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Preraphaelite Collection

The Pre-Raphaelite movement, led by artists Edward Burne Jones and William Morris in 1874, revolutionized the art world with their unique approach to painting

Background imagePreraphaelite Collection: Vivien, 1863 (oil on canvas)

Vivien, 1863 (oil on canvas)
MAN62976 Vivien, 1863 (oil on canvas) by Sandys, Anthony Frederick Augustus (1829-1904); 64x52.5 cm; Manchester Art Gallery

Background imagePreraphaelite Collection: The Annunciation, 1894 (oil on canvas)

The Annunciation, 1894 (oil on canvas)
3501978 The Annunciation, 1894 (oil on canvas) by Shields, Frederic James (1833-1911); 85x54 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imagePreraphaelite Collection: Cupid's hunting fields, 1880 (oil on canvas)

Cupid's hunting fields, 1880 (oil on canvas)
930319 Cupid's hunting fields, 1880 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); Victoria & Albert Museum, London, UK; Photo © Stefano Baldini

Background imagePreraphaelite Collection: Edward Burne Jones and William Morris, 1874 (b / w photo)

Edward Burne Jones and William Morris, 1874 (b / w photo)
2625505 Edward Burne Jones and William Morris, 1874 (b/w photo) by Hollyer, Frederick (1837-1933); (add.info.: British 19th century artists Edward Burne Jones and William Morris)

Background imagePreraphaelite Collection: A woman grieving, 1850

A woman grieving, 1850
3478235 A woman grieving, 1850; (add.info.: Illustration depicting a woman grieving. Illustrated by Arthur Hughes (1832-1915)

Background imagePreraphaelite Collection: Head of a Woman, c.1875 (charcoal on paper)

Head of a Woman, c.1875 (charcoal on paper)
8690958 Head of a Woman, c.1875 (charcoal on paper) by Morgan, Evelyn De (1855-1919); Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, USA; (add.info.: By Evelyn De Morgan)

Background imagePreraphaelite Collection: Mrs. George Waugh, 1868 (oil on fabric)

Mrs. George Waugh, 1868 (oil on fabric)
XOS5880420 Mrs. George Waugh, 1868 (oil on fabric) by Hunt, William Holman (1827-1910); 115.5x95.5 cm; Cleveland Museum of Art, OH, USA; (add.info.: Painting by William Holman Hunt The sitter)

Background imagePreraphaelite Collection: Study for 'The Hireling Shepherd', 1851 (graphite)

Study for "The Hireling Shepherd", 1851 (graphite)
XOS5880747 Study for "The Hireling Shepherd", 1851 (graphite) by Hunt, William Holman (1827-1910); 11.4x18.3 cm; Cleveland Museum of Art, OH, USA; (add.info.: Drawing by William Holman Hunt)

Background imagePreraphaelite Collection: El Haram, Jerusalem (oil on panel)

El Haram, Jerusalem (oil on panel)
PNH354617 El Haram, Jerusalem (oil on panel) by Leighton, Frederic (1830-96); 11.5x19.5 cm; Private Collection; (add.info)

Background imagePreraphaelite Collection: Head of an Old Italian Woman, c.1850 (oil on canvas)

Head of an Old Italian Woman, c.1850 (oil on canvas)
8677877 Head of an Old Italian Woman, c.1850 (oil on canvas) by Leighton, Frederic (1830-96); 61.9x48.8 cm; Leighton House Museum, Kensington & Chelsea, London

Background imagePreraphaelite Collection: Thinking, Portrait of Emma Madox Brown, c. 1870 (w/c & gouache on paper)

Thinking, Portrait of Emma Madox Brown, c. 1870 (w/c & gouache on paper)
XOS5884752 Thinking, Portrait of Emma Madox Brown, c. 1870 (w/c & gouache on paper) by Hueffer, Catherine Nee Madox Brown (1850-1927); 52.7x36.5 cm; Cleveland Museum of Art, OH

Background imagePreraphaelite Collection: King Lear, c.1860 (oil on board adhered to canvas)

King Lear, c.1860 (oil on board adhered to canvas)
XOS5884760 King Lear, c.1860 (oil on board adhered to canvas) by Brown, Ford Madox (1821-93); 30.5x36.8 cm; Cleveland Museum of Art, OH, USA; (add.info.: Painting by Ford Madox Brown)

Background imagePreraphaelite Collection: Giovanni Costa (1826-1903) 1878 (oil on canvas) (see also 165202)

Giovanni Costa (1826-1903) 1878 (oil on canvas) (see also 165202)
LGH250630 Giovanni Costa (1826-1903) 1878 (oil on canvas) (see also 165202) by Leighton, Frederic (1830-96); Leighton House Museum, Kensington & Chelsea, London, UK

Background imagePreraphaelite Collection: Head crowned with leaves, c.1897 (pencil on paper)

