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Camp of the Gros Ventres of the Prairies on the Upper Missouri
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Camp of the Gros Ventres of the Prairies on the Upper Missouri
3672572 Camp of the Gros Ventres of the Prairies on the Upper Missouri by Bodmer, Karl (1809-93); Newberry Library, Chicago, Illinois, USA; (add.info.: Travels in the interior of North America / by Maximilian, Prince of Wied; with numerous engravings on wood, and a large map; translated from the German, by H. Evans Lloyd: to accompany the original series of eighty-one elaborately-colored plates: size, imperial folio
Tableau 38 in atlas: Illustrations to Maximilian, Prince of Wieds Travels in the interior of North America. A Gros Ventres or Atsina Indian encampment along the banks of the Missouri River. Kneelboat with Maximilian, Bodmer and crew stopped opposite the encampment of the Atsina Indians. In 1836 Maximilian commissioned Bodmer to create illustrations to accompany the text of his atlas documenting their travels. These illustrations include 81 plates of aquatints.
by Bodmer, Karl, 1809-1893
London: Ackermann and Co.
Illustrations to Maximilian, Prince of Wieds Travels in the interior of North America); eNewberry Library; Swiss, out of copyright
Media ID 23643314
© Newberry Library / Bridgeman Images
Aquatints Boats And Boating Indians Of North America Indigenous Landscapes Representations Tipis
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The captivating print titled "Camp of the Gros Ventres of the Prairies on the Upper Missouri" takes us back in time to an extraordinary moment in history. Captured by Karl Bodmer, a renowned Swiss artist, this image is part of a series commissioned by Maximilian, Prince of Wied, documenting their travels through North America in 1836. In this tableau, we find ourselves immersed in the vastness of the American prairies along the banks of the mighty Missouri River. A Gros Ventres or Atsina Indian encampment comes into view, revealing a glimpse into their daily lives and rich cultural heritage. The camp exudes both simplicity and complexity as teepees dotting the landscape create a harmonious unity with nature. At center stage stands Maximilian himself alongside Bodmer and their crew aboard a kneelboat. They have paused opposite the encampment to observe and interact with these indigenous people. This encounter serves as a testament to Maximilian's dedication to understanding Native American cultures firsthand. Bodmer's artistic prowess shines through his meticulous attention to detail and vibrant use of colors. Each stroke captures not only physical features but also emotions that emanate from this unique meeting between two worlds. This remarkable print transports us back in time while reminding us of our responsibility to honor and preserve diverse cultures that have shaped our world today.
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