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Pre Raphaelism Collection

Pre-Raphaelism, an influential art movement that emerged in the mid-19th century

Background imagePre Raphaelism Collection: Vivien, 1863 (oil on canvas)

Vivien, 1863 (oil on canvas)
MAN62976 Vivien, 1863 (oil on canvas) by Sandys, Anthony Frederick Augustus (1829-1904); 64x52.5 cm; Manchester Art Gallery

Background imagePre Raphaelism Collection: The Annunciation, 1894 (oil on canvas)

The Annunciation, 1894 (oil on canvas)
3501978 The Annunciation, 1894 (oil on canvas) by Shields, Frederic James (1833-1911); 85x54 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imagePre Raphaelism Collection: Cupid's hunting fields, 1880 (oil on canvas)

Cupid's hunting fields, 1880 (oil on canvas)
930319 Cupid's hunting fields, 1880 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); Victoria & Albert Museum, London, UK; Photo © Stefano Baldini

Background imagePre Raphaelism Collection: Edward Burne Jones and William Morris, 1874 (b / w photo)

Edward Burne Jones and William Morris, 1874 (b / w photo)
2625505 Edward Burne Jones and William Morris, 1874 (b/w photo) by Hollyer, Frederick (1837-1933); (add.info.: British 19th century artists Edward Burne Jones and William Morris)

Background imagePre Raphaelism Collection: A woman grieving, 1850

A woman grieving, 1850
3478235 A woman grieving, 1850; (add.info.: Illustration depicting a woman grieving. Illustrated by Arthur Hughes (1832-1915)

Background imagePre Raphaelism Collection: Head of a Woman, c.1875 (charcoal on paper)

Head of a Woman, c.1875 (charcoal on paper)
8690958 Head of a Woman, c.1875 (charcoal on paper) by Morgan, Evelyn De (1855-1919); Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, USA; (add.info.: By Evelyn De Morgan)

Background imagePre Raphaelism Collection: Mrs. George Waugh, 1868 (oil on fabric)

Mrs. George Waugh, 1868 (oil on fabric)
XOS5880420 Mrs. George Waugh, 1868 (oil on fabric) by Hunt, William Holman (1827-1910); 115.5x95.5 cm; Cleveland Museum of Art, OH, USA; (add.info.: Painting by William Holman Hunt The sitter)

Background imagePre Raphaelism Collection: Study for 'The Hireling Shepherd', 1851 (graphite)

Study for "The Hireling Shepherd", 1851 (graphite)
XOS5880747 Study for "The Hireling Shepherd", 1851 (graphite) by Hunt, William Holman (1827-1910); 11.4x18.3 cm; Cleveland Museum of Art, OH, USA; (add.info.: Drawing by William Holman Hunt)

Background imagePre Raphaelism Collection: El Haram, Jerusalem (oil on panel)

El Haram, Jerusalem (oil on panel)
PNH354617 El Haram, Jerusalem (oil on panel) by Leighton, Frederic (1830-96); 11.5x19.5 cm; Private Collection; (add.info)

Background imagePre Raphaelism Collection: Head of an Old Italian Woman, c.1850 (oil on canvas)

Head of an Old Italian Woman, c.1850 (oil on canvas)
8677877 Head of an Old Italian Woman, c.1850 (oil on canvas) by Leighton, Frederic (1830-96); 61.9x48.8 cm; Leighton House Museum, Kensington & Chelsea, London

Background imagePre Raphaelism Collection: Thinking, Portrait of Emma Madox Brown, c. 1870 (w/c & gouache on paper)

Thinking, Portrait of Emma Madox Brown, c. 1870 (w/c & gouache on paper)
XOS5884752 Thinking, Portrait of Emma Madox Brown, c. 1870 (w/c & gouache on paper) by Hueffer, Catherine Nee Madox Brown (1850-1927); 52.7x36.5 cm; Cleveland Museum of Art, OH