Head crowned with leaves, c.1897 (pencil on paper)
NGW405353 Head crowned with leaves, c.1897 (pencil on paper) by Burne-Jones, Edward Coley (1833-98); 20x15 cm; National Museum Wales; National Museums & Galleries of Wales

Background imagePreraphaelite Collection: Drapery study for King Cophetua, c.1883 (graphite on paper)

Drapery study for King Cophetua, c.1883 (graphite on paper)
NGW405351 Drapery study for King Cophetua, c.1883 (graphite on paper) by Burne-Jones, Edward Coley (1833-98); 35.5x25.2 cm; National Museum Wales; National Museums & Galleries of Wales

Background imagePreraphaelite Collection: Dante Alighieri meets Beatrice, ca 1900 (postcard)

Dante Alighieri meets Beatrice, ca 1900 (postcard)
7422863 Dante Alighieri meets Beatrice, ca 1900 (postcard) by Rossetti, Dante Gabriel (1828-82) (after); (add.info.: Literature)

Background imagePreraphaelite Collection: Study of a Head (oil on panel)

Study of a Head (oil on panel)
NGW239411 Study of a Head (oil on panel) by Burne-Jones, Edward Coley (1833-98); 35.5x25.6 cm; National Museum Wales; National Museums & Galleries of Wales

Background imagePreraphaelite Collection: Athlete Struggling with a Python (bronze)

Athlete Struggling with a Python (bronze)
NGW186853 Athlete Struggling with a Python (bronze) by Leighton, Frederic (1830-96); National Museum Wales; National Museums & Galleries of Wales

Background imagePreraphaelite Collection: Perseus and the Graiae, 1875-78 (mixed media)

Perseus and the Graiae, 1875-78 (mixed media)
NGW342644 Perseus and the Graiae, 1875-78 (mixed media) by Burne-Jones, Edward Coley (1833-98); 170.2x153.2 cm; National Museum Wales; (add.info.: made from: gold leaf, silver leaf)

Background imagePreraphaelite Collection: Venus Discordia (oil on canvas)

Venus Discordia (oil on canvas)
NGW184264 Venus Discordia (oil on canvas) by Burne-Jones, Edward Coley (1833-98); 128.2x209.8 cm; National Museum Wales; National Museums & Galleries of Wales

Background imagePreraphaelite Collection: Fair Rosamund, c.1916 (oil on canvas)

Fair Rosamund, c.1916 (oil on canvas)
NGW239421 Fair Rosamund, c.1916 (oil on canvas) by Waterhouse, John William (1849-1917); 60.6x48 cm; National Museum Wales; (add.info)

Background imagePreraphaelite Collection: Head, 1885 (pencil on paper)

Head, 1885 (pencil on paper)
NGW405352 Head, 1885 (pencil on paper) by Burne-Jones, Edward Coley (1833-98); 24.4x15.1 cm; National Museum Wales; National Museums & Galleries of Wales

Background imagePreraphaelite Collection: Spring, 1894 (pencil & red chalk)

Spring, 1894 (pencil & red chalk)
FFA178176 Spring, 1894 (pencil & red chalk) by Burne-Jones, Edward Coley (1833-98); 45.7x20.3 cm; Private Collection

Background imagePreraphaelite Collection: William Morris, artist, writer, publisher and socialist

William Morris, artist, writer, publisher and socialist
William Morris (1834-1896), English textile designer, artist, writer, publisher and socialist, associated with the Pre-Raphaelite Brotherhood and the English Arts and Crafts Movement

Background imagePreraphaelite Collection: Danae, or The Tower of Brass, 1887-88 (oil on canvas)

Danae, or The Tower of Brass, 1887-88 (oil on canvas)
GLS111327 Danae, or The Tower of Brass, 1887-88 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); 231.1x113 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Background imagePreraphaelite Collection: The Angel (oil on panel)

The Angel (oil on panel)
GLS314063 The Angel (oil on panel) by Burne-Jones, Edward Coley (1833-98); 26.7x19.1 cm; Glasgow Museums, UK; (add.info.: playing a flageolet.); © CSG CIC Glasgow Museums Collection

Background imagePreraphaelite Collection: The Death of Leander, predella panel of The Last Watch of Hero, 1887 (oil on canvas)

The Death of Leander, predella panel of The Last Watch of Hero, 1887 (oil on canvas)
MAN62956 The Death of Leander, predella panel of The Last Watch of Hero, 1887 (oil on canvas) by Leighton, Frederic (1830-96); 33.6x76.5 cm; Manchester Art Gallery

Background imagePreraphaelite Collection: Study: Female Figure, 1873 (w/c, gouache & oil paint on paper)

