Fraud Blocker Skip to main content

Landscapes Representations Collection

"Capturing the Beauty of Landscapes

Background imageLandscapes Representations Collection: St. Clements Church, Hastings, 1800-65 (Watercolour)

St. Clements Church, Hastings, 1800-65 (Watercolour)
7261305 St. Clements Church, Hastings, 1800-65 (Watercolour) by Pretty, Edward (1792-1865); 22.5x32.5 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: St)

Background imageLandscapes Representations Collection: Macclesfield Church, 1767-1816 (Watercolour)

Macclesfield Church, 1767-1816 (Watercolour)
7261541 Macclesfield Church, 1767-1816 (Watercolour) by Alexander, William (1767-1816); 16.5x22.2 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Macclesfield Church)

Background imageLandscapes Representations Collection: Le pave de Chailly 1865 (Oil on Canvas)

Le pave de Chailly 1865 (Oil on Canvas)
7212095 Le pave de Chailly 1865 (Oil on Canvas) by Monet, Claude (1840-1926); Musee d Orsay, Paris, France; (add.info.: Le pave de Chailly 1865. Oil on Canvas)

Background imageLandscapes Representations Collection: Barming Bridge, 19th century (Watercolour)

Barming Bridge, 19th century (Watercolour)
7261325 Barming Bridge, 19th century (Watercolour) by Noble, Richard Pratchett (fl.1821-60); 18x26.5 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Barming Bridge, Maidstone, Kent)

Background imageLandscapes Representations Collection: Georgiana: a Horse, c. 1819 (oil on canvas)

Georgiana: a Horse, c. 1819 (oil on canvas)
7240664 Georgiana: a Horse, c.1819 (oil on canvas) by Weaver, Thomas (1774-1843); 70x89 cm; The Weston Park Foundation, Shropshire, UK; (add.info.: Georgiana: a horse facing left in a landscape)

Background imageLandscapes Representations Collection: A Red Legged Patridge and a Covey of Grey Patridges by Corn Stooks (pencil and w / c)

A Red Legged Patridge and a Covey of Grey Patridges by Corn Stooks (pencil and w / c)
6448737 A Red Legged Patridge and a Covey of Grey Patridges by Corn Stooks (pencil and w/c) by Thorburn, Archibald (1860-1935); 22.8x36.8 cm; Private Collection; (add.info.: Thorburn)

Background imageLandscapes Representations Collection: Gleaners at Chambaudoin, 1857 (oil on canvas)

Gleaners at Chambaudoin, 1857 (oil on canvas)
XIR231251 Gleaners at Chambaudoin, 1857 (oil on canvas) by Hedouin, Pierre Edmond Alexandre (1820-89); Musee Municipal, Villefranche-sur-Saone

Background imageLandscapes Representations Collection: Rochester Castle, 1800-71 (Watercolour)

Rochester Castle, 1800-71 (Watercolour)
7261363 Rochester Castle, 1800-71 (Watercolour) by Harley, George (1791-1871); 29x41 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Rochester Castle, Kent)

Background imageLandscapes Representations Collection: By The Sea, 1881 (oil on canvas)

By The Sea, 1881 (oil on canvas)
7063397 By The Sea, 1881 (oil on canvas) by Glendening, Alfred Augustus (1840-1921); Private Collection

Background imageLandscapes Representations Collection: LEON TOLSTOI LABOURANT, 1887 (oil on cardboard)

LEON TOLSTOI LABOURANT, 1887 (oil on cardboard)
7215383 LEON TOLSTOI LABOURANT, 1887 (oil on cardboard) by Repin, Ilya Efimovich (1844-1930); Tretyakov Gallery, Moscow, Russia; (add.info.: 1887//Oil on cardboard At Iasnaya Polyana in August 1887)

Background imageLandscapes Representations Collection: Wheatfield, 1881 (oil on canvas)

Wheatfield, 1881 (oil on canvas)
7262408 Wheatfield, 1881 (oil on canvas) by Monet, Claude (1840-1926); 65.5x81 cm; Private Collection; (add.info.: by Claude Monet (1840-1926) created at Vetheuil, France)

Background imageLandscapes Representations Collection: Detail of The Entry of Louis XIV (1638-1715) and Maria Theresa (1638-83) into Arras

Detail of The Entry of Louis XIV (1638-1715) and Maria Theresa (1638-83) into Arras, 30th July 1667, c
XIR205466 Detail of The Entry of Louis XIV (1638-1715) and Maria Theresa (1638-83) into Arras, 30th July 1667, c.1685 (oil on canvas) by Meulen