Background imagePre Raphaelism Collection: King Lear, c.1860 (oil on board adhered to canvas)

King Lear, c.1860 (oil on board adhered to canvas)
XOS5884760 King Lear, c.1860 (oil on board adhered to canvas) by Brown, Ford Madox (1821-93); 30.5x36.8 cm; Cleveland Museum of Art, OH, USA; (add.info.: Painting by Ford Madox Brown)

Background imagePre Raphaelism Collection: Giovanni Costa (1826-1903) 1878 (oil on canvas) (see also 165202)

Giovanni Costa (1826-1903) 1878 (oil on canvas) (see also 165202)
LGH250630 Giovanni Costa (1826-1903) 1878 (oil on canvas) (see also 165202) by Leighton, Frederic (1830-96); Leighton House Museum, Kensington & Chelsea, London, UK

Background imagePre Raphaelism Collection: Head crowned with leaves, c.1897 (pencil on paper)

Head crowned with leaves, c.1897 (pencil on paper)
NGW405353 Head crowned with leaves, c.1897 (pencil on paper) by Burne-Jones, Edward Coley (1833-98); 20x15 cm; National Museum Wales; National Museums & Galleries of Wales

Background imagePre Raphaelism Collection: Drapery study for King Cophetua, c.1883 (graphite on paper)

Drapery study for King Cophetua, c.1883 (graphite on paper)
NGW405351 Drapery study for King Cophetua, c.1883 (graphite on paper) by Burne-Jones, Edward Coley (1833-98); 35.5x25.2 cm; National Museum Wales; National Museums & Galleries of Wales

Background imagePre Raphaelism Collection: Dante Alighieri meets Beatrice, ca 1900 (postcard)

Dante Alighieri meets Beatrice, ca 1900 (postcard)
7422863 Dante Alighieri meets Beatrice, ca 1900 (postcard) by Rossetti, Dante Gabriel (1828-82) (after); (add.info.: Literature)

Background imagePre Raphaelism Collection: Study of a Head (oil on panel)

Study of a Head (oil on panel)
NGW239411 Study of a Head (oil on panel) by Burne-Jones, Edward Coley (1833-98); 35.5x25.6 cm; National Museum Wales; National Museums & Galleries of Wales

Background imagePre Raphaelism Collection: Athlete Struggling with a Python (bronze)

Athlete Struggling with a Python (bronze)
NGW186853 Athlete Struggling with a Python (bronze) by Leighton, Frederic (1830-96); National Museum Wales; National Museums & Galleries of Wales

Background imagePre Raphaelism Collection: Perseus and the Graiae, 1875-78 (mixed media)

Perseus and the Graiae, 1875-78 (mixed media)
NGW342644 Perseus and the Graiae, 1875-78 (mixed media) by Burne-Jones, Edward Coley (1833-98); 170.2x153.2 cm; National Museum Wales; (add.info.: made from: gold leaf, silver leaf)

Background imagePre Raphaelism Collection: Venus Discordia (oil on canvas)

Venus Discordia (oil on canvas)
NGW184264 Venus Discordia (oil on canvas) by Burne-Jones, Edward Coley (1833-98); 128.2x209.8 cm; National Museum Wales; National Museums & Galleries of Wales

Background imagePre Raphaelism Collection: Fair Rosamund, c.1916 (oil on canvas)

Fair Rosamund, c.1916 (oil on canvas)
NGW239421 Fair Rosamund, c.1916 (oil on canvas) by Waterhouse, John William (1849-1917); 60.6x48 cm; National Museum Wales; (add.info)

Background imagePre Raphaelism Collection: Head, 1885 (pencil on paper)

Head, 1885 (pencil on paper)
NGW405352 Head, 1885 (pencil on paper) by Burne-Jones, Edward Coley (1833-98); 24.4x15.1 cm; National Museum Wales; National Museums & Galleries of Wales

