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Mars et Rhea Silvia. (parfois appelee Ilia est la mere des jumeaux Remus et Romulus). Peinture de Pierre Paul Rubens (1577-1640), huile sur toile, vers 1616-1617. Art flamand, 17e siecle, art baroque
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Mars et Rhea Silvia. (parfois appelee Ilia est la mere des jumeaux Remus et Romulus). Peinture de Pierre Paul Rubens (1577-1640), huile sur toile, vers 1616-1617. Art flamand, 17e siecle, art baroque
FIA5381267 Mars et Rhea Silvia. (parfois appelee Ilia est la mere des jumeaux Remus et Romulus). Peinture de Pierre Paul Rubens (1577-1640), huile sur toile, vers 1616-1617. Art flamand, 17e siecle, art baroque. Liechtenstein Museum, Principaute de Liechtenstein. by Rubens, Peter Paul (1577-1640); Liechtenstein Museum, Principality of Liechtenstein; Photo © Fine Art Images
Media ID 24721578
© Fine Art Images / Bridgeman Images
Baroq Baroque Art Baroque Era Baroque Period Baroque Style Mars Ares Muralist Painte Peter Paul Rubens Pierre Rubens Rubens Peter Paul 1577 1640 Seduction Sir Peter Paul Rubens Flemish Art Flemish Artist Greece Greek Mythological Figure
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EDITORS COMMENTS
The captivating painting "Mars et Rhea Silvia" by Pierre Paul Rubens transports viewers to the vibrant world of Greek mythology. Created in the 17th century, during the Baroque period of Flemish art, this masterpiece showcases Rubens' exceptional talent as a painter. In this scene, we witness Mars (also known as Ares), the god of war, seducing Rhea Silvia (sometimes called Ilia), who is renowned as the mother of twins Remus and Romulus. The composition is filled with rich colors and intricate details that bring these mythological figures to life. Mars stands tall and powerful, adorned in his helmet and holding a sword, representing his divine authority. Meanwhile, Rhea Silvia exudes grace and vulnerability as she succumbs to Mars' advances. The artist skillfully captures their emotions through delicate brushstrokes and subtle expressions. Rubens' mastery lies not only in his ability to depict human form but also in his storytelling prowess. This painting serves as a visual narrative of ancient Rome's foundation myths while showcasing the opulence and drama characteristic of Baroque art. Displayed at Liechtenstein Museum in Principality of Liechtenstein, this artwork continues to captivate audiences with its timeless beauty. Through Rubens' interpretation, we are transported back in time to an era where gods mingled with mortals—a testament to both artistic excellence and enduring fascination with mythology.
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