Background imageLandscapes Representations Collection: A Picturesque Cottage, Warwickshire (pencil and w / c)

A Picturesque Cottage, Warwickshire (pencil and w / c)
6867113 A Picturesque Cottage, Warwickshire (pencil and w/c) by Stannard, Henry John Sylvester (1870-1951); Private Collection

Background imageLandscapes Representations Collection: Le train a Jeufosse, 1884 (oil on canvas)

Le train a Jeufosse, 1884 (oil on canvas)
7215998 Le train a Jeufosse, 1884 (oil on canvas) by Monet, Claude (1840-1926); 60.1x81.2 cm; Private Collection; Photo © Christies Images

Background imageLandscapes Representations Collection: The meridian Line also known as The Siesta, 1888-1889 (Oil on Canvas)

The meridian Line also known as The Siesta, 1888-1889 (Oil on Canvas)
7212109 The meridian Line also known as The Siesta, 1888-1889 (Oil on Canvas) by Gogh, Vincent van (1853-90); Musee d Orsay, Paris, France; (add.info.: The meridian Line also known as The Siesta)

Background imageLandscapes Representations Collection: An Encounter on the Road, c. 1900 (oil on canvas)

An Encounter on the Road, c. 1900 (oil on canvas)
5895234 An Encounter on the Road, c.1900 (oil on canvas) by Walbourn, Ernest (1872-1927); 61x91.5 cm; Private Collection; (add.info.: Walbourn, Ernest (1872-1927))

Background imageLandscapes Representations Collection: Water Lily Pond, Green Harmony, 1899 (Oil on Canvas)

Water Lily Pond, Green Harmony, 1899 (Oil on Canvas)
7212093 Water Lily Pond, Green Harmony, 1899 (Oil on Canvas) by Monet, Claude (1840-1926); Musee d Orsay, Paris, France; (add.info.: Water Lily Pond, Green Harmony, 1899)

Background imageLandscapes Representations Collection: Church Pool, Bettws-y-coed (oil)

Church Pool, Bettws-y-coed (oil)
7064886 Church Pool, Bettws-y-coed (oil) by Parker, Henry (1858-1930); Private Collection

Background imageLandscapes Representations Collection: Village of friendly Indians, at the entrance of Bute's Canal, 1798 (watercolour)

Village of friendly Indians, at the entrance of Bute's Canal, 1798 (watercolour)
3672968 Village of friendly Indians, at the entrance of Bute's Canal, 1798 (watercolour) by Alexander, William (1767-1816); Newberry Library, Chicago, Illinois

Background imageLandscapes Representations Collection: Friendly Cove, Nootka Sound, Vancouver's Island, 1798 (watercolour)

Friendly Cove, Nootka Sound, Vancouver's Island, 1798 (watercolour)
3672980 Friendly Cove, Nootka Sound, Vancouver's Island, 1798 (watercolour) by Alexander, William (1767-1816); Newberry Library, Chicago, Illinois

Background imageLandscapes Representations Collection: Icy Bay, near Mt. St. Elias, Alaska, 1798 (watercolour)

Icy Bay, near Mt. St. Elias, Alaska, 1798 (watercolour)
3672975 Icy Bay, near Mt. St. Elias, Alaska, 1798 (watercolour) by Alexander, William (1767-1816); Newberry Library, Chicago, Illinois

Background imageLandscapes Representations Collection: Port Dick, near Cook's Inlet, 1798 (watercolour)

Port Dick, near Cook's Inlet, 1798 (watercolour)
3672952 Port Dick, near Cook's Inlet, 1798 (watercolour) by Alexander, William (1767-1816); Newberry Library, Chicago, Illinois

Background imageLandscapes Representations Collection: The town of Valparaiso on the coast of Chili, 1798 (watercolour)

The town of Valparaiso on the coast of Chili, 1798 (watercolour)
3673003 The town of Valparaiso on the coast of Chili, 1798 (watercolour) by Alexander, William (1767-1816); Newberry Library, Chicago, Illinois

Background imageLandscapes Representations Collection: The New Eddystone, in Bhems Canal, 1798 (watercolour)

The New Eddystone, in Bhems Canal, 1798 (watercolour)
3672977 The New Eddystone, in Bhems Canal, 1798 (watercolour) by Alexander, William (1767-1816); Newberry Library, Chicago, Illinois

