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Angeli Laudantes, tapestry designed by Henry Dearle with figures by Edward Burne-Jones originally drawn in 1877 / 78, woven at Merton Abbey in 1894 by Morris and Co. (wool & silk on cotton)
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Angeli Laudantes, tapestry designed by Henry Dearle with figures by Edward Burne-Jones originally drawn in 1877 / 78, woven at Merton Abbey in 1894 by Morris and Co. (wool & silk on cotton)
BAL3809 Angeli Laudantes, tapestry designed by Henry Dearle with figures by Edward Burne-Jones originally drawn in 1877/78, woven at Merton Abbey in 1894 by Morris and Co. (wool & silk on cotton) by Burne-Jones, Edward Coley (1833-98) & Dearle, John Henry (1859-1932); 236.2x185 cm; Victoria & Albert Museum, London, UK
Media ID 24783408
© Bridgeman Images
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This print showcases the exquisite tapestry titled "Angeli Laudantes" a masterpiece designed by Henry Dearle with figures created by Edward Burne-Jones. Originally drawn in 1877/78, this remarkable artwork was woven at Merton Abbey in 1894 by Morris and Co. , using a combination of wool and silk on cotton. The tapestry measures an impressive 236.2x185 cm and is currently housed in the prestigious Victoria & Albert Museum in London, UK. The image depicts angels adorned with wings, playing various musical instruments including harps, creating an ethereal atmosphere filled with heavenly melodies. This piece exemplifies the Pre-Raphaelite art movement that emerged during the 19th century in England. Burne-Jones, a renowned painter and artist of his time, collaborated with Dearle to create this enchanting representation of seraphs. The attention to detail and meticulous craftsmanship evident in every thread of this tapestry reflects the artistic brilliance of both Burne-Jones and Dearle. Their collaboration resulted in a timeless work that continues to captivate viewers even today. With its rich symbolism, angelic figures, and harmonious composition, "Angeli Laudantes" stands as a testament to the enduring beauty of Pre-Raphaelite art. This stunning piece serves as a reminder of the profound impact these artists had on British art history during the late nineteenth century.
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