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Italy, Turin, Death of Lucretia
Wall Art and Photo Gifts from Universal Images Group (UIG)
Italy, Turin, Death of Lucretia
Il Sodoma (Giovanni Antonio Bazzi, ca. 1477-1549), The Death of Lucretia
Universal Images Group (UIG) manages distribution for many leading specialist agencies worldwide
Media ID 9504037
© DEA / G. DAGLI ORTI
16th Century 16th Century Style Breast Dagger Dress Eccentric Expressing Negativity Four People Frustration Gesturing Historical Clothing Holding Aloft Killing Long Hair Looking Away Loss Lucretia Mature Men Mature Women Mixed Age Range Mystery Pain Sadness Semi Dress Suffering Suicide Three Quarter Length Watching Young Women
EDITORS COMMENTS
This print from Universal Images Group (UIG) transports us back to 16th century Italy, specifically Turin, where the tragic event of Lucretia's death unfolds. Painted by the renowned artist Il Sodoma (Giovanni Antonio Bazzi), this portrait captures the essence of sorrow and suffering. Lucretia, a young woman with long hair, stands in front of us, her gaze fixed on something beyond our view. Her expression is one of deep sadness and frustration, as she gestures towards her breast - a symbol of her pain and despair. In her hand rests a dagger, an ominous reminder of the impending tragedy that awaits her. Surrounded by three other individuals - two mature men and one mature woman - Lucretia seems isolated in her anguish. The painting exudes mystery and intrigue as we are left wondering about the circumstances leading up to this fateful moment. The fine art painting showcases an eccentric mix of historical clothing worn by all four people present. Their varied ages add complexity to the scene, emphasizing how loss can affect individuals across different stages in life. Il Sodoma's masterful brushstrokes bring forth every nuance of emotion expressed on Lucretia's face. This semi-dressed illustration conveys not only negativity but also serves as a poignant reminder of the enduring power that art holds over history itself. As we contemplate this mesmerizing artwork depicting Lucretia's suicide, we cannot help but be drawn into its narrative and reflect upon
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