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Poster Print : Villa. Jean. 29 ans, ne a Farini d Olma (Italie). Manoeuvre. Anarchiste. 2 / 3 / 94

Villa. Jean. 29 ans, ne a Farini d Olma (Italie). Manoeuvre. Anarchiste. 2  /  3  /  94




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Villa. Jean. 29 ans, ne a Farini d Olma (Italie). Manoeuvre. Anarchiste. 2 / 3 / 94

Villa. Jean. 29 ans, ne a Farini d Olma (Italie). Manoeuvre. Anarchiste. 2/3/94. 1894

Heritage Images features heritage image collections

Media ID 20138390

© Heritage Art/Heritage Images

Alphonse Alphonse Bertillon Anarchism Anarchist Anthropology Anthropometry Arrest Arrested Bertillon Bertillon Alphonse Bertillonage Criminal Identification Mug Shot Mugshot Physical Anthropology Albumen Silver Print


18x24 inch Poster Print

Step back in time with our captivating Villa Jean poster print from the Media Storehouse collection. This vintage image, captured by renowned photographer Alphonse Bertillon in 1894, showcases a 29-year-old Italian woman named Jean, identified as being from Farini d'Olma. Known for her maneuvers and anarchist beliefs, this intriguing portrait offers a glimpse into the past. Add a touch of history and character to your space with this striking, museum-quality poster print.

Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 46.3cm x 61.6cm (18.2" x 24.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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> Arts > Contemporary art > Photography > Portraits

> Arts > Contemporary art > Portraits > Portrait photography

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Street art graffiti > Portraits > Portrait photography

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> Popular Themes > Politics


EDITORS COMMENTS
This photo print, titled "Villa. Jean. 29 ans, ne a Farini d Olma (Italie). Manoeuvre. Anarchiste. 2 / 3 / 94" takes us back to the late 19th century and offers a glimpse into the intriguing world of Alphonse Bertillon's anthropometry. The image showcases Villa Jean, a man of Italian origin who was just twenty-nine years old at the time this photograph was taken in 1894. A laborer by profession, he also identified himself as an anarchist - a political ideology that challenged societal norms during that era. Alphonse Bertillon, renowned for his pioneering work in criminal identification and physical anthropology, captured this arresting mugshot as part of his groundbreaking research on identifying individuals based on their unique body measurements. As we delve into this historical artifact, we are transported to France where Villa Jean found himself entangled with the law enforcement authorities due to his alleged involvement in criminal activities or association with like-minded anarchists. Displayed at The Metropolitan Museum of Art under its heritage art collection, this albumen silver print serves as both documentation and testament to the intersection between science and politics during a transformative period in history. Through Bertillon's lens, we witness not only an individual but also a snapshot of an entire movement challenging authority and advocating for radical change within society. This thought-provoking portrait invites us to reflect upon our own notions of identity, crime, and social order while

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