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Fine Art Print : Villa. Jean. 29 ans, ne a Farini d Olma (Italie). Manoeuvre. Anarchiste. 2 / 3 / 94

Villa. Jean. 29 ans, ne a Farini d Olma (Italie). Manoeuvre. Anarchiste. 2  /  3  /  94



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Villa. Jean. 29 ans, ne a Farini d Olma (Italie). Manoeuvre. Anarchiste. 2 / 3 / 94

Villa. Jean. 29 ans, ne a Farini d Olma (Italie). Manoeuvre. Anarchiste. 2/3/94. 1894

Heritage Images features heritage image collections

Media ID 20138390

© Heritage Art/Heritage Images

Alphonse Alphonse Bertillon Anarchism Anarchist Anthropology Anthropometry Arrest Arrested Bertillon Bertillon Alphonse Bertillonage Criminal Identification Mug Shot Mugshot Physical Anthropology Albumen Silver Print


20"x16" (+3" Border) Fine Art Print

Discover the captivating essence of turn-of-the-century anarchy with this exquisite fine art print from Media Storehouse. Featuring the enigmatic figure of Jean, a 29-year-old anarchist from Farini d'Olma, Italy, captured in a defiant moment by renowned photographer Alphonse Bertillon in 1894. This evocative image, titled "Manoeuvre," invites you to delve into the rich history of political upheaval and social change. Bring the raw energy and revolutionary spirit of the past into your contemporary space, and let this fine art print ignite conversation and inspire reflection.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 55.9cm x 66cm (22" x 26")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Contemporary art > Photography > Portraits

> Arts > Contemporary art > Portraits > Portrait photography

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Street art graffiti > Portraits > Portrait photography

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> Popular Themes > Politics


EDITORS COMMENTS
This photo print, titled "Villa. Jean. 29 ans, ne a Farini d Olma (Italie). Manoeuvre. Anarchiste. 2 / 3 / 94" takes us back to the late 19th century and offers a glimpse into the intriguing world of Alphonse Bertillon's anthropometry. The image showcases Villa Jean, a man of Italian origin who was just twenty-nine years old at the time this photograph was taken in 1894. A laborer by profession, he also identified himself as an anarchist - a political ideology that challenged societal norms during that era. Alphonse Bertillon, renowned for his pioneering work in criminal identification and physical anthropology, captured this arresting mugshot as part of his groundbreaking research on identifying individuals based on their unique body measurements. As we delve into this historical artifact, we are transported to France where Villa Jean found himself entangled with the law enforcement authorities due to his alleged involvement in criminal activities or association with like-minded anarchists. Displayed at The Metropolitan Museum of Art under its heritage art collection, this albumen silver print serves as both documentation and testament to the intersection between science and politics during a transformative period in history. Through Bertillon's lens, we witness not only an individual but also a snapshot of an entire movement challenging authority and advocating for radical change within society. This thought-provoking portrait invites us to reflect upon our own notions of identity, crime, and social order while

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