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Poster Print : The Writing on the Wall. American lithograph cartoon by Joseph Keppler, 1884, depicting prominent Republicans at a modern-day Belshazzars feast, which has been thrown into an uproar over the rejection by many party members of their reputedly corrupt presidential nominee, James G. Blaine (standing at left)
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The Writing on the Wall. American lithograph cartoon by Joseph Keppler, 1884, depicting prominent Republicans at a modern-day Belshazzars feast, which has been thrown into an uproar over the rejection by many party members of their reputedly corrupt presidential nominee, James G. Blaine (standing at left)
BLAINE CARTOON, 1884.
The Writing on the Wall. American lithograph cartoon by Joseph Keppler, 1884, depicting prominent Republicans at a modern-day Belshazzars feast, which has been thrown into an uproar over the rejection by many party members of their reputedly corrupt presidential nominee, James G. Blaine (standing at left)
Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age
Media ID 7785275
1884 Belshazzar Blaine Cabbage Candidate Canvassing Corruption Crime Cyrus Feast Feather Field Gillespie Gould Joseph Keppler Logan New York News Paper Reid Republican Party Satire Secretary Of State Tattoo Tribune Vanderbilt Wall Writing Whitelaw Will I Am Writing On The Wall
18x24 inch Poster Print
Step back in time with our captivating collection of historical poster prints from Granger Art on Demand. This intriguing piece, titled "The Writing on the Wall," is a lithograph cartoon by Joseph Keppler from 1884. Witness the drama unfold as prominent Republicans gather for a modern-day Belshazzar's feast, with the corrupt presidential nominee, James G. Blaine, standing at left. This iconic image, a commentary on the political turmoil of its time, makes a striking addition to any history or political enthusiast's space. Order your "The Writing on the Wall" poster print today and bring a piece of American history into your home or office.
Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Estimated Product Size is 61.6cm x 46.3cm (24.3" x 18.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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The Writing on the Wall
EDITORS COMMENTS
is a powerful lithograph cartoon by Joseph Keppler, created in 1884. The image depicts a modern-day Belshazzar's feast, where prominent Republicans are thrown into an uproar over the rejection of their corrupt presidential nominee, James G. Blaine. Standing at the left side of the picture, Blaine symbolizes the center of controversy and discontent within his own party. The cartoon captures the essence of political satire and corruption prevalent during that era. It showcases various Republican figures such as Jay Gould, Cyrus Field, Whitelaw Reid, and many others engaged in heated discussions around a table filled with lavish food and drinks. Each character is portrayed with distinct features like beards or mustaches that were popular at that time. The title "The Writing on the Wall" alludes to an ancient biblical story where mysterious writing appeared on King Belshazzar's palace wall foretelling his downfall. In this context, it represents the impending doom faced by Blaine and his supporters due to their alleged involvement in unethical practices. Keppler's artwork not only serves as a commentary on political corruption but also highlights divisions within parties during election campaigns. Through clever symbolism and detailed illustrations, he effectively conveys his message about moral decay within American politics. This historic lithograph remains relevant today as it reminds us of how power struggles can lead to internal conflicts within political parties while shedding light on issues surrounding campaign finance reform and ethical leadership in government institutions.
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