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Photographic Print : Cartoon, Introduction of Citizen Volpone... at Paris
Photo Prints From Mary Evans Picture Library
Cartoon, Introduction of Citizen Volpone... at Paris
Cartoon, Introduction of Citizen Volpone & his Suite at Paris, Vide The Moniteur, & Cobbetts Letters, by James Gillray. Showing Charles James Fox and his entourage bowing respectfully to Napoleon Bonaparte who sits on a throne. Date: 1802
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Media ID 14230253
© The Sharp Illustration Collection / Mary Evans Picture Library
1800s 1802 Bonaparte Bowing Citizen Cobbett Comment Criticism Curtsey Curtseying Entourage Etiquette Gillray Harsh Homage Introduction Letters Monitor Napoleon Respect Respectful Satire Satirical Suite Throne Whig Whigs Moniteur Obeisance Siting Vide Volpone
10"x8" Photo Print
Introducing the Media Storehouse collection of high-quality photographic prints featuring "Cartoon, Introduction of Citizen Volpone... at Paris" by James Gillray from Mary Evans Prints Online. This iconic political cartoon, published in 1795, satirizes Charles James Fox and the French Revolution. The vibrant and intricately detailed image showcases Gillray's masterful use of humor and commentary on the political climate of the time. Our photographic prints capture the essence of this historical artwork, allowing you to bring a piece of the past into your home or office. Each print is produced using premium materials and printing techniques to ensure a stunning, long-lasting result. Add this captivating piece of history to your collection and start a conversation with every glance.
Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.
Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.
Estimated Image Size (if not cropped) is 25.4cm x 17.7cm (10" x 7")
Estimated Product Size is 25.4cm x 20.3cm (10" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
James Gillray's satirical print, "Cartoon, Introduction of Citizen Volpone & his Suite at Paris," published in 1802, offers a scathing commentary on the political landscape of Europe during the early 19th century. The image depicts a grand scene in Paris, with Napoleon Bonaparte seated on a throne, surrounded by adoring French citizens. British statesman Charles James Fox and his entourage are shown bowing respectfully before the French leader, an act of obeisance that would have been considered beneath the dignity of a British politician at the time. The print is a harsh criticism of the Whig party's willingness to pay homage to Bonaparte, who was seen as a threat to British interests. The title "Citizen Volpone" is a reference to the character from Ben Jonson's play "Volpone," a deceitful and manipulative figure. Here, Gillray uses the name to mock Fox and his colleagues, suggesting that they are acting like fawning courtiers rather than principled politicians. The print also references two contemporary publications: "Vide The Moniteur" and "Cobbetts Letters." The Moniteur was a French newspaper that reported on Napoleon's actions and decrees, while William Cobbett's letters were a series of anti-Napoleonic pamphlets that were popular in Britain. By alluding to these works, Gillray underscores the idea that Fox and his colleagues are giving in to French propaganda and ignoring the warnings of those who opposed Napoleon. Overall, this cartoon is a powerful example of the satirical commentary that was common during the Napoleonic Wars. It reflects the complex political dynamics of the time and highlights the tensions between Britain and France. Despite its harsh criticism, however, it also reveals the enduring power of political theater and the ability of art to shape public opinion.
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