Background imagePre Raphaelism Collection: Spring, 1894 (pencil & red chalk)

Spring, 1894 (pencil & red chalk)
FFA178176 Spring, 1894 (pencil & red chalk) by Burne-Jones, Edward Coley (1833-98); 45.7x20.3 cm; Private Collection

Background imagePre Raphaelism Collection: Danae, or The Tower of Brass, 1887-88 (oil on canvas)

Danae, or The Tower of Brass, 1887-88 (oil on canvas)
GLS111327 Danae, or The Tower of Brass, 1887-88 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); 231.1x113 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Background imagePre Raphaelism Collection: The Angel (oil on panel)

The Angel (oil on panel)
GLS314063 The Angel (oil on panel) by Burne-Jones, Edward Coley (1833-98); 26.7x19.1 cm; Glasgow Museums, UK; (add.info.: playing a flageolet.); © CSG CIC Glasgow Museums Collection

Background imagePre Raphaelism Collection: The Death of Leander, predella panel of The Last Watch of Hero, 1887 (oil on canvas)

The Death of Leander, predella panel of The Last Watch of Hero, 1887 (oil on canvas)
MAN62956 The Death of Leander, predella panel of The Last Watch of Hero, 1887 (oil on canvas) by Leighton, Frederic (1830-96); 33.6x76.5 cm; Manchester Art Gallery

Background imagePre Raphaelism Collection: Study: Female Figure, 1873 (w/c, gouache & oil paint on paper)

Study: Female Figure, 1873 (w/c, gouache & oil paint on paper)
7214969 Study: Female Figure, 1873 (w/c, gouache & oil paint on paper) by Solomon, Simeon (1840-1905); 25x15.1 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imagePre Raphaelism Collection: The Sleeping Beauty, 1871 (w/c, bodycolour & gold paint on vellum)

The Sleeping Beauty, 1871 (w/c, bodycolour & gold paint on vellum)
MAN63033 The Sleeping Beauty, 1871 (w/c, bodycolour & gold paint on vellum) by Burne-Jones, Edward Coley (1833-98); 25.9x36 cm; Manchester Art Gallery

Background imagePre Raphaelism Collection: The Isle of Chios, c. 1867 (oil on canvas)

The Isle of Chios, c. 1867 (oil on canvas)
MAN77497 The Isle of Chios, c.1867 (oil on canvas) by Leighton, Frederic (1830-96); 26.5x41.5 cm; Manchester Art Gallery, UK; (add.info.: by Frederic Leighton); © Manchester Art Gallery

Background imagePre Raphaelism Collection: Cupid and Psyche, 1865-87 (w/c, bodycolour & gold paint on wove paper)

Cupid and Psyche, 1865-87 (w/c, bodycolour & gold paint on wove paper)
MAN63032 Cupid and Psyche, 1865-87 (w/c, bodycolour & gold paint on wove paper) by Burne-Jones, Edward Coley (1833-98); 64.9x49.4 cm; Manchester Art Gallery

Background imagePre Raphaelism Collection: Byron's Dream, 1874 (oil on canvas)

Byron's Dream, 1874 (oil on canvas)
MAN62933 Byron's Dream, 1874 (oil on canvas) by Brown, Ford Madox (1821-93); 71.5x54.8 cm; Manchester Art Gallery, UK; (add.info)

Background imagePre Raphaelism Collection: Captive Andromache, c. 1888 (oil on canvas) (see 226710 & 250633)

Captive Andromache, c. 1888 (oil on canvas) (see 226710 & 250633)
MAN62955 Captive Andromache, c.1888 (oil on canvas) (see 226710 & 250633) by Leighton, Frederic (1830-96); 197x407 cm; Manchester Art Gallery, UK; (add.info.: widow of Hector)

Background imagePre Raphaelism Collection: The Lady of Shalott, c. 1886-1905 (oil on panel) (see also 495754)

