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Canvas Print : Birmingham, Acocks Green, St Mary The Virgin, Morris & Co. Edward Burne-Jones, John Henry Dearle (1859-1932), Overall View of Chancel with alabaster reredos by Bridgman of Lichfield (1903), 1895

Birmingham, Acocks Green, St Mary The Virgin, Morris & Co. Edward Burne-Jones, John Henry Dearle (1859-1932), Overall View of Chancel with alabaster reredos by Bridgman of Lichfield (1903), 1895



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Birmingham, Acocks Green, St Mary The Virgin, Morris & Co. Edward Burne-Jones, John Henry Dearle (1859-1932), Overall View of Chancel with alabaster reredos by Bridgman of Lichfield (1903), 1895

3474906 Birmingham, Acocks Green, St Mary The Virgin, Morris & Co. Edward Burne-Jones, John Henry Dearle (1859-1932), Overall View of Chancel with alabaster reredos by Bridgman of Lichfield (1903), 1895 by Morris & Company; (add.info.: Birmingham, Acocks Green, St Mary The Virgin, M&C, EBJ, John Henry Dearle, Overall View of Chancel with alabaster reredos by Bridgman of Lichfield (1903), 1895); © Alastair Carew-Cox

Media ID 24783346

© Alastair Carew-Cox / Bridgeman Images

Bright Burne Jones Edward 1833 98 Burnes Jones Edward 1833 1898 Church Window Edward Burne Jones Edward Coley Burne Jones Gothic Revival Gothick Muralist Neo Gothic Painte Painted Glass Pre Raphaelism Pre Raphaelite Brotherhood Preraphaelite Sir Edward Burne Jones Sir Edward Coley Burne Jones Stained Glass Window Victorian Gothic C European Economic Community C European Union Daguerrotype Ecclesiastical Photography Art Pre Raphaelite


20"x16" (51x41cm) Canvas Print

Breathtakingly capturing the ethereal beauty of Birmingham's St Mary The Virgin, Acocks Green, this Media Storehouse Canvas Print showcases the exquisite craftsmanship of Morris & Co. under the artistic direction of Edward Burne-Jones and John Henry Dearle. The overall view of the chancel, adorned with an intricately designed alabaster reredos by Bridgman of Lichfield (1903), is brought to life in vibrant colors and stunning detail. This timeless piece of art, featuring the iconic design from Fine Art Finder (3474906), is the perfect addition to any home or office space, adding a touch of history and elegance to your surroundings.

Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.

Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang

Estimated Product Size is 40.6cm x 50.8cm (16" x 20")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Fishes > C > Coley

> Arts > Artists > B > Edward Coley Burne-Jones

> Arts > Artists > B > Henry Bright

> Arts > Artists > Edward Burne-Jones > Pre-Raphaelite art

> Arts > Artists > Edward Burne-Jones > Victorian era paintings

> Arts > Artists > Edward Burne-Jones

> Arts > Artists > R > Raphael

> Arts > Artists > Raphael

> Europe > United Kingdom > England > Birmingham > Area > Acocks Green

> Europe > United Kingdom > England > Birmingham > Related Images

> Fine Art Finder > Architecture - British Isles

> Fine Art Finder > Artists > Edward Coley Burne-Jones

> Fine Art Finder > Artists > Morris & Company


EDITORS COMMENTS
This photograph captures the grandeur and beauty of St Mary The Virgin church in Acocks Green, Birmingham. Taken by Alastair Carew-Cox, it showcases the remarkable craftsmanship of Morris & Co. , particularly the collaboration between Edward Burne-Jones and John Henry Dearle. The overall view of the chancel is dominated by a stunning alabaster reredos created by Bridgman of Lichfield in 1903. This intricate piece adds a touch of elegance to the neo-gothic interior, with its colorful stained glass windows and ornate decorations. The image transports us back to the late 19th century when this Victorian masterpiece was at its prime. The pre-Raphaelite influence is evident in every detail, from the vibrant colors to the meticulous attention given to each element. It serves as a testament to Burne-Jones' skill as both a painter and an artist. Carew-Cox's photography perfectly captures not only the artistry but also the ambiance of this sacred space. The play of light through stained glass creates an ethereal atmosphere that invites contemplation and reflection. This photograph is more than just a visual representation; it encapsulates history, culture, and artistic expression. It reminds us of our rich heritage and how art can transcend time, leaving an indelible mark on generations to come.

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