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Fine Art Print : Cartoon, Introduction of Citizen Volpone... at Paris
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Cartoon, Introduction of Citizen Volpone... at Paris
Cartoon, Introduction of Citizen Volpone & his Suite at Paris, Vide The Moniteur, & Cobbetts Letters, by James Gillray. Showing Charles James Fox and his entourage bowing respectfully to Napoleon Bonaparte who sits on a throne. Date: 1802
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Media ID 14230253
© The Sharp Illustration Collection / Mary Evans Picture Library
1800s 1802 Bonaparte Bowing Citizen Cobbett Comment Criticism Curtsey Curtseying Entourage Etiquette Gillray Harsh Homage Introduction Letters Monitor Napoleon Respect Respectful Satire Satirical Suite Throne Whig Whigs Moniteur Obeisance Siting Vide Volpone
20"x16" (+3" Border) Fine Art Print
Experience the wit and satire of 18th-century British cartoonist James Gillray with our exquisite selection from the Media Storehouse range of Fine Art Prints. This captivating piece, titled "Introduction of Citizen Volpone & his Suite at Paris," showcases Gillray's iconic depiction of Charles James Fox, published in The Moniteur and Cobbetts Letters. Observe the intricate details and vibrant colors as you bring a piece of historical art into your home or office. Each print is meticulously reproduced from the original at Mary Evans Prints Online, ensuring the highest quality and authenticity. Elevate your space with a touch of history and humor - order your Fine Art Print today.
20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 50.8cm x 35.4cm (20" x 13.9")
Estimated Product Size is 66cm x 55.9cm (26" x 22")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
James Gillray's satirical print, "Cartoon, Introduction of Citizen Volpone & his Suite at Paris," published in 1802, offers a scathing commentary on the political landscape of Europe during the early 19th century. The image depicts a grand scene in Paris, with Napoleon Bonaparte seated on a throne, surrounded by adoring French citizens. British statesman Charles James Fox and his entourage are shown bowing respectfully before the French leader, an act of obeisance that would have been considered beneath the dignity of a British politician at the time. The print is a harsh criticism of the Whig party's willingness to pay homage to Bonaparte, who was seen as a threat to British interests. The title "Citizen Volpone" is a reference to the character from Ben Jonson's play "Volpone," a deceitful and manipulative figure. Here, Gillray uses the name to mock Fox and his colleagues, suggesting that they are acting like fawning courtiers rather than principled politicians. The print also references two contemporary publications: "Vide The Moniteur" and "Cobbetts Letters." The Moniteur was a French newspaper that reported on Napoleon's actions and decrees, while William Cobbett's letters were a series of anti-Napoleonic pamphlets that were popular in Britain. By alluding to these works, Gillray underscores the idea that Fox and his colleagues are giving in to French propaganda and ignoring the warnings of those who opposed Napoleon. Overall, this cartoon is a powerful example of the satirical commentary that was common during the Napoleonic Wars. It reflects the complex political dynamics of the time and highlights the tensions between Britain and France. Despite its harsh criticism, however, it also reveals the enduring power of political theater and the ability of art to shape public opinion.
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