Framed Print : The Installation of No Bengulu
Framed Photos from Mary Evans Picture Library
The Installation of No Bengulu
Into the supreme chieftainship of Matabili land, February 1870. Sketch 36 from a collection of original sketches by Thomas Baines, (1859-1871)
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 8603363
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10709749
1820 1875 Aboriginal Aborigine Art And Illustration Baines Epitheria Equid Equidae Equine Equus Eutheria Geomorphology Hippomorpha Indigenous People Installation John Thomas John Thomas Baines Landform
12"x10" Modern Frame
Introducing the captivating 'The Installation of No Bengulu' framed print from Media Storehouse, featuring an intriguing sketch by Thomas Baines. This historic image, sourced from Mary Evans Prints Online, portrays the installation of No Bengulu into the supreme chieftainship of Matabili land in February 1870. The detailed and evocative depiction of this significant moment in African history is sure to make a striking addition to any space. Embrace the rich storytelling power of art with this beautifully framed print.
10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")
Estimated Product Size is 30.5cm x 25.4cm (12" x 10")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This sketch, titled "The Installation of No Bengulu" (February 1870), is an exquisite illustration by the renowned 19th-century artist, John Thomas Baines. The scene unfolds in the Matabili land, showcasing a significant moment in the indigenous community's history. At the heart of the drawing lies a serene lake, reflecting the clear blue sky and the surrounding landscape. The tranquility of the water is disrupted only by the presence of a few grazing animals, including horses, donkeys, and cattle, which add a sense of vitality to the scene. The main focus, however, is on the installation ceremony of No Bengulu, the new supreme chieftain of the Matabili people. The figure of No Bengulu, dressed in traditional attire and adorned with intricate beadwork and feathers, stands proudly on a mound, surrounded by his people. They pay homage to their new leader, their faces expressing a mix of reverence and joy. The geomorphology of the land is evident in the rolling hills and rugged terrain that surround the lake. The artist's skilled use of shading and perspective creates a three-dimensional effect, making the scene feel alive and tangible. Baines, a prolific artist and explorer, created this sketch during his travels through southern Africa between 1820 and 1875. His detailed and accurate drawings of the flora, fauna, and people of the region are invaluable records of a bygone era. This particular illustration offers a unique glimpse into the indigenous culture and traditions of the Matabili people during the installation of their new chief. The equines in the scene, with their powerful forms and graceful curves, are a testament to the artist's mastery of the equid family (Hippomorpha), which includes horses, donkeys, and zebras. The drawing is a stunning example of the art and illustration of the daytime, capturing the essence of a moment in history that continues to resonate today.
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