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Premium Framed Print : The Female Orators, 1768. Artist: Rennoldson
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The Female Orators, 1768. Artist: Rennoldson
The Female Orators, 1768. Two women are having an argument while a dog and a small boy steal from their baskets of market wares. On the left a cowering man emerges from, or possibly escapes into, a sedan chair. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London, 1905)
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Media ID 14917454
© The Print Collector / Heritage-Images
Apron Arguing Argument Basket Bonnet Collet Collett Disagreeing Disagreement Dispute Eating Emily Morse Emily Morse Symonds Fiddler George Paston Gesticulating John Collet John Collett Market Trader Orator Paston Sedan Chair Shouting Stealing Symonds Trader Violinist
14"x18" Premium Frame
Contemporary style Premium Wooden Frame with 8"x12" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 30.4cm x 20.3cm (12" x 8")
Estimated Product Size is 45.8cm x 35.6cm (18" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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The Female Orators, 1768
EDITORS COMMENTS
is a captivating print that offers a glimpse into the lively streets of 18th century Britain. In this scene, two women engage in a heated argument while their baskets of market wares are being pilfered by a mischievous dog and an innocent-looking young boy. The tension is palpable as the women gesticulate and shout at each other, their hand gestures emphasizing their disagreement. On the left side of the image, we see a man emerging from or possibly escaping into a sedan chair, his cowering posture suggesting he may be seeking refuge from the escalating conflict. Meanwhile, in the background, a fiddler adds to the chaotic atmosphere with his music. This satirical illustration by Rennoldson captures not only the bustling nature of street life but also highlights gender dynamics and social interactions during that era. It showcases how even seemingly mundane disputes can turn into animated confrontations on these vibrant avenues. The print is part of "Social Caricature in the Eighteenth Century" featuring over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds). Through her pseudonym, Paston sheds light on various aspects of society through witty visual commentary. This particular artwork demonstrates her talent for capturing everyday scenes infused with humor and insight. As we delve into this fascinating snapshot from history, it reminds us that beneath its surface lies layers upon layers of stories waiting to be discovered.
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