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The Fool Who Gives With Displeasure, 1660-86 (brush and Indian ink on paper)
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The Fool Who Gives With Displeasure, 1660-86 (brush and Indian ink on paper)
7308522 The Fool Who Gives With Displeasure, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Wilhelm Stettler (1643-1708)
Caspar Merian (1627-1686)
brush and Indian ink on laid paper
h x w: sheet 11.5 x 10.5 cm); © Ashmolean Museum
Media ID 28385802
© Ashmolean Museum / Bridgeman Images
7 Deadly Sins Belittling Court Jester Derides Derision Foolery Gift Gifting Gifts Greed Jester Joker Make Fun Of Mockery Present Scoff Seven Deadly Sins Vice Virtue Virtues Virtuous 17 17th 17th 17th Xvii 18th Century Circa 1600 Early 17th Century Early Xvii Century Seventeeth Century Swissman
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The Fool Who Gives With Displeasure
EDITORS COMMENTS
is a captivating 17th-century artwork by Wilhelm Stettler that depicts the complex nature of human generosity. In this brush and Indian ink on paper print, we are introduced to a jester-like figure who presents a gift with an unmistakable air of disdain. The artist skillfully captures the essence of greed and the seven deadly sins through his intricate lines and shading. Stettler's work invites us to contemplate the paradoxical act of giving without genuine pleasure or selflessness. The joker's mocking expression suggests that his offering may be driven by ulterior motives or a desire for personal gain rather than true benevolence. Through this piece, Stettler challenges our understanding of virtue and questions whether acts of kindness can truly be virtuous if they are tainted by hidden agendas. The small size of the artwork adds to its intimate appeal, drawing viewers closer to examine every detail meticulously rendered by Stettler's hand. This masterpiece now resides in the Ashmolean Museum at the University of Oxford, where it continues to provoke contemplation on human nature and morality. "The Fool Who Gives With Displeasure" serves as a powerful reminder that not all gifts come from pure intentions, urging us to reflect on our own actions when bestowing favors upon others. It stands as an enduring testament to Stettler's artistic prowess and his ability to capture profound themes within seemingly simple compositions.
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