Background imageLandscapes Representations Collection: 3673010

3673010

Background imageLandscapes Representations Collection: 3672997

3672997

Background imageLandscapes Representations Collection: 3672964

3672964

Background imageLandscapes Representations Collection: The Erzurum Offensive (Poster), 1916 (chromolitho)

The Erzurum Offensive (Poster), 1916 (chromolitho)
FIA5403479 The Erzurum Offensive (Poster), 1916 (chromolitho) by Anonymous; 42x60 cm; Private Collection; Photo © Fine Art Images

Background imageLandscapes Representations Collection: Autumn Hilltop, New England, 1906 (oil on canvas)

Autumn Hilltop, New England, 1906 (oil on canvas)
CH202597 Autumn Hilltop, New England, 1906 (oil on canvas) by Hassam, Childe Frederick (1859-1935); 61x56.4 cm; Private Collection; Photo © Christies Images

Background imageLandscapes Representations Collection: Mill and mill head bakery chimney in distance, 19th century (Pencil, Chalk)

Mill and mill head bakery chimney in distance, 19th century (Pencil, Chalk)
7261657 Mill and mill head bakery chimney in distance, 19th century (Pencil, Chalk) by British School, (19th century); 13x16 cm; Maidstone Museum and Art Gallery, Kent

Background imageLandscapes Representations Collection: Vale of Conway, 19th century (Watercolour)

Vale of Conway, 19th century (Watercolour)
7261549 Vale of Conway, 19th century (Watercolour) by Barnes, J. H. & Cole, J. H. (19th century); 43x74 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Vale of Conway, Wales)

Background imageLandscapes Representations Collection: View near Half Yoke House, 1850-61

View near Half Yoke House, 1850-61
7261543 View near Half Yoke House, 1850-61 by Noble, Richard Pratchett (fl.1821-60); 36x55 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: View near Half Yoke House)

Background imageLandscapes Representations Collection: West Borough, Maidstone, 19th century (Watercolour)

West Borough, Maidstone, 19th century (Watercolour)
7261373 West Borough, Maidstone, 19th century (Watercolour) by British School, (19th century); Maidstone Museum and Art Gallery, Kent, UK; (add.info.: West Borough)

Background imageLandscapes Representations Collection: A Hunt, 1826 (Ink)

A Hunt, 1826 (Ink)
7261360 A Hunt, 1826 (Ink) by British School, (19th century); 25.5x41.5 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info)

Background imageLandscapes Representations Collection: Maidstone Bridge, 1821-27 (Watercolour)

Maidstone Bridge, 1821-27 (Watercolour)
7261303 Maidstone Bridge, 1821-27 (Watercolour) by Moss, W G (19th century); 14.5x22.5 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Maidstone Bridge, 1827 (or 1821) Maidstone

Background imageLandscapes Representations Collection: Landscape with river and cow, 1800-1930 (Watercolour)

Landscape with river and cow, 1800-1930 (Watercolour)
7261402 Landscape with river and cow, 1800-1930 (Watercolour) by Brown, A (19th-20th century); 24.5x35 cm; Maidstone Museum and Art Gallery, Kent

Background imageLandscapes Representations Collection: Maidstone Archbishops Palace and Bridge, 1851 (Pencil)

Maidstone Archbishops Palace and Bridge, 1851 (Pencil)
7261375 Maidstone Archbishops Palace and Bridge, 1851 (Pencil) by British School, (19th century); 62x48 cm; Maidstone Museum and Art Gallery, Kent

Background imageLandscapes Representations Collection: Landscape, 1819-40 (Ink, Chalk)

Landscape, 1819-40 (Ink, Chalk)
7261712 Landscape, 1819-40 (Ink, Chalk) by Brown, Philip Vandyke (1801-68); 15.5x20.5 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Landscape)

Background imageLandscapes Representations Collection: Railway Bridge designed by Gustave Eiffel, over the Garabit Viaduct (b / w photo)

Railway Bridge designed by Gustave Eiffel, over the Garabit Viaduct (b / w photo)
1729039 Railway Bridge designed by Gustave Eiffel, over the Garabit Viaduct (b/w photo) by French Photographer, (19th century); (add.info.: The Garabit Viaduct (France)

Background imageLandscapes Representations Collection: The Medway below Maidstone, 1852 (Watercolour)

