Remorse Collection

There was an Old Man whose remorse, induced him to drink Caper Sauce (coloured engraving)
8634376 There was an Old Man whose remorse, induced him to drink Caper Sauce (coloured engraving) by Lear, Edward (1812-88) (after); Private Collection; (add.info)

"Joan and I have only one regret about the new little home - the aerodrome is just over the hedge" (litho)
8630550 "Joan and I have only one regret about the new little home - the aerodrome is just over the hedge" (litho) by Pont (Graham Laidler) (1908-40); Private Collection; (add.info)

The Road to Matrimony (litho)
8656915 The Road to Matrimony (litho) by English School, (20th century); Private Collection; (add.info.: The Road to Matrimony. Postcard, early 20th century.); © Look and Learn.

Madame Marie Jacqueline Levesque as Milady Adermale in Remorse, Le Remords, Ambigu Comique, 1824
FLO4606766 Madame Marie Jacqueline Levesque as Milady Adermale in Remorse, Le Remords, Ambigu Comique, 1824. Handcoloured lithograph by F

There was an Old Person of Pett, who was partly consumed by regret (coloured engraving)
8634380 There was an Old Person of Pett, who was partly consumed by regret (coloured engraving) by Lear, Edward (1812-88) (after); Private Collection; (add.info.: There was an Old Person of Pett)

"The Ivory Carver" - painted by E. H. Wehnert, 1857. Creator: Unknown
"The Ivory Carver" - painted by E. H. Wehnert, 1857. Charles Boxer, an American poet of some reputation, has furnished the subject of the picture by Mr

Graffiti Clean Up and Removal. Glasgow, 1977, Sergeant Ian Richardson yesterday let his bucket and mop brigade on Operation Clean Up

The Philistines took him, and put out his eyes, mid 19th century. Creator: WH Egleton
The Philistines took him, and put out his eyes, mid 19th century. Biblical scene, from Judges 16: 21: But the Philistines took him, and put out his eyes, and brought him down to Gaza

Judas, 1922. Creator: Henry Traut
Judas, 1922. Guido Mayr as Judas with the purse containing the thirty pieces of silver: player in the Oberammergau Passion Play

Penitent Magdalene, 1654, by Juan Carreno de Miranda
Juan Carreno de Miranda (1614-1685). Spanish painter. Penitent Magdalene, 1654. Detail. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

TRAVIATA - LIEBIG - 6
Act three, final scene : Violetta dies, and even Alfredo's father is filled with remorse... Date: first performed 1853

Lamentation over the dead Christ, 1360-65 circa, (tempera on wood)
7146400 Lamentation over the dead Christ, 1360-65 circa, (tempera on wood) by Giottino, Tommaso di Stefano (fl.1368); Galleria degli Uffizi, Florence, Tuscany

Saint Peter crying, 1639, (oil on canvas)
7130062 Saint Peter crying, 1639, (oil on canvas) by Guercino (Giovanni Francesco Barbieri) (1591-1666); Museo Nazionale del Palazzo di Venezia, Rome, Italy; (add.info.: Saint Peter crying, 1639)

The Parable of the Prodigal Son, c. 1884 (Oil on canvas)
7212777 The Parable of the Prodigal Son, c.1884 (Oil on canvas) by Rich, William George (1857-after 1901); The Ms Gallery, London, UK; (add.info.: Rich)

The Return of the Lost Son, 1878 (oil on canvas)
490079 The Return of the Lost Son, 1878 (oil on canvas) by Jans, Edouard de (1855-1919); 81.5x100.5 cm; Groeningemuseum, Bruges, Belgium; (add.info.: The Parable of the Prodigal Son, Luke 15:11-32)

The beggar and his dog - a lesson to children (chromolitho)
6001831 The beggar and his dog - a lesson to children (chromolitho) by English School, (19th century); Private Collection; (add.info.: The beggar and his dog - a lesson to children)

Page from Symbols and Metaphors by Cynicus (colour litho)
2810390 Page from Symbols and Metaphors by Cynicus (colour litho) by Anderson, Martin " Cynicus" (1854-1932); Private Collection; (add.info)

Le remorse (sculpture)
JEB4870591 Le remorse (sculpture) by Amy, Jean Barnabe (1839-1907); 42x17x23 cm; Palais de Longchamp, Marseille, France; © Jean Bernard. All rights reserved 2022

