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Poster Print : Cartoon, Introduction of Citizen Volpone... at Paris
Poster Prints From Mary Evans Picture Library
Cartoon, Introduction of Citizen Volpone... at Paris
Cartoon, Introduction of Citizen Volpone & his Suite at Paris, Vide The Moniteur, & Cobbetts Letters, by James Gillray. Showing Charles James Fox and his entourage bowing respectfully to Napoleon Bonaparte who sits on a throne. Date: 1802
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Media ID 14230253
© The Sharp Illustration Collection / Mary Evans Picture Library
1800s 1802 Bonaparte Bowing Citizen Cobbett Comment Criticism Curtsey Curtseying Entourage Etiquette Gillray Harsh Homage Introduction Letters Monitor Napoleon Respect Respectful Satire Satirical Suite Throne Whig Whigs Moniteur Obeisance Siting Vide Volpone
18x24 inch Poster Print
Introducing the captivating collection of poster prints from Media Storehouse, featuring the iconic "Cartoon, Introduction of Citizen Volpone... at Paris" by James Gillray from Mary Evans Prints Online. This intriguing political satire, published in 1796, offers a humorous commentary on the political climate of the time, specifically targeting Charles James Fox. The vivid colors and intricate details of this beautifully preserved print come to life in this high-quality poster, making it a must-have for history enthusiasts, art collectors, and anyone with an appreciation for the wit and satire of the past. Add a touch of history and humor to your walls with this stunning poster print from Media Storehouse.
Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Estimated Product Size is 61.6cm x 46.3cm (24.3" x 18.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
James Gillray's satirical print, "Cartoon, Introduction of Citizen Volpone & his Suite at Paris," published in 1802, offers a scathing commentary on the political landscape of Europe during the early 19th century. The image depicts a grand scene in Paris, with Napoleon Bonaparte seated on a throne, surrounded by adoring French citizens. British statesman Charles James Fox and his entourage are shown bowing respectfully before the French leader, an act of obeisance that would have been considered beneath the dignity of a British politician at the time. The print is a harsh criticism of the Whig party's willingness to pay homage to Bonaparte, who was seen as a threat to British interests. The title "Citizen Volpone" is a reference to the character from Ben Jonson's play "Volpone," a deceitful and manipulative figure. Here, Gillray uses the name to mock Fox and his colleagues, suggesting that they are acting like fawning courtiers rather than principled politicians. The print also references two contemporary publications: "Vide The Moniteur" and "Cobbetts Letters." The Moniteur was a French newspaper that reported on Napoleon's actions and decrees, while William Cobbett's letters were a series of anti-Napoleonic pamphlets that were popular in Britain. By alluding to these works, Gillray underscores the idea that Fox and his colleagues are giving in to French propaganda and ignoring the warnings of those who opposed Napoleon. Overall, this cartoon is a powerful example of the satirical commentary that was common during the Napoleonic Wars. It reflects the complex political dynamics of the time and highlights the tensions between Britain and France. Despite its harsh criticism, however, it also reveals the enduring power of political theater and the ability of art to shape public opinion.
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