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Premium Framed Print : Martin. Pierre. 22 ans, ne a St-Leger (Saone-et-Loire)
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Martin. Pierre. 22 ans, ne a St-Leger (Saone-et-Loire)
Martin. Pierre. 22 ans, ne a St-Leger (Saone-et-Loire). Employe de commerce. Anarchiste. 27/2/94. 1894
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Media ID 20138702
© Heritage Art/Heritage Images
Alphonse Alphonse Bertillon Anarchism Anarchist Anthropology Anthropometry Arrest Arrested Bertillon Bertillon Alphonse Bertillonage Criminal Identification Mug Shot Mugshot Physical Anthropology Albumen Silver Print
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 25.4cm (8" x 10")
Estimated Product Size is 35.6cm x 40.6cm (14" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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Martin. Pierre. 22 ans, né à St-Léger (Saône-et-Loire). Employé de commerce. Anarchiste. 27/2/94.1894
EDITORS COMMENTS
. This print by Alphonse Bertillon takes us back to the late 19th century, offering a glimpse into the life of Martin Pierre, a young man with an intriguing story to tell. At just 22 years old, Martin was born in the charming town of St-Léger in Saône-et-Loire, France. As an employee in the commerce sector, his aspirations seemed ordinary at first glance. However, what sets him apart is his strong affiliation with anarchism - a political ideology that challenges traditional power structures. Captured on February 27th, 1894 - forever etched onto this albumen silver print - we witness Martin's arrest through Bertillon's meticulous anthropometric techniques. This photograph serves as both an identification tool and a testament to the scientific advancements of physical anthropology during that era. The Metropolitan Museum of Art now houses this remarkable piece within its collection, showcasing not only Bertillon's expertise but also shedding light on French history and culture from over a century ago. As we gaze upon Martin's portrait today, it sparks curiosity about his motivations as an anarchist living in a time when such ideologies were met with resistance from society and law enforcement alike. Alphonse Bertillon's work transcends mere photography; it
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