The Lady of Shalott, c. 1886-1905 (oil on panel) (see also 495754)
MAN62953 The Lady of Shalott, c.1886-1905 (oil on panel) (see also 495754) by Hunt, William Holman (1827-1910); 44.4x34.1 cm; Manchester Art Gallery

Background imagePre Raphaelism Collection: Hylas and the Nymphs, 1896 (oil on canvas)

Hylas and the Nymphs, 1896 (oil on canvas)
MAN62987 Hylas and the Nymphs, 1896 (oil on canvas) by Waterhouse, John William (1849-1917); 132.1x197.5 cm; Manchester Art Gallery

Background imagePre Raphaelism Collection: The Temple of Philae, 1868 (oil on canvas)

The Temple of Philae, 1868 (oil on canvas)
MAN278073 The Temple of Philae, 1868 (oil on canvas) by Leighton, Frederic (1830-96); 18.7x29.3 cm; Manchester Art Gallery

Background imagePre Raphaelism Collection: Study of Guinevere for Sir Launcelot in the Queen's Chamber, 1857 (pencil & w/c on paper)

Study of Guinevere for Sir Launcelot in the Queen's Chamber, 1857 (pencil & w/c on paper)
5858706 Study of Guinevere for Sir Launcelot in the Queen's Chamber, 1857 (pencil & w/c on paper) by Rossetti, Dante Gabriel Charles (1828-82); 49.3x41.2 cm; Manchester Art Gallery

Background imagePre Raphaelism Collection: Study Of A Young Girl Seated, c. 1870 (w/c, gouache & gum Arabic on paper)

Study Of A Young Girl Seated, c. 1870 (w/c, gouache & gum Arabic on paper)
7215545 Study Of A Young Girl Seated, c.1870 (w/c, gouache & gum Arabic on paper) by Shields, Frederic James (1833-1911); 18.8x12.5 cm; Manchester Art Gallery

Background imagePre Raphaelism Collection: The Traveller, 1868-84 (oil on panel)

The Traveller, 1868-84 (oil on panel)
7214968 The Traveller, 1868-84 (oil on panel) by Brown, Ford Madox (1821-93); 31.6x48.6 cm; Manchester Art Gallery, UK; (add.info.: by Ford Madox Brown (1821-93)); © Manchester Art Gallery

Background imagePre Raphaelism Collection: The Queen was in the Parlour, Eating Bread and Honey (oil on panel)

The Queen was in the Parlour, Eating Bread and Honey (oil on panel)
7205907 The Queen was in the Parlour, Eating Bread and Honey (oil on panel) by Prinsep, Valentine Cameron (1838-1904); 59.6x33 cm; Manchester Art Gallery

Background imagePre Raphaelism Collection: Portrait of Charles Rowley (1839-1933), 1885 (coloured chalk with white heightening on paper)

Portrait of Charles Rowley (1839-1933), 1885 (coloured chalk with white heightening on paper)
7241867 Portrait of Charles Rowley (1839-1933), 1885 (coloured chalk with white heightening on paper) by Brown, Ford Madox (1821-93); 49.2 x 43.1 cm; Manchester Art Gallery

Background imagePre Raphaelism Collection: Sibylla Delphica, 1868 (oil on panel)

Sibylla Delphica, 1868 (oil on panel)
MAN62938 Sibylla Delphica, 1868 (oil on panel) by Burne-Jones, Edward Coley (1833-98); 152.8x60.3 cm; Manchester Art Gallery

Background imagePre Raphaelism Collection: The Last Watch of Hero, 1887 (oil on canvas)

The Last Watch of Hero, 1887 (oil on canvas)
MAN62954 The Last Watch of Hero, 1887 (oil on canvas) by Leighton, Frederic (1830-96); 160.3x91.7 cm; Manchester Art Gallery, UK; (add.info.: Hero and Leander;); © Manchester Art Gallery

