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Premium Framed Print : A Dodder-like climber and a harmless snake
Framed Photos From Mary Evans Picture Library
A Dodder-like climber and a harmless snake
Watercolour by Olivia Fanny Tonge 1858-1949. 180 x 260mm. From one of sixteen sketchbooks presented to the Museum in 1952
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 8610468
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10713733
Annotated Anthropology Artefact Artifact Berry Cone Curled Foliage Olivia Fanny Olivia Fanny Tonge Pipe Stem Study Angiospermae Magnoliophyta
14"x18" Premium Frame
Contemporary style Premium Wooden Frame with 8"x12" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 30.4cm x 20.3cm (12" x 8")
Estimated Product Size is 45.8cm x 35.6cm (18" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
This exquisite watercolor painting by Olivia Fanny Tonge, created in 1858, captures the delicate interplay between a dodder-like climber and a harmless snake in an Indian setting. The artist's skilled hand renders the intricate details of the dodder's tendrils as they curl around the snake's body, creating a striking contrast between the two organic forms. The snake, with its graceful curves and subtle markings, appears unperturbed by the encroaching plant. The painting is part of a collection of sixteen sketchbooks presented to the museum in 1952, offering a glimpse into Tonge's travels and observations in India during the late 19th century. The botanical accuracy of the painting, with its meticulously rendered cone, study, flower, and foliage, attests to Tonge's expertise as a botanical illustrator. The annotated margin of the painting reveals that the dodder is an angiosperm, a flowering plant that relies on other plants for support and nutrients. The snake, identified as harmless, is a common sight in the Indian countryside and adds an intriguing element to the composition. This artwork is not only a beautiful illustration of natural history but also a valuable anthropological object, reflecting the artistic and scientific interests of the colonial era. The pipe in the foreground, a common prop in Tonge's work, adds a sense of nostalgia and personal connection to the piece.
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