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The Usury Fool, 1660-86 (brush and Indian ink on paper)
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The Usury Fool, 1660-86 (brush and Indian ink on paper)
7308516 The Usury Fool, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Wilhelm Stettler (1643-1708)
Caspar Merian (1627-1686)
brush and Indian ink on laid paper
h x w: sheet 11.5 x 10.5 cm); © Ashmolean Museum
Media ID 28385798
© Ashmolean Museum / Bridgeman Images
7 Deadly Sins Belittling Court Jester Derides Derision Foolery Greed Jester Joker Make Fun Of Mockery Scoff Seven Deadly Sins Usurer Usury Vice Virtue Virtues Virtuous 17 17th 17th 17th Xvii 18th Century Circa 1600 Early 17th Century Early Xvii Century Loan Shark Seventeeth Century Swissman
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The Usury Fool, 1660-86
EDITORS COMMENTS
is a captivating artwork that showcases the talent and creativity of Wilhelm Stettler. Created using brush and Indian ink on paper, this piece measures 11.5x10.5 cm and is currently housed in the Ashmolean Museum at the University of Oxford. The painting depicts a court jester or fool, known for his mockery and derision, making fun of a usurer or loan shark. The intricate details and skillful use of black and white create a striking contrast that adds depth to the image. Stettler's work explores themes of greed, one of the seven deadly sins, as he portrays the vices associated with usury. Through this artwork, he highlights the contrast between virtue and vice while shedding light on societal issues surrounding money lending during the seventeenth century. The artist's Swiss background is evident in his attention to detail and precision. Stettler was renowned for his ability to capture human emotions through his drawings, which can be seen in this particular piece. "The Usury Fool" serves as a powerful reminder of how art can convey social commentary while showcasing artistic mastery. It invites viewers to reflect on their own values regarding wealth accumulation and virtuous living. This print from Fine Art Finder allows art enthusiasts worldwide to appreciate Stettler's brilliance from centuries ago while contemplating its relevance in contemporary society.
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