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The Travelled Fool, 1660-86 (brush and Indian ink on paper)

The Travelled Fool, 1660-86 (brush and Indian ink on paper)


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The Travelled Fool, 1660-86 (brush and Indian ink on paper)

7308398 The Travelled Fool, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Wilhelm Stettler (1643-1708)
Caspar Merian (1627-1686)
brush and Indian ink on laid paper
h x w: sheet 11.5 x 10.5 cm); © Ashmolean Museum

Media ID 28385774

© Ashmolean Museum / Bridgeman Images

Belittling Court Jester Cygnet Cygnets Derides Derision Foolery Jester Joker Make Fun Of Mockery Scoff Swan Transportration Vice Virtue Virtues Virtuous 17 17th 17th 17th Xvii 18th Century Circa 1600 Early 17th Century Early Xvii Century Means Of Conveyance Only One Person Seventeeth Century Swissman


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> Animals > Birds > Waterfowl > Swans > Black Swan

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> Fine Art Finder > Artists > Wilhelm Stettler


The Travelled Fool

EDITORS COMMENTS
is a captivating artwork that takes us back to the 17th century, created by Wilhelm Stettler. This small print, measuring just 11.5x10.5 cm, showcases Stettler's mastery of brush and Indian ink on laid paper. The image depicts a court jester or fool, known for his mockery and jests in European courts during this era. The man portrayed here embodies the essence of foolishness with his exaggerated gestures and comical expression. His presence evokes both amusement and derision as he belittles those around him. Stettler's attention to detail is evident in the intricate depiction of a swan and its cygnets nearby, symbolizing virtue amidst folly. The contrast between black ink against white paper adds depth to the composition while emphasizing the dichotomy between vice and virtue. This artwork offers a glimpse into early 17th-century Europe through its portrayal of one person traveling—a common means of transport during this time period—across different regions. It serves as a reminder that even amidst journeys filled with laughter and merriment, there are lessons to be learned about human nature. Displayed at the Ashmolean Museum in Oxford, UK, "The Travelled Fool" continues to captivate viewers with its timeless portrayal of folly and wit. Through Stettler's skillful brushwork, we are transported back in time to witness both the humorous antics and profound insights found within this enigmatic figure.

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