Background imagePre Raphaelism Collection: Ruth Herbert, 1858 (watercolour and bodycolour over graphite with gold paint)

Ruth Herbert, 1858 (watercolour and bodycolour over graphite with gold paint)
7394162 Ruth Herbert, 1858 (watercolour and bodycolour over graphite with gold paint) by Rossetti, Dante Gabriel Charles (1828-82); 26.3x20.2 cm; Ashmolean Museum, University of Oxford

Background imagePre Raphaelism Collection: Ruth Herbert asleep, 1858 (graphite on paper)

Ruth Herbert asleep, 1858 (graphite on paper)
7394144 Ruth Herbert asleep, 1858 (graphite on paper) by Rossetti, Dante Gabriel Charles (1828-82); 21x26.4 cm; Ashmolean Museum, University of Oxford

Background imagePre Raphaelism Collection: A Passover in the Household of Joseph and Zacharias, c. 1850 (graphite and pen and black ink)

A Passover in the Household of Joseph and Zacharias, c. 1850 (graphite and pen and black ink)
7394143 A Passover in the Household of Joseph and Zacharias, c.1850 (graphite and pen and black ink and grey wash on white paper) by Rossetti

Background imagePre Raphaelism Collection: Louisa Ruth Herbert, 1858 (graphite on paper)

Louisa Ruth Herbert, 1858 (graphite on paper)
7394146 Louisa Ruth Herbert, 1858 (graphite on paper) by Rossetti, Dante Gabriel Charles (1828-82); 50.8x43 cm; Ashmolean Museum, University of Oxford

Background imagePre Raphaelism Collection: Scene of King Rene sculpting a figure while being watched by his new bride

Scene of King Rene sculpting a figure while being watched by his new bride
451293 Scene of King Rene sculpting a figure while being watched by his new bride (pen & india ink with wash and pencil on paper) by Burne-Jones

Background imagePre Raphaelism Collection: Unpainted masterpieces (self-caricature) (pen & ink on paper)

Unpainted masterpieces (self-caricature) (pen & ink on paper)
BIR185843 Unpainted masterpieces (self-caricature) (pen & ink on paper) by Burne-Jones, Edward Coley (1833-98); 17.6x10.7 cm; Birmingham Museums and Art Gallery



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Pre-Raphaelism, an influential art movement that emerged in the mid-19th century, sought to challenge the conventions of academic painting and revive the spirit of early Renaissance art. This captivating photograph from 1874 showcases two prominent figures associated with this movement: Edward Burne-Jones and William Morris. Their collaboration extended beyond their artistic endeavors as they shared a deep friendship and a commitment to reimagining art. One remarkable piece that exemplifies Pre-Raphaelite aesthetics is "Danae, or The Tower of Brass, " painted by Burne-Jones between 1887 and 1888. This oil on canvas masterpiece depicts the mythological figure Danae imprisoned in a tower while golden rain falls upon her. The attention to detail, vibrant colors, and intricate composition transport viewers into a world where mythology intertwines with reality. "The Angel, " another notable work by Burne-Jones, captures ethereal beauty through its delicate brushwork and luminous palette. Painted on panel using oil paints, this enchanting artwork portrays an angelic figure draped in flowing robes against a heavenly backdrop—an embodiment of purity and spirituality. In contrast to these celestial themes, "The Death of Leander" explores tragedy within Greek mythology. Part of "The Last Watch of Hero" predella panel series created by Burne-Jones in 1887, this oil on canvas composition tells the story of Hero's lover drowning during his nightly swim across the Hellespont—a poignant portrayal filled with emotion. Moving away from narrative subjects towards studies of female figures, we encounter "Study: Female Figure. " Created by an unknown artist in 1873 using watercolor, gouache & oil paint on paper techniques; it demonstrates meticulous observation skills combined with subtle use of color—showcasing the Pre-Raphaelites' dedication to capturing naturalistic details.