The Medway below Maidstone, 1852 (Watercolour)
7261556 The Medway below Maidstone, 1852 (Watercolour) by British School, (19th century); Maidstone Museum and Art Gallery, Kent, UK; (add.info.: The Medway below Maidstone)

Background imageLandscapes Representations Collection: River Landscape, 19th century (Watercolour)

River Landscape, 19th century (Watercolour)
7261435 River Landscape, 19th century (Watercolour) by Raubarham (19th century); Maidstone Museum and Art Gallery, Kent, UK; (add.info)

Background imageLandscapes Representations Collection: East Farleigh Church, 19th century (Watercolour)

East Farleigh Church, 19th century (Watercolour)
7261340 East Farleigh Church, 19th century (Watercolour) by Noble, Richard Pratchett (fl.1821-60); 24.5x34 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: East Farleigh Church)

Background imageLandscapes Representations Collection: William Woolletts Birth Place, 19th century (Watercolours)

William Woolletts Birth Place, 19th century (Watercolours)
7261316 William Woolletts Birth Place, 19th century (Watercolours) by Rivabalblt, J de (19th century); Maidstone Museum and Art Gallery, Kent, UK; (add.info.: William Woolletts Birth Place c. 1880)

Background imageLandscapes Representations Collection: Sheppards Garden and Bridge over watercress ditch (2 sketches on one sheet), 19th century (Pencil)

Sheppards Garden and Bridge over watercress ditch (2 sketches on one sheet), 19th century (Pencil, Chalk, Wash)
7261703 Sheppards Garden and Bridge over watercress ditch (2 sketches on one sheet), 19th century (Pencil, Chalk, Wash) by British School, (19th century); 20x13 cm; Maidstone Museum and Art Gallery

Background imageLandscapes Representations Collection: George Berkeley (engraving)

George Berkeley (engraving)
1729067 George Berkeley (engraving) by Irish School; (add.info.: George Berkeley (12 March 1685 - 14 January 1753) - known as Bishop Berkeley (Bishop of Cloyne of the Anglican Church of Ireland)

Background imageLandscapes Representations Collection: Landscape with Windmill, 19th century (Watercolour)

Landscape with Windmill, 19th century (Watercolour)
7261710 Landscape with Windmill, 19th century (Watercolour) by Ellis, E (19th century); 23x63.7 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Landscape with Windmill)

Background imageLandscapes Representations Collection: View of Ashford, 19th century (Watercolour)

View of Ashford, 19th century (Watercolour)
7261406 View of Ashford, 19th century (Watercolour) by Shepherd, George (c.1765-1831); 13x25 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: View of Ashford, Kent; Watercolour; Shepherd)

Background imageLandscapes Representations Collection: Holy House, 19th century (Ink)

Holy House, 19th century (Ink)
7261288 Holy House, 19th century (Ink) by Hughes, Edward (1824-1908); Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Holy House. From a drawing by Jeffries. Framed and glazed)



All Professionally Made to Order for Quick Shipping

"Capturing the Beauty of Landscapes: A Glimpse into Artistic Representations" Immerse yourself in the serene beauty of landscapes through these captivating artistic representations. By The Sea, 1881 (oil on canvas) transports us to a tranquil coastal scene, where crashing waves and endless horizons evoke a sense of calm and wonder. In Detail of The Entry of Louis XIV and Maria Theresa into Arras, 30th July 1667, c. 1685 (oil on canvas), we witness a grand procession as historical figures make their way through the picturesque cityscape, offering a glimpse into an opulent era. The delicate strokes in A Picturesque Cottage, Warwickshire (pencil and w/c) bring to life the idyllic charm of countryside living; every detail meticulously captured with precision and grace. An Encounter on the Road, c. 1900 (oil on canvas) invites us to join two figures amidst breathtaking scenery - perhaps hinting at chance encounters that can shape our lives forever. Church Pool, Bettws-y-coed (oil) showcases nature's tranquility reflected upon still waters surrounding an ancient church; it is an invitation to find solace within its peaceful embrace. Wheatfield, 1881 (oil on canvas) depicts golden fields swaying under gentle breezes - a celebration of nature's bounty that nourishes both body and soul. Gleaners at Chambaudoin, 1857 (oil on canvas) captures hardworking individuals laboring against vast landscapes; reminding us of humanity's connection with land throughout history. Le train à Jeufosse, 1884 (oil on canvas) takes us back in time as steam trains traverse scenic routes - merging man-made marvels with natural splendor for an unforgettable visual experience.