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Canvas Print : The Writing on the Wall. American lithograph cartoon by Joseph Keppler, 1884, depicting prominent Republicans at a modern-day Belshazzars feast, which has been thrown into an uproar over the rejection by many party members of their reputedly corrupt presidential nominee, James G. Blaine (standing at left)
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The Writing on the Wall. American lithograph cartoon by Joseph Keppler, 1884, depicting prominent Republicans at a modern-day Belshazzars feast, which has been thrown into an uproar over the rejection by many party members of their reputedly corrupt presidential nominee, James G. Blaine (standing at left)
BLAINE CARTOON, 1884.
The Writing on the Wall. American lithograph cartoon by Joseph Keppler, 1884, depicting prominent Republicans at a modern-day Belshazzars feast, which has been thrown into an uproar over the rejection by many party members of their reputedly corrupt presidential nominee, James G. Blaine (standing at left)
Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age
Media ID 7785275
1884 Belshazzar Blaine Cabbage Candidate Canvassing Corruption Crime Cyrus Feast Feather Field Gillespie Gould Joseph Keppler Logan New York News Paper Reid Republican Party Satire Secretary Of State Tattoo Tribune Vanderbilt Wall Writing Whitelaw Will I Am Writing On The Wall
30"x20" (76x51cm) Canvas Print
Step back in time with our captivating Canvas Prints from Media Storehouse, featuring the iconic 1884 political cartoon "The Writing on the Wall" by Joseph Keppler from Granger Art on Demand. Witness the dramatic scene of prominent Republicans gathered at a modern-day Belshazzar's feast, as depicted in this American lithograph. The uproar over the rejection of their corrupt presidential nominee, James G. Blaine, is brought to life in vivid detail. Add this historical masterpiece to your home or office to spark intrigue and start a conversation. Each Canvas Print is expertly crafted using premium materials and high-definition printing techniques, ensuring a stunning and long-lasting addition to your decor. Experience the past in a whole new way with Media Storehouse Canvas Prints.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 76.2cm x 50.8cm (30" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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The Writing on the Wall
EDITORS COMMENTS
is a powerful lithograph cartoon by Joseph Keppler, created in 1884. The image depicts a modern-day Belshazzar's feast, where prominent Republicans are thrown into an uproar over the rejection of their corrupt presidential nominee, James G. Blaine. Standing at the left side of the picture, Blaine symbolizes the center of controversy and discontent within his own party. The cartoon captures the essence of political satire and corruption prevalent during that era. It showcases various Republican figures such as Jay Gould, Cyrus Field, Whitelaw Reid, and many others engaged in heated discussions around a table filled with lavish food and drinks. Each character is portrayed with distinct features like beards or mustaches that were popular at that time. The title "The Writing on the Wall" alludes to an ancient biblical story where mysterious writing appeared on King Belshazzar's palace wall foretelling his downfall. In this context, it represents the impending doom faced by Blaine and his supporters due to their alleged involvement in unethical practices. Keppler's artwork not only serves as a commentary on political corruption but also highlights divisions within parties during election campaigns. Through clever symbolism and detailed illustrations, he effectively conveys his message about moral decay within American politics. This historic lithograph remains relevant today as it reminds us of how power struggles can lead to internal conflicts within political parties while shedding light on issues surrounding campaign finance reform and ethical leadership in government institutions.
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