Fine Art Print : The Installation of No Bengulu
Fine Art Prints from Mary Evans Picture Library
The Installation of No Bengulu
Into the supreme chieftainship of Matabili land, February 1870. Sketch 36 from a collection of original sketches by Thomas Baines, (1859-1871)
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 8603363
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10709749
1820 1875 Aboriginal Aborigine Art And Illustration Baines Epitheria Equid Equidae Equine Equus Eutheria Geomorphology Hippomorpha Indigenous People Installation John Thomas John Thomas Baines Landform
20"x16" (+3" Border) Fine Art Print
Experience the rich history and cultural depth of Africa with our exquisite selection of Fine Art Prints from Media Storehouse, featuring The Installation of No Bengulu by Thomas Baines. This captivating image, sourced from Mary Evans Prints Online, depicts the installation of No Bengulu into the supreme chieftainship of Matabili land in February 1870. Thomas Baines, a renowned English artist and explorer, captured this moment in a series of original sketches between 1859 and 1871. Our Fine Art Prints are meticulously reproduced to preserve the intricate details and vibrant colors of the original artwork, making each print a stunning addition to your home or office decor. Immerse yourself in the beauty and history of Africa with this exceptional piece.
20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 50.8cm x 36.1cm (20" x 14.2")
Estimated Product Size is 66cm x 55.9cm (26" x 22")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
This sketch, titled "The Installation of No Bengulu" (February 1870), is an exquisite illustration by the renowned 19th-century artist, John Thomas Baines. The scene unfolds in the Matabili land, showcasing a significant moment in the indigenous community's history. At the heart of the drawing lies a serene lake, reflecting the clear blue sky and the surrounding landscape. The tranquility of the water is disrupted only by the presence of a few grazing animals, including horses, donkeys, and cattle, which add a sense of vitality to the scene. The main focus, however, is on the installation ceremony of No Bengulu, the new supreme chieftain of the Matabili people. The figure of No Bengulu, dressed in traditional attire and adorned with intricate beadwork and feathers, stands proudly on a mound, surrounded by his people. They pay homage to their new leader, their faces expressing a mix of reverence and joy. The geomorphology of the land is evident in the rolling hills and rugged terrain that surround the lake. The artist's skilled use of shading and perspective creates a three-dimensional effect, making the scene feel alive and tangible. Baines, a prolific artist and explorer, created this sketch during his travels through southern Africa between 1820 and 1875. His detailed and accurate drawings of the flora, fauna, and people of the region are invaluable records of a bygone era. This particular illustration offers a unique glimpse into the indigenous culture and traditions of the Matabili people during the installation of their new chief. The equines in the scene, with their powerful forms and graceful curves, are a testament to the artist's mastery of the equid family (Hippomorpha), which includes horses, donkeys, and zebras. The drawing is a stunning example of the art and illustration of the daytime, capturing the essence of a moment in history that continues to resonate today.
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