Study: Female Figure, 1873 (w/c, gouache & oil paint on paper)
7214969 Study: Female Figure, 1873 (w/c, gouache & oil paint on paper) by Solomon, Simeon (1840-1905); 25x15.1 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imagePreraphaelite Collection: The Sleeping Beauty, 1871 (w/c, bodycolour & gold paint on vellum)

The Sleeping Beauty, 1871 (w/c, bodycolour & gold paint on vellum)
MAN63033 The Sleeping Beauty, 1871 (w/c, bodycolour & gold paint on vellum) by Burne-Jones, Edward Coley (1833-98); 25.9x36 cm; Manchester Art Gallery

Background imagePreraphaelite Collection: The Isle of Chios, c. 1867 (oil on canvas)

The Isle of Chios, c. 1867 (oil on canvas)
MAN77497 The Isle of Chios, c.1867 (oil on canvas) by Leighton, Frederic (1830-96); 26.5x41.5 cm; Manchester Art Gallery, UK; (add.info.: by Frederic Leighton); © Manchester Art Gallery

Background imagePreraphaelite Collection: Cupid and Psyche, 1865-87 (w/c, bodycolour & gold paint on wove paper)

Cupid and Psyche, 1865-87 (w/c, bodycolour & gold paint on wove paper)
MAN63032 Cupid and Psyche, 1865-87 (w/c, bodycolour & gold paint on wove paper) by Burne-Jones, Edward Coley (1833-98); 64.9x49.4 cm; Manchester Art Gallery

Background imagePreraphaelite Collection: Byron's Dream, 1874 (oil on canvas)

Byron's Dream, 1874 (oil on canvas)
MAN62933 Byron's Dream, 1874 (oil on canvas) by Brown, Ford Madox (1821-93); 71.5x54.8 cm; Manchester Art Gallery, UK; (add.info)

Background imagePreraphaelite Collection: Captive Andromache, c. 1888 (oil on canvas) (see 226710 & 250633)

Captive Andromache, c. 1888 (oil on canvas) (see 226710 & 250633)
MAN62955 Captive Andromache, c.1888 (oil on canvas) (see 226710 & 250633) by Leighton, Frederic (1830-96); 197x407 cm; Manchester Art Gallery, UK; (add.info.: widow of Hector)

Background imagePreraphaelite Collection: The Lady of Shalott, c. 1886-1905 (oil on panel) (see also 495754)

The Lady of Shalott, c. 1886-1905 (oil on panel) (see also 495754)
MAN62953 The Lady of Shalott, c.1886-1905 (oil on panel) (see also 495754) by Hunt, William Holman (1827-1910); 44.4x34.1 cm; Manchester Art Gallery

Background imagePreraphaelite Collection: Hylas and the Nymphs, 1896 (oil on canvas)

Hylas and the Nymphs, 1896 (oil on canvas)
MAN62987 Hylas and the Nymphs, 1896 (oil on canvas) by Waterhouse, John William (1849-1917); 132.1x197.5 cm; Manchester Art Gallery

Background imagePreraphaelite Collection: The Temple of Philae, 1868 (oil on canvas)

The Temple of Philae, 1868 (oil on canvas)
MAN278073 The Temple of Philae, 1868 (oil on canvas) by Leighton, Frederic (1830-96); 18.7x29.3 cm; Manchester Art Gallery

Background imagePreraphaelite Collection: Study of Guinevere for Sir Launcelot in the Queen's Chamber, 1857 (pencil & w/c on paper)

Study of Guinevere for Sir Launcelot in the Queen's Chamber, 1857 (pencil & w/c on paper)
5858706 Study of Guinevere for Sir Launcelot in the Queen's Chamber, 1857 (pencil & w/c on paper) by Rossetti, Dante Gabriel Charles (1828-82); 49.3x41.2 cm; Manchester Art Gallery

Background imagePreraphaelite Collection: Study Of A Young Girl Seated, c. 1870 (w/c, gouache & gum Arabic on paper)

Study Of A Young Girl Seated, c. 1870 (w/c, gouache & gum Arabic on paper)
7215545 Study Of A Young Girl Seated, c.1870 (w/c, gouache & gum Arabic on paper) by Shields, Frederic James (1833-1911); 18.8x12.5 cm; Manchester Art Gallery

Background imagePreraphaelite Collection: The Traveller, 1868-84 (oil on panel)

The Traveller, 1868-84 (oil on panel)
7214968 The Traveller, 1868-84 (oil on panel) by Brown, Ford Madox (1821-93); 31.6x48.6 cm; Manchester Art Gallery, UK; (add.info.: by Ford Madox Brown (1821-93)); © Manchester Art Gallery

Background imagePreraphaelite Collection: The Queen was in the Parlour, Eating Bread and Honey (oil on panel)

