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Metal Print : The Female Orators, 1768. Artist: Rennoldson

The Female Orators, 1768. Artist: Rennoldson



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The Female Orators, 1768. Artist: Rennoldson

The Female Orators, 1768. Two women are having an argument while a dog and a small boy steal from their baskets of market wares. On the left a cowering man emerges from, or possibly escapes into, a sedan chair. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London, 1905)

Heritage Images features heritage image collections

Media ID 14917454

© The Print Collector / Heritage-Images

Apron Arguing Argument Basket Bonnet Collet Collett Disagreeing Disagreement Dispute Eating Emily Morse Emily Morse Symonds Fiddler George Paston Gesticulating John Collet John Collett Market Trader Orator Paston Sedan Chair Shouting Stealing Symonds Trader Violinist


16"x24" (61x41cm) Metal Print

Bring history to life with Media Storehouse's Metal Prints featuring 'The Female Orators' by Rennoldson, 1768. This captivating image from Heritage Images depicts two women passionately engaged in a heated debate, while a curious dog and mischievous boy add intrigue to the scene. Our high-quality metal prints are not just art pieces, they are conversation starters. Each print is meticulously crafted using advanced printing techniques on a durable aluminum sheet, ensuring vibrant colors and exceptional detail that will last a lifetime. Elevate your home or office decor with this intriguing piece of history.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > C > John Collet

> Arts > Artists > W > George White

> Arts > Artists > W > John White

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Arts > Music

> Europe > United Kingdom > England > London > Art > Music > Related Images

> Europe > United Kingdom > England > London > Related Images


The Female Orators, 1768

EDITORS COMMENTS
is a captivating print that offers a glimpse into the lively streets of 18th century Britain. In this scene, two women engage in a heated argument while their baskets of market wares are being pilfered by a mischievous dog and an innocent-looking young boy. The tension is palpable as the women gesticulate and shout at each other, their hand gestures emphasizing their disagreement. On the left side of the image, we see a man emerging from or possibly escaping into a sedan chair, his cowering posture suggesting he may be seeking refuge from the escalating conflict. Meanwhile, in the background, a fiddler adds to the chaotic atmosphere with his music. This satirical illustration by Rennoldson captures not only the bustling nature of street life but also highlights gender dynamics and social interactions during that era. It showcases how even seemingly mundane disputes can turn into animated confrontations on these vibrant avenues. The print is part of "Social Caricature in the Eighteenth Century" featuring over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds). Through her pseudonym, Paston sheds light on various aspects of society through witty visual commentary. This particular artwork demonstrates her talent for capturing everyday scenes infused with humor and insight. As we delve into this fascinating snapshot from history, it reminds us that beneath its surface lies layers upon layers of stories waiting to be discovered.

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