Marie Madeleine penitente (oil on canvas)
JEB4853261 Marie Madeleine penitente (oil on canvas) by Pasqualino (Pasquale Rossi) (1639-1722); 71x59 cm; Palais de Longchamp, Marseille

Consolation (oil on canvas)
6448726 Consolation (oil on canvas) by Cary, Stephen Francis (1808-80); 86.4x111.8 cm; Private Collection; (add.info.: Cary, Stephen Francis (1808-80))

Safavid or Qajar tear catcher, 17th - 18th century (glass)
711005 Safavid or Qajar tear catcher, 17th - 18th century (glass) by Iranian School; height: 37 cm; Private Collection; (add.info.: with globular body)

Christiana and her children, an illustration from from The Pilgrims Progress by John Bunyan (colour litho)
7153563 Christiana and her children, an illustration from from The Pilgrims Progress by John Bunyan (colour litho) by English School

Conjugal habits: "Crenom, if we thought!... ", 1839 (illustration)
7211598 Conjugal habits: " Crenom, if we thought!...", 1839 (illustration) by Daumier, Honore (1808-79); (add.info.: Conjugal customs)

Weeping Man, 1850 / 59. Creator: Adolph Menzel
Weeping Man, 1850/59

Abstract Head; Abstrakter Kopf, c. 1921 (oil on panel)
1768252 Abstract Head; Abstrakter Kopf, c.1921 (oil on panel) by Jawlensky, Alexej von (1864-1941); 21.2x16.1 cm; Private Collection; (add.info.: Abstract Head; Abstrakter Kopf)

Breton at Pardon; Bretonne au Pardon, 1888 (oil on canvas)
827371 Breton at Pardon; Bretonne au Pardon, 1888 (oil on canvas) by Dagnan-Bouveret, Pascal Adolphe Jean (1852-1929); 97.2x57.2 cm; Private Collection; (add.info)

The Parables of Christ: The Parable of the Prodigal Son (chromolitho)
6001765 The Parables of Christ: The Parable of the Prodigal Son (chromolitho) by English School, (19th century); Private Collection; (add.info.: The Parables of Christ)

Perfect contrition (colour litho)
3095607 Perfect contrition (colour litho) by French School, (19th century); Private Collection; (add.info.: Perfect contrition. Contrition parfaite)

Delilah, illustration from Women of the Bible
IL281094 Delilah, illustration from Women of the Bible, published by The Religious Tract Society, 1927 (colour litho) by Copping, Harold (1863-1932); Private Collection; English, out of copyright

The Repentance of the Prodigal Son, 1883 (oil on canvas)
XIR222268 The Repentance of the Prodigal Son, 1883 (oil on canvas) by Rousselin, Auguste (fl.1883); 185x106 cm; Musee des Beaux-Arts, Pau

Joseph Revealing his Identity to his Brothers (oil on canvas)
AGN252218 Joseph Revealing his Identity to his Brothers (oil on canvas) by Giaquinto, Corrado (1690-1765); 48x38 cm; Private Collection; Photo eAgnew s, London; Italian, out of copyright

Marie Jacqueline Levesque as Milady Adermale
Madame Marie Jacqueline Levesque as Milady Adermale in Remorse, Le Remords, Ambigu Comique, 1824. Handcoloured lithograph by F

Remords, from a Collection of Fashion Plates, 1920 (pochoir print)
3443861 Remords, from a Collection of Fashion Plates, 1920 (pochoir print) by French School, (20th century); Private Collection; (add.info.: Costume de Chasse; ); The Stapleton Collection; French

A moving confrontation in court (colour litho)
2819131 A moving confrontation in court (colour litho) by French School, (20th century); Private Collection; (add.info.: A moving confrontation in court)

The Remorse of Lancelot (engraving)
3649292 The Remorse of Lancelot (engraving) by Dore, Gustave (1832-83) (after); Private Collection; (add.info.: The Remorse of Lancelot)

Refuge of Sinners, 1882 (oil on canvas)
703049 Refuge of Sinners, 1882 (oil on canvas) by Nono, Luigi (1850-1918); Galleria Nazionale d Arte Moderna e Contemporanea, Rome, Lazio, Italy; Italian, out of copyright

Laus Veneris, c. 1873-75 (oil on canvas)
TW426910 Laus Veneris, c.1873-75 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); 122.5x183.3 cm; Laing Art Gallery, Newcastle-upon-Tyne

