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Fine Art Print : Notelez. Charles, emile. 29 ans, ne a Paris XXe. Portefeuilliste

Notelez. Charles, emile. 29 ans, ne a Paris XXe. Portefeuilliste



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Notelez. Charles, emile. 29 ans, ne a Paris XXe. Portefeuilliste

Notelez. Charles, emile. 29 ans, ne a Paris XXe. Portefeuilliste. Anarchiste. 26/2/94. 1894

Heritage Images features heritage image collections

Media ID 20138344

© Heritage Art/Heritage Images

Alphonse Alphonse Bertillon Anarchism Anarchist Anthropology Anthropometry Arrest Arrested Bertillon Bertillon Alphonse Bertillonage Criminal Identification Mug Shot Mugshot Physical Anthropology Albumen Silver Print


20"x16" (+3" Border) Fine Art Print

Discover the captivating history of Charles Notelez in this exquisite fine art print from Media Storehouse. This stunning image, taken by renowned photographer Alphonse Bertillon in 1894, captures Notelez, a 29-year-old Parisian native, in a candid moment as a portefeuilliste, or letter carrier. With a youthful expression and an anarchist badge visible on his coat, this photograph offers a glimpse into the complexities of life in late 19th century France. Add this captivating piece to your collection and bring a piece of history into your home.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 55.9cm x 66cm (22" x 26")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > W > Charles White

> Arts > Contemporary art > Photography > Portraits

> Arts > Contemporary art > Portraits > Portrait photography

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Street art graffiti > Portraits > Portrait photography

> Europe > France > Paris > Politics

> Europe > France > Paris > Related Images

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> Popular Themes > Politics


EDITORS COMMENTS
This 19th-century albumen print, titled "Notelez. Charles, emile. 29 ans, ne a Paris XXe. Portefeuilliste" offers a fascinating glimpse into the world of Alphonse Bertillon's anthropometric photography. The black and white portrait showcases a man named Charles Emile Notelez, who was arrested in France on February 26th, 1894. Bertillonage, as pioneered by Alphonse Bertillon himself, revolutionized identification methods during that era. This photograph serves as both an artistic piece and a scientific record of criminal anthropology. The image captures the essence of Notelez's character through his stern expression and piercing gaze. His occupation as a portefeuilliste (wallet maker) is intriguingly juxtaposed with his anarchist beliefs - an aspect that adds depth to this arresting portrait. Displayed at the Metropolitan Museum of Art, this rare mugshot exemplifies how art can intersect with politics and science seamlessly. It stands as a testament to the historical significance of Bertillon's work in law enforcement and physical anthropology. As we observe this remarkable photograph today, it allows us to reflect upon our shared heritage while contemplating the evolution of crime detection techniques over time. Through its powerful visual narrative, "Notelez" invites us to delve deeper into the complexities of identity and societal structures within late-19th century France.

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