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Premium Framed Print : Arzner, Dorothy, Miss, portrait photograph, 1927 Creator: Arnold Genthe
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Arzner, Dorothy, Miss, portrait photograph, 1927 Creator: Arnold Genthe
Arzner, Dorothy, Miss, portrait photograph, 1927
Heritage Images features heritage image collections
Media ID 36236152
© Heritage Art/Heritage Images
Cinematography Director Film Film Director Film Industry Hand On Hip Hollywood Movie Moving Picture Portrait Photographs Ladieswear Posture Womens Wear Womenswear
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 25.4cm (8" x 10")
Estimated Product Size is 35.6cm x 40.6cm (14" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This striking black and white portrait captures Dorothy Arzner, an influential figure in the early days of Hollywood as one of the first women to make a name for herself as a film director. Taken in 1927 by renowned photographer Arnold Genthe, the image finds Dorothy seated with a confident posture, her hand casually resting on her hip, as she looks away from the camera. Dorothy's fashionable attire, with its elegant dress and intricate detailing, is a testament to the fashionable trends of the 1920s. The image was captured on nitrate negative film, a common medium for still photography during this era. Dorothy Arzner's groundbreaking career in the film industry began in the 1910s as an assistant editor and progressed to writing, producing, and eventually directing films. She is best known for her work during the 1930s and 1940s, including the critically acclaimed films "Christine" and "Merrily We Go to Hell." This portrait, taken during the height of her success, offers a glimpse into the life of a trailblazing woman in the male-dominated world of Hollywood.
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