Page from The Satires of Cynicus (colour litho)
2810421 Page from The Satires of Cynicus (colour litho) by Anderson, Martin " Cynicus" (1854-1932); Private Collection; (add.info.: Illustration for The Satires of Cynicus (His Studio)

Despair of Judas - Repentance of St Peter (chromolitho)
971992 Despair of Judas - Repentance of St Peter (chromolitho) by French School, (19th century); Private Collection; (add.info.: Despair of Judas - Repentance of St Peter)

Peters remorse, illustration from Harold Copping Pictures: The Crown Series
3036987 Peters remorse, illustration from Harold Copping Pictures: The Crown Series, c.1920s (colour litho) by Copping, Harold (1863-1932); Private Collection; (add.info)

Odalisque, 1925 (oil on canvas)
653397 Odalisque, 1925 (oil on canvas) by Lebasque, Henri (1865-1937); 72.5x99 cm; Private Collection; (add.info.: Odalisque. Henri Lebasque (1865-1937). Oil on canvas. Painted in 1925

Portrait of William Michael Rossetti (pencil on paper)
1199578 Portrait of William Michael Rossetti (pencil on paper) by Rossetti, Christina Georgina (1830-1894); 18.1x12.7 cm; Private Collection; (add.info.: Rossetti)

The Duchess of Gloucester does penance, 13 November 1441
984780 The Duchess of Gloucester does penance, 13 November 1441, from A Chronicle of England BC 55 to AD 1485 pub. London, 1863 (colour litho) by Doyle

A Man being Escorted to the Gallows (oil on canvas)
827910 A Man being Escorted to the Gallows (oil on canvas) by Nuvolone, Carlo Francesco (1609-1662); 187.6x229.5 cm; Private Collection; (add.info.: A Man being Escorted to the Gallows)

The Girl I Left Behind Me, c. 1872 (oil on canvas)
NUL384721 The Girl I Left Behind Me, c.1872 (oil on canvas) by Johnson, Eastman (1824-1906); 106x88.5 cm; American Art Museum, Smithsonian Institute, USA; American, out of copyright

The Restitution, 1901 (oil on canvas)
XIR26294 The Restitution, 1901 (oil on canvas) by Cogghe, Remy (1854-1935); 172x128 cm; Musee d Art et d Industrie, Roubaix, France; French, out of copyright

Adam lamenting his sinfulness, from a French edition of Paradise Lost
STC205078 Adam lamenting his sinfulness, from a French edition of Paradise Lost by John Milton (1608-74) engraved by Goulu and Rensonnette, published 1868 (litho) by Flatters

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"Remorse: A Glimpse into the Depths of Sorrow" In Juan Carreno de Miranda's masterpiece, "Penitent Magdalene, " painted in 1654, we witness a profound display of remorse. The sorrowful gaze and clasped hands of the Magdalene reveal her deep regret for past transgressions. TRAVIATA - LIEBIG - 6, an evocative composition from an opera scene, captures the essence through its haunting melodies. The protagonist's heart-wrenching lamentation echoes the pain felt after making irreversible mistakes. The tempera on wood painting titled "Lamentation over the dead Christ" (1360-65 circa) portrays raw anguish and grief. It serves as a timeless reminder that even divine figures are not immune to feelings of remorse. Saint Peter crying in his oil on canvas portrait from 1639 showcases how betrayal can lead to immense guilt. His tear-streaked face reflects the weight he carries for denying Jesus three times before his crucifixion. WH Egleton's mid-19th-century artwork depicts Samson's punishment by the Philistines who put out his eyes. This tragic moment symbolizes both physical and emotional torment, leaving Samson with eternal remorse for losing his strength due to succumbing to temptation. Edmund Joseph Sullivan's illustration from Robert Louis Stevenson's "The Strange Case of Dr Jekyll and Mr Hyde" (1927) delves into themes of inner conflict and moral regret. Dr Jekyll's transformation into Mr Hyde represents a descent into darkness fueled by remorseless actions. A poignant WW1 cartoon shows King Ferdinand of Bulgaria depicted alongside Judas, emphasizing how betrayal can haunt one forever. Remorse is etched upon their faces as they grapple with their treacherous deeds during wartime turmoil. Sergeant Ian Richardson featured in a photograph capturing Glasgow graffiti clean-up in 1977, reminding us that they are manifest in various forms.