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Mouse Mat : Martin. Pierre. 22 ans, ne a St-Leger (Saone-et-Loire)
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Martin. Pierre. 22 ans, ne a St-Leger (Saone-et-Loire)
Martin. Pierre. 22 ans, ne a St-Leger (Saone-et-Loire). Employe de commerce. Anarchiste. 27/2/94. 1894
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Media ID 20138702
© Heritage Art/Heritage Images
Alphonse Alphonse Bertillon Anarchism Anarchist Anthropology Anthropometry Arrest Arrested Bertillon Bertillon Alphonse Bertillonage Criminal Identification Mug Shot Mugshot Physical Anthropology Albumen Silver Print
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 19.2cm x 23.7cm (7.6" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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Martin. Pierre. 22 ans, né à St-Léger (Saône-et-Loire). Employé de commerce. Anarchiste. 27/2/94.1894
EDITORS COMMENTS
. This print by Alphonse Bertillon takes us back to the late 19th century, offering a glimpse into the life of Martin Pierre, a young man with an intriguing story to tell. At just 22 years old, Martin was born in the charming town of St-Léger in Saône-et-Loire, France. As an employee in the commerce sector, his aspirations seemed ordinary at first glance. However, what sets him apart is his strong affiliation with anarchism - a political ideology that challenges traditional power structures. Captured on February 27th, 1894 - forever etched onto this albumen silver print - we witness Martin's arrest through Bertillon's meticulous anthropometric techniques. This photograph serves as both an identification tool and a testament to the scientific advancements of physical anthropology during that era. The Metropolitan Museum of Art now houses this remarkable piece within its collection, showcasing not only Bertillon's expertise but also shedding light on French history and culture from over a century ago. As we gaze upon Martin's portrait today, it sparks curiosity about his motivations as an anarchist living in a time when such ideologies were met with resistance from society and law enforcement alike. Alphonse Bertillon's work transcends mere photography; it
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