypes. China's complex relationship with Russia and Britain unraveled amidst political turmoil; here too, mockery played its part. As nations clashed over ideologies, sarcasm became an instrument used by adversaries to belittle one another. Rolling out barrels may seem harmless at first glance—cartoon gardeners tending lawns—but it represents how society often dismisses serious issues faced by women under the guise of lightheartedness. The struggles they face are reduced to mere jokes instead of being taken seriously. Goya's masterpiece "The Threshing Ground or Summer" reveals peasants laboring under oppressive conditions while simultaneously being subjected to derision from those in power—an allegory for how marginalized groups endure both physical hardship and mocking laughter. "The Mockery of People and Soldiers towards Jesus" showcases how even Christ himself experienced scorn from those who failed to understand his message.