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Premium Framed Print : Notelez. Charles, emile. 29 ans, ne a Paris XXe. Portefeuilliste
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Notelez. Charles, emile. 29 ans, ne a Paris XXe. Portefeuilliste
Notelez. Charles, emile. 29 ans, ne a Paris XXe. Portefeuilliste. Anarchiste. 26/2/94. 1894
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Media ID 20138344
© Heritage Art/Heritage Images
Alphonse Alphonse Bertillon Anarchism Anarchist Anthropology Anthropometry Arrest Arrested Bertillon Bertillon Alphonse Bertillonage Criminal Identification Mug Shot Mugshot Physical Anthropology Albumen Silver Print
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 25.4cm (8" x 10")
Estimated Product Size is 35.6cm x 40.6cm (14" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This 19th-century albumen print, titled "Notelez. Charles, emile. 29 ans, ne a Paris XXe. Portefeuilliste" offers a fascinating glimpse into the world of Alphonse Bertillon's anthropometric photography. The black and white portrait showcases a man named Charles Emile Notelez, who was arrested in France on February 26th, 1894. Bertillonage, as pioneered by Alphonse Bertillon himself, revolutionized identification methods during that era. This photograph serves as both an artistic piece and a scientific record of criminal anthropology. The image captures the essence of Notelez's character through his stern expression and piercing gaze. His occupation as a portefeuilliste (wallet maker) is intriguingly juxtaposed with his anarchist beliefs - an aspect that adds depth to this arresting portrait. Displayed at the Metropolitan Museum of Art, this rare mugshot exemplifies how art can intersect with politics and science seamlessly. It stands as a testament to the historical significance of Bertillon's work in law enforcement and physical anthropology. As we observe this remarkable photograph today, it allows us to reflect upon our shared heritage while contemplating the evolution of crime detection techniques over time. Through its powerful visual narrative, "Notelez" invites us to delve deeper into the complexities of identity and societal structures within late-19th century France.
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