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Poster Print : A pause for instruction from film producer Anthony Asquith, Twickenham, London, c1932

A pause for instruction from film producer Anthony Asquith, Twickenham, London, c1932




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A pause for instruction from film producer Anthony Asquith, Twickenham, London, c1932

A pause for instruction from film producer Anthony Asquith, Twickenham, London, c1932. During the making of the Gainsborough Pictures film, The Lucky Number. Asquith (1902-1968) (right) with actor Clifford Mollison (1897-1986) (left), and Arsenal footballers Eddie Hapgood (1908-1973), Tom Whittaker (1898-1956) and Cliff Bastin (1912-1991). A print from Football Ambassador by EA (Eddie) Hapgood, Sporting Handbooks LTD, London, 1945

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Media ID 14952959

© The Print Collector / Heritage-Images

Anthony Arsenal Football Club Asquith Camera Cine Camera Cinema Cinematograph Camera Cinematography Cliff Clifford Director Eddie Eddie Hapgood Edris Albert Hapgood Edris Hapgood Explaining Film Film Camera Film Director Film Studios Filming Football Football Kit Football Team Footballer Hands On Hips Hapgood Listening Mollison Movie Moving Picture Player Print Collector18 Producer Richmond Upon Thames Show Business Sports Personality Sportsman Twickenham Bastin Whittaker


18x24 inch Poster Print

Step back in time with our exclusive Media Storehouse Poster Print of "A Pause for Instruction" from the set of the 1932 Gainsborough Pictures film, The Lucky Number. This captivating image features film producer Anthony Asquith giving instructions to actors Clifford Mollison, Eddie Hapgood, Tom Whittaker, and Cliff Bastin on the Twickenham film set in London. A must-have for film history enthusiasts and vintage photography collectors, this high-quality poster print brings a piece of cinematic history into your home or office.

Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 61.6cm x 46.3cm (24.3" x 18.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Heritage Images > Father's Day

> Arts > Contemporary art > Photography > Portraits

> Arts > Contemporary art > Portraits > Portrait photography

> Arts > Film

> Arts > Minimalist artwork > Monochrome artwork > Monochrome photography

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Street art graffiti > Portraits > Portrait photography

> Europe > United Kingdom > England > London > Art > Entertainment

> Europe > United Kingdom > England > London > Art > Film

> Europe > United Kingdom > England > London > Boroughs > Richmond upon Thames


EDITORS COMMENTS
In this photo print, taken in Twickenham, London circa 1932, we witness a momentous pause for instruction from renowned film producer Anthony Asquith. The scene unfolds during the making of the Gainsborough Pictures film, The Lucky Number. Asquith stands on the right side of the frame, his commanding presence evident as he imparts wisdom to actor Clifford Mollison on the left. However, what makes this image truly unique is the unexpected addition of three Arsenal footballers - Eddie Hapgood, Tom Whittaker, and Cliff Bastin. The convergence of these two worlds - cinema and sports - creates an intriguing juxtaposition that sparks curiosity. It seems that even amidst their busy schedules as professional athletes, these footballers found time to be part of this cinematic endeavor. Perhaps they were drawn by Asquith's reputation or simply intrigued by the allure of being involved in a movie production. As we delve into this snapshot frozen in time, it becomes apparent that collaboration knows no boundaries. Here we have individuals from different walks of life united by their passion for their respective crafts: filmmaking and football. This photograph serves as a testament to the power of artistry transcending barriers and bringing people together. Preserved through decades within its monochrome hues lies not only a visual record but also a reminder that creativity has no limits when it comes to forging connections between diverse realms such as entertainment and sport.

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