The Queen was in the Parlour, Eating Bread and Honey (oil on panel)
7205907 The Queen was in the Parlour, Eating Bread and Honey (oil on panel) by Prinsep, Valentine Cameron (1838-1904); 59.6x33 cm; Manchester Art Gallery

Background imagePreraphaelite Collection: Portrait of Charles Rowley (1839-1933), 1885 (coloured chalk with white heightening on paper)

Portrait of Charles Rowley (1839-1933), 1885 (coloured chalk with white heightening on paper)
7241867 Portrait of Charles Rowley (1839-1933), 1885 (coloured chalk with white heightening on paper) by Brown, Ford Madox (1821-93); 49.2 x 43.1 cm; Manchester Art Gallery

Background imagePreraphaelite Collection: Sibylla Delphica, 1868 (oil on panel)

Sibylla Delphica, 1868 (oil on panel)
MAN62938 Sibylla Delphica, 1868 (oil on panel) by Burne-Jones, Edward Coley (1833-98); 152.8x60.3 cm; Manchester Art Gallery

Background imagePreraphaelite Collection: The Last Watch of Hero, 1887 (oil on canvas)

The Last Watch of Hero, 1887 (oil on canvas)
MAN62954 The Last Watch of Hero, 1887 (oil on canvas) by Leighton, Frederic (1830-96); 160.3x91.7 cm; Manchester Art Gallery, UK; (add.info.: Hero and Leander;); © Manchester Art Gallery

Background imagePreraphaelite Collection: Ruth Herbert, 1858 (watercolour and bodycolour over graphite with gold paint)

Ruth Herbert, 1858 (watercolour and bodycolour over graphite with gold paint)
7394162 Ruth Herbert, 1858 (watercolour and bodycolour over graphite with gold paint) by Rossetti, Dante Gabriel Charles (1828-82); 26.3x20.2 cm; Ashmolean Museum, University of Oxford

Background imagePreraphaelite Collection: Ruth Herbert asleep, 1858 (graphite on paper)

Ruth Herbert asleep, 1858 (graphite on paper)
7394144 Ruth Herbert asleep, 1858 (graphite on paper) by Rossetti, Dante Gabriel Charles (1828-82); 21x26.4 cm; Ashmolean Museum, University of Oxford

Background imagePreraphaelite Collection: A Passover in the Household of Joseph and Zacharias, c. 1850 (graphite and pen and black ink)

A Passover in the Household of Joseph and Zacharias, c. 1850 (graphite and pen and black ink)
7394143 A Passover in the Household of Joseph and Zacharias, c.1850 (graphite and pen and black ink and grey wash on white paper) by Rossetti

Background imagePreraphaelite Collection: Louisa Ruth Herbert, 1858 (graphite on paper)

Louisa Ruth Herbert, 1858 (graphite on paper)
7394146 Louisa Ruth Herbert, 1858 (graphite on paper) by Rossetti, Dante Gabriel Charles (1828-82); 50.8x43 cm; Ashmolean Museum, University of Oxford

Background imagePreraphaelite Collection: Scene of King Rene sculpting a figure while being watched by his new bride

Scene of King Rene sculpting a figure while being watched by his new bride
451293 Scene of King Rene sculpting a figure while being watched by his new bride (pen & india ink with wash and pencil on paper) by Burne-Jones



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The Pre-Raphaelite movement, led by artists Edward Burne Jones and William Morris in 1874, revolutionized the art world with their unique approach to painting. William Morris, not only an artist but also a writer, publisher, and socialist, played a significant role in shaping the movement's ideology. One of the remarkable works from this period is "Danae, or The Tower of Brass, " painted between 1887-88 on canvas. This oil masterpiece depicts a captivating scene filled with mystery and allure. "The Angel, " another mesmerizing oil painting on panel created during this era showcases the delicate beauty and ethereal qualities that defined Pre-Raphaelite art. In contrast to these celestial themes is "The Death of Leander, " a predella panel from "The Last Watch of Hero" series. Painted in 1887 using oil on canvas technique, it portrays tragedy and longing through its powerful imagery. Edward Burne Jones' talent shines through his study titled "Female Figure. " Created in 1873 using watercolor, gouache & oil paint on paper; it captures the grace and elegance of the female form. "The Sleeping Beauty" is another enchanting piece from this time period. Painted in 1871 using watercolor, body color & gold paint on vellum; it brings to life one of our most beloved fairy tales with its intricate details and vibrant colors. "The Isle of Chios, " an oil painting dating back to around 1867 transports viewers to a serene Greek island landscape where nature's beauty takes center stage. "Cupid and Psyche, " completed between 1865-87 using watercolor, body color & gold paint on wove paper; tells the timeless tale of love against all odds through its exquisite artistic execution. Byron's Dream", an oil painting created in 1874 evokes emotions as we delve into Lord Byron's imaginative